Literature · Short Stories

Complete Original Short Stories of Guy De Maupassant 13

Part 1 · Chapter 6 (part 6)

HendersonEnglish

He hastened to the room overhead, where Rosalie was still sleeping in the same position as the night before, not having awakened once. He sent her to do her work, put fresh tapers in the place of those that had burnt out, and then he looked at his mother, revolving in his brain those apparently profound thoughts, those religious and philosophical commonplaces which trouble people of mediocre intelligence in the presence of death.

But, as his wife was calling him, he went downstairs. She had written out a list of what had to be done during the morning, and he was horrified when he saw the memorandum:

1. Report the death at the mayor's office. 2. See the doctor who had attended her. 3. Order the coffin. 4. Give notice at the church. 5. Go to the undertaker. 6. Order the notices of her death at the printer's. 7. Go to the lawyer. 8. Telegraph the news to all the family.

Besides all this, there were a number of small commissions; so he took his hat and went out. As the news had spread abroad, Madame Caravan's female friends and neighbors soon began to come in and begged to be allowed to see the body. There had been a scene between husband and wife at the hairdresser's on the ground floor about the matter, while a customer was being shaved. The wife, who was knitting steadily, said: “Well, there is one less, and as great a miser as one ever meets with. I certainly did not care for her; but, nevertheless, I must go and have a look at her.”

The husband, while lathering his patient's chin, said: “That is another queer fancy! Nobody but a woman would think of such a thing. It is not enough for them to worry you during life, but they cannot even leave you at peace when you are dead:” But his wife, without being in the least disconcerted, replied: “The feeling is stronger than I am, and I must go. It has been on me since the morning. If I were not to see her, I should think about it all my life; but when I have had a good look at her, I shall be satisfied.”

The knight of the razor shrugged his shoulders and remarked in a low voice to the gentleman whose cheek he was scraping: “I just ask you, what sort of ideas do you think these confounded females have? I should not amuse myself by going to see a corpse!” But his wife had heard him and replied very quietly: “But it is so, it is so.” And then, putting her knitting on the counter, she went upstairs to the first floor, where she met two other neighbors, who had just come, and who were discussing the event with Madame Caravan, who was giving them the details, and they all went together to the death chamber. The four women went in softly, and, one after the other, sprinkled the bed clothes with the salt water, knelt down, made the sign of the cross while they mumbled a prayer. Then they rose from their knees and looked for some time at the corpse with round, wide-open eyes and mouths partly open, while the daughter-in-law of the dead woman, with her handkerchief to her face, pretended to be sobbing piteously.

When she turned about to walk away whom should she perceive standing close to the door but Marie-Louise and Philippe-Auguste, who were curiously taking stock of all that was going on. Then, forgetting her pretended grief, she threw herself upon them with uplifted hands, crying out in a furious voice, “Will you get out of this, you horrid brats!”

Ten minutes later, going upstairs again with another contingent of neighbors, she prayed, wept profusely, performed all her duties, and found once more her two children, who had followed her upstairs. She again boxed their ears soundly, but the next time she paid no heed to them, and at each fresh arrival of visitors the two urchins always followed in the wake, kneeling down in a corner and imitating slavishly everything they saw their mother do.

When the afternoon came the crowds of inquisitive people began to diminish, and soon there were no more visitors. Madame Caravan, returning to her own apartments, began to make the necessary preparations for the funeral ceremony, and the deceased was left alone.

The window of the room was open. A torrid heat entered, along with clouds of dust; the flames of the four candles were flickering beside the immobile corpse, and upon the cloth which covered the face, the closed eyes, the two stretched-out hands, small flies alighted, came, went and careered up and down incessantly, being the only companions of the old woman for the time being.

Marie-Louise and Philippe-Auguste, however, had now left the house and were running up and down the street. They were soon surrounded by their playmates, by little girls especially, who were older and who were much more interested in all the mysteries of life, asking questions as if they were grown people.

“Then your grandmother is dead?” “Yes, she died yesterday evening.” “What does a dead person look like?”

Then Marie began to explain, telling all about the candles, the sprig of box and the face of the corpse. It was not long before great curiosity was aroused in the minds of all the children, and they asked to be allowed to go upstairs to look at the departed.

Marie-Louise at once organized a first expedition, consisting of five girls and two boys—the biggest and the most courageous. She made them take off their shoes so that they might not be discovered. The troupe filed into the house and mounted the stairs as stealthily as an army of mice.

Once in the chamber, the little girl, imitating her mother, regulated the ceremony. She solemnly walked in advance of her comrades, went down on her knees, made the sign of the cross, moved her lips as in prayer, rose, sprinkled the bed, and while the children, all crowded together, were approaching—frightened and curious and eager to look at the face and hands of the deceased—she began suddenly to simulate sobbing and to bury her eyes in her little handkerchief. Then, becoming instantly consoled, on thinking of the other children who were downstairs waiting at the door, she ran downstairs followed by the rest, returning in a minute with another group, then a third; for all the little ragamuffins of the countryside, even to the little beggars in rags, had congregated in order to participate in this new pleasure; and each time she repeated her mother's grimaces with absolute perfection.

At length, however, she became tired. Some game or other drew the children away from the house, and the old grandmother was left alone, forgotten suddenly by everybody.

The room was growing dark, and upon the dry and rigid features of the corpse the fitful flames of the candles cast patches of light.

Towards 8 o'clock Caravan ascended to the chamber of death, closed the windows and renewed the candles. He was now quite composed on entering the room, accustomed already to regard the corpse as though it had been there for months. He even went the length of declaring that, as yet, there were no signs of decomposition, making this remark just at the moment when he and his wife were about to sit down at table. “Pshaw!” she responded, “she is now stark and stiff; she will keep for a year.”

The soup was eaten in silence. The children, who had been left to themselves all day, now worn out by fatigue, were sleeping soundly on their chairs, and nobody ventured to break the silence.

Suddenly the flame of the lamp went down. Madame Caravan immediately turned up the wick, a hollow sound ensued, and the light went out. They had forgotten to buy oil. To send for it now to the grocer's would keep back the dinner, and they began to look for candles, but none were to be found except the tapers which had been placed upon the table upstairs in the death chamber.

Madame Caravan, always prompt in her decisions, quickly despatched Marie-Louise to fetch two, and her return was awaited in total darkness.

The footsteps of the girl who had ascended the stairs were distinctly heard. There was silence for a few seconds and then the child descended precipitately. She threw open the door and in a choking voice murmured: “Oh! papa, grandmamma is dressing herself!”

Caravan bounded to his feet with such precipitance that his chair fell over against the wall. He stammered out: “You say? . . . . What are you saying?”

But Marie-Louise, gasping with emotion, repeated: “Grand—grand —grandmamma is putting on her clothes, she is coming downstairs.”

Caravan rushed boldly up the staircase, followed by his wife, dumfounded; but he came to a standstill before the door of the second floor, overcome with terror, not daring to enter. What was he going to see? Madame Caravan, more courageous, turned the handle of the door and stepped forward into the room.

The old woman was standing up. In awakening from her lethargic sleep, before even regaining full consciousness, in turning upon her side and raising herself on her elbow, she had extinguished three of the candles which burned near the bed. Then, gaining strength, she got off the bed and began to look for her clothes. The absence of her chest of drawers had at first worried her, but, after a little, she had succeeded in finding her things at the bottom of the wooden box, and was now quietly dressing. She emptied the plateful of water, replaced the sprig of box behind the looking-glass, and arranged the chairs in their places, and was ready to go downstairs when there appeared before her her son and daughter-in-law.

Caravan rushed forward, seized her by the hands, embraced her with tears in his eyes, while his wife, who was behind him, repeated in a hypocritical tone of voice: “Oh, what a blessing! oh, what a blessing!”

But the old woman, without being at all moved, without even appearing to understand, rigid as a statue, and with glazed eyes, simply asked: “Will dinner soon be ready?”

He stammered out, not knowing what he said:

“Oh, yes, mother, we have been waiting for you.”

And with an alacrity unusual in him, he took her arm, while Madame Caravan, the younger, seized the candle and lighted them downstairs, walking backwards in front of them, step by step, just as she had done the previous night for her husband, who was carrying the marble.

On reaching the first floor, she almost ran against people who were ascending the stairs. It was the Charenton family, Madame Braux, followed by her husband.

The wife, tall and stout, with a prominent stomach, opened wide her terrified eyes and was ready to make her escape. The husband, a socialist shoemaker, a little hairy man, the perfect image of a monkey, murmured quite unconcerned: “Well, what next? Is she resurrected?”

As soon as Madame Caravan recognized them, she made frantic gestures to them; then, speaking aloud, she said: “Why, here you are! What a pleasant surprise!”

But Madame Braux, dumfounded, understood nothing. She responded in a low voice: “It was your telegram that brought us; we thought that all was over.”

Her husband, who was behind her, pinched her to make her keep silent. He added with a sly laugh, which his thick beard concealed: “It was very kind of you to invite us here. We set out post haste,” which remark showed the hostility which had for a long time reigned between the households. Then, just as the old woman reached the last steps, he pushed forward quickly and rubbed his hairy face against her cheeks, shouting in her ear, on account of her deafness: “How well you look, mother; sturdy as usual, hey!”

Madame Braux, in her stupefaction at seeing the old woman alive, whom they all believed to be dead, dared not even embrace her; and her enormous bulk blocked up the passageway and hindered the others from advancing. The old woman, uneasy and suspicious, but without speaking, looked at everyone around her; and her little gray eyes, piercing and hard, fixed themselves now on one and now on the other, and they were so full of meaning that the children became frightened.

Caravan, to explain matters, said: “She has been somewhat ill, but she is better now; quite well, indeed, are you not, mother?”

Then the good woman, continuing to walk, replied in a husky voice, as though it came from a distance: “It was syncope. I heard you all the while.”

An embarrassing silence followed. They entered the dining-room, and in a few minutes all sat down to an improvised dinner.

Only M. Braux had retained his self-possession. His gorilla features grinned wickedly, while he let fall some words of double meaning which painfully disconcerted everyone.

But the door bell kept ringing every second, and Rosalie, distracted, came to call Caravan, who rushed out, throwing down his napkin. His brother-in-law even asked him whether it was not one of his reception days, to which he stammered out in answer: “No, only a few packages; nothing more.”

A parcel was brought in, which he began to open carelessly, and the mourning announcements with black borders appeared unexpectedly. Reddening up to the very eyes, he closed the package hurriedly and pushed it under his waistcoat.

His mother had not seen it! She was looking intently at her clock which stood on the mantelpiece, and the embarrassment increased in midst of a dead silence. Turning her wrinkled face towards her daughter, the old woman, in whose eyes gleamed malice, said: “On Monday you must take me away from here, so that I can see your little girl. I want so much to see her.” Madame Braux, her features all beaming, exclaimed: “Yes, mother, that I will,” while Madame Caravan, the younger, who had turned pale, was ready to faint with annoyance. The two men, however, gradually drifted into conversation and soon became embroiled in a political discussion. Braux maintained the most revolutionary and communistic doctrines, his eyes glowing, and gesticulating and throwing about his arms. “Property, sir,” he said, “is a robbery perpetrated on the working classes; the land is the common property of every man; hereditary rights are an infamy and a disgrace.” But here he suddenly stopped, looking as if he had just said something foolish, then added in softer tones: “But this is not the proper moment to discuss such things.”

The door was opened and Dr. Chenet appeared. For a moment he seemed bewildered, but regaining his usual smirking expression of countenance, he jauntily approached the old woman and said: “Aha! mamma; you are better to-day. Oh! I never had any doubt but you would come round again; in fact, I said to myself as I was mounting the staircase, 'I have an idea that I shall find the old lady on her feet once more';” and as he patted her gently on the back: “Ah! she is as solid as the Pont-Neuf, she will bury us all; see if she does not.”

He sat down, accepted the coffee that was offered him, and soon began to join in the conversation of the two men, backing up Braux, for he himself had been mixed up in the Commune.

The old woman, now feeling herself fatigued, wished to retire. Caravan rushed forward. She looked him steadily in the eye and said: “You, you must carry my clock and chest of drawers upstairs again without a moment's delay.” “Yes, mamma,” he replied, gasping; “yes, I will do so.” The old woman then took the arm of her daughter and withdrew from the room. The two Caravans remained astounded, silent, plunged in the deepest despair, while Braux rubbed his hands and sipped his coffee gleefully.

Suddenly Madame Caravan, consumed with rage, rushed at him, exclaiming: “You are a thief, a footpad, a cur! I would spit in your face! I—I —would——” She could find nothing further to say, suffocating as she was with rage, while he went on sipping his coffee with a smile.

His wife returning just then, Madame Caravan attacked her sister-in-law, and the two women—the one with her enormous bulk, the other epileptic and spare, with changed voices and trembling hands flew at one another with words of abuse.

Chenet and Braux now interposed, and the latter, taking his better half by the shoulders, pushed her out of the door before him, shouting: “Go on, you slut; you talk too much”; and the two were heard in the street quarrelling until they disappeared from sight.

M. Chenet also took his departure, leaving the Caravans alone, face to face. The husband fell back on his chair, and with the cold sweat standing out in beads on his temples, murmured: “What shall I say to my chief to-morrow?”

BESIDE SCHOPENHAUER'S CORPSE

He was slowly dying, as consumptives die. I saw him each day, about two o'clock, sitting beneath the hotel windows on a bench in the promenade, looking out on the calm sea. He remained for some time without moving, in the heat of the sun, gazing mournfully at the Mediterranean. Every now and then, he cast a glance at the lofty mountains with beclouded summits that shut in Mentone; then, with a very slow movement, he would cross his long legs, so thin that they seemed like two bones, around which fluttered the cloth of his trousers, and he would open a book, always the same book. And then he did not stir any more, but read on, read on with his eye and his mind; all his wasting body seemed to read, all his soul plunged, lost, disappeared, in this book, up to the hour when the cool air made him cough a little. Then, he got up and reentered the hotel.

He was a tall German, with fair beard, who breakfasted and dined in his own room, and spoke to nobody.

A vague, curiosity attracted me to him. One day, I sat down by his side, having taken up a book, too, to keep up appearances, a volume of Musset's poems.

And I began to look through “Rolla.”

Suddenly, my neighbor said to me, in good French:

“Do you know German, monsieur?”

“Not at all, monsieur.”

“I am sorry for that. Since chance has thrown us side by side, I could have lent you, I could have shown you, an inestimable thing—this book which I hold in my hand.”

“What is it, pray?”

“It is a copy of my master, Schopenhauer, annotated with his own hand. All the margins, as you may see, are covered with his handwriting.”

I took the book from him reverently, and I gazed at these forms incomprehensible to me, but which revealed the immortal thoughts of the greatest shatterer of dreams who had ever dwelt on earth.

And Musset's verses arose in my memory:

“Hast thou found out, Voltaire, that it is bliss to die, And does thy hideous smile over thy bleached bones fly?”

And involuntarily I compared the childish sarcasm, the religious sarcasm of Voltaire with the irresistible irony of the German philosopher whose influence is henceforth ineffaceable.

Let us protest and let us be angry, let us be indignant, or let us be enthusiastic, Schopenhauer has marked humanity with the seal of his disdain and of his disenchantment.

A disabused pleasure-seeker, he overthrew beliefs, hopes, poetic ideals and chimeras, destroyed the aspirations, ravaged the confidence of souls, killed love, dragged down the chivalrous worship of women, crushed the illusions of hearts, and accomplished the most gigantic task ever attempted by scepticism. He spared nothing with his mocking spirit, and exhausted everything. And even to-day those who execrate him seem to carry in their own souls particles of his thought.

“So, then, you were intimately acquainted with Schopenhauer?” I said to the German.

He smiled sadly.

“Up to the time of his death, monsieur.”

And he spoke to me about the philosopher and told me about the almost supernatural impression which this strange being made on all who came near him.

He gave me an account of the interview of the old iconoclast with a French politician, a doctrinaire Republican, who wanted to get a glimpse of this man, and found him in a noisy tavern, seated in the midst of his disciples, dry, wrinkled, laughing with an unforgettable laugh, attacking and tearing to pieces ideas and beliefs with a single word, as a dog tears with one bite of his teeth the tissues with which he plays.

He repeated for me the comment of this Frenchman as he went away, astonished and terrified: “I thought I had spent an hour with the devil.”

Then he added:

“He had, indeed, monsieur, a frightful smile, which terrified us even after his death. I can tell you an anecdote about it that is not generally known, if it would interest you.”

And he began, in a languid voice, interrupted by frequent fits of coughing.

“Schopenhauer had just died, and it was arranged that we should watch, in turn, two by two, till morning.

“He was lying in a large apartment, very simple, vast and gloomy. Two wax candles were burning on the stand by the bedside.

“It was midnight when I went on watch, together with one of our comrades. The two friends whom we replaced had left the apartment, and we came and sat down at the foot of the bed.

“The face was not changed. It was laughing. That pucker which we knew so well lingered still around the corners of the lips, and it seemed to us that he was about to open his eyes, to move and to speak. His thought, or rather his thoughts, enveloped us. We felt ourselves more than ever in the atmosphere of his genius, absorbed, possessed by him. His domination seemed to be even more sovereign now that he was dead. A feeling of mystery was blended with the power of this incomparable spirit.

“The bodies of these men disappear, but they themselves remain; and in the night which follows the cessation of their heart's pulsation I assure you, monsieur, they are terrifying.

“And in hushed tones we talked about him, recalling to mind certain sayings, certain formulas of his, those startling maxims which are like jets of flame flung, in a few words, into the darkness of the Unknown Life.

“'It seems to me that he is going to speak,' said my comrade. And we stared with uneasiness bordering on fear at the motionless face, with its eternal laugh. Gradually, we began to feel ill at ease, oppressed, on the point of fainting. I faltered:

“'I don't know what is the matter with me, but, I assure you I am not well.'

“And at that moment we noticed that there was an unpleasant odor from the corpse.

“Then, my comrade suggested that we should go into the adjoining room, and leave the door open; and I assented to his proposal.

“I took one of the wax candles which burned on the stand, and I left the second behind. Then we went and sat down at the other end of the adjoining apartment, in such a position that we could see the bed and the corpse, clearly revealed by the light.

“But he still held possession of us. One would have said that his immaterial essence, liberated, free, all-powerful and dominating, was flitting around us. And sometimes, too, the dreadful odor of the decomposed body came toward us and penetrated us, sickening and indefinable.

“Suddenly a shiver passed through our bones: a sound, a slight sound, came from the death-chamber. Immediately we fixed our glances on him, and we saw, yes, monsieur, we saw distinctly, both of us, something white pass across the bed, fall on the carpet, and vanish under an armchair.

“We were on our feet before we had time to think of anything, distracted by stupefying terror, ready to run away. Then we stared at each other. We were horribly pale. Our hearts throbbed fiercely enough to have raised the clothing on our chests. I was the first to speak:

“'Did you see?'

“'Yes, I saw.'

“'Can it be that he is not dead?'

“'Why, when the body is putrefying?'

“'What are we to do?'

“My companion said in a hesitating tone:

“'We must go and look.'

“I took our wax candle and entered first, glancing into all the dark corners in the large apartment. Nothing was moving now, and I approached the bed. But I stood transfixed with stupor and fright:

“Schopenhauer was no longer laughing! He was grinning in a horrible fashion, with his lips pressed together and deep hollows in his cheeks. I stammered out:

“'He is not dead!'

“But the terrible odor ascended to my nose and stifled me. And I no longer moved, but kept staring fixedly at him, terrified as if in the presence of an apparition.

“Then my companion, having seized the other wax candle, bent forward. Next, he touched my arm without uttering a word. I followed his glance, and saw on the ground, under the armchair by the side of the bed, standing out white on the dark carpet, and open as if to bite, Schopenhauer's set of artificial teeth.

“The work of decomposition, loosening the jaws, had made it jump out of the mouth.

“I was really frightened that day, monsieur.”

And as the sun was sinking toward the glittering sea, the consumptive German rose from his seat, gave me a parting bow, and retired into the hotel.

ORIGINAL SHORT STORIES, Vol. 3.

GUY DE MAUPASSANT ORIGINAL SHORT STORIES Translated by ALBERT M. C. McMASTER, B.A. A. E. HENDERSON, B.A. MME. QUESADA and Others

VOLUME III.

MISS HARRIET

There were seven of us on a drag, four women and three men; one of the latter sat on the box seat beside the coachman. We were ascending, at a snail's pace, the winding road up the steep cliff along the coast.

Setting out from Etretat at break of day in order to visit the ruins of Tancarville, we were still half asleep, benumbed by the fresh air of the morning. The women especially, who were little accustomed to these early excursions, half opened and closed their eyes every moment, nodding their heads or yawning, quite insensible to the beauties of the dawn.

It was autumn. On both sides of the road stretched the bare fields, yellowed by the stubble of wheat and oats which covered the soil like a beard that had been badly shaved. The moist earth seemed to steam. Larks were singing high up in the air, while other birds piped in the bushes.

The sun rose at length in front of us, bright red on the plane of the horizon, and in proportion as it ascended, growing clearer from minute to minute, the country seemed to awake, to smile, to shake itself like a young girl leaving her bed in her white robe of vapor. The Comte d'Etraille, who was seated on the box, cried:

“Look! look! a hare!” and he extended his arm toward the left, pointing to a patch of clover. The animal scurried along, almost hidden by the clover, only its large ears showing. Then it swerved across a furrow, stopped, started off again at full speed, changed its course, stopped anew, uneasy, spying out every danger, uncertain what route to take, when suddenly it began to run with great bounds, disappearing finally in a large patch of beet-root. All the men had waked up to watch the course of the animal.

Rene Lamanoir exclaimed:

“We are not at all gallant this morning,” and; regarding his neighbor, the little Baroness de Serennes, who struggled against sleep, he said to her in a low tone: “You are thinking of your husband, baroness. Reassure yourself; he will not return before Saturday, so you have still four days.”

She answered with a sleepy smile:

“How stupid you are!” Then, shaking off her torpor, she added: “Now, let somebody say something to make us laugh. You, Monsieur Chenal, who have the reputation of having had more love affairs than the Duc de Richelieu, tell us a love story in which you have played a part; anything you like.”

Leon Chenal, an old painter, who had once been very handsome, very strong, very proud of his physique and very popular with women, took his long white beard in his hand and smiled. Then, after a few moments' reflection, he suddenly became serious.

“Ladies, it will not be an amusing tale, for I am going to relate to you the saddest love affair of my life, and I sincerely hope that none of my friends may ever pass through a similar experience.

“I was twenty-five years of age and was pillaging along the coast of Normandy. I call 'pillaging' wandering about, with a knapsack on one's back, from inn to inn, under the pretext of making studies and sketching landscapes. I knew nothing more enjoyable than that happy-go-lucky wandering life, in which one is perfectly free, without shackles of any kind, without care, without preoccupation, without thinking even of the morrow. One goes in any direction one pleases, without any guide save his fancy, without any counsellor save his eyes. One stops because a running brook attracts one, because the smell of potatoes frying tickles one's olfactories on passing an inn. Sometimes it is the perfume of clematis which decides one in his choice or the roguish glance of the servant at an inn. Do not despise me for my affection for these rustics. These girls have a soul as well as senses, not to mention firm cheeks and fresh lips; while their hearty and willing kisses have the flavor of wild fruit. Love is always love, come whence it may. A heart that beats at your approach, an eye that weeps when you go away are things so rare, so sweet, so precious that they must never be despised.

“I have had rendezvous in ditches full of primroses, behind the cow stable and in barns among the straw, still warm from the heat of the day. I have recollections of coarse gray cloth covering supple peasant skin and regrets for simple, frank kisses, more delicate in their unaffected sincerity than the subtle favors of charming and distinguished women.

“But what one loves most amid all these varied adventures is the country, the woods, the rising of the sun, the twilight, the moonlight. These are, for the painter, honeymoon trips with Nature. One is alone with her in that long and quiet association. You go to sleep in the fields, amid marguerites and poppies, and when you open your eyes in the full glare of the sunlight you descry in the distance the little village with its pointed clock tower which sounds the hour of noon.

“You sit down by the side of a spring which gushes out at the foot of an oak, amid a growth of tall, slender weeds, glistening with life. You go down on your knees, bend forward and drink that cold, pellucid water which wets your mustache and nose; you drink it with a physical pleasure, as though you kissed the spring, lip to lip. Sometimes, when you find a deep hole along the course of these tiny brooks, you plunge in quite naked, and you feel on your skin, from head to foot, as it were, an icy and delicious caress, the light and gentle quivering of the stream.

“You are gay on the hills, melancholy on the edge of ponds, inspired when the sun is setting in an ocean of blood-red clouds and casts red reflections or the river. And at night, under the moon, which passes across the vault of heaven, you think of a thousand strange things which would never have occurred to your mind under the brilliant light of day.

“So, in wandering through the same country where we, are this year, I came to the little village of Benouville, on the cliff between Yport and Etretat. I came from Fecamp, following the coast, a high coast as straight as a wall, with its projecting chalk cliffs descending perpendicularly into the sea. I had walked since early morning on the short grass, smooth and yielding as a carpet, that grows on the edge of the cliff. And, singing lustily, I walked with long strides, looking sometimes at the slow circling flight of a gull with its white curved wings outlined on the blue sky, sometimes at the brown sails of a fishing bark on the green sea. In short, I had passed a happy day, a day of liberty and of freedom from care.

“A little farmhouse where travellers were lodged was pointed out to me, a kind of inn, kept by a peasant woman, which stood in the centre of a Norman courtyard surrounded by a double row of beeches.

“Leaving the coast, I reached the hamlet, which was hemmed in by great trees, and I presented myself at the house of Mother Lecacheur.

“She was an old, wrinkled and stern peasant woman, who seemed always to receive customers under protest, with a kind of defiance.

“It was the month of May. The spreading apple trees covered the court with a shower of blossoms which rained unceasingly both upon people and upon the grass.

“I said: 'Well, Madame Lecacheur, have you a room for me?'

“Astonished to find that I knew her name, she answered:

“'That depends; everything is let, but all the same I can find out.”

“In five minutes we had come to an agreement, and I deposited my bag upon the earthen floor of a rustic room, furnished with a bed, two chairs, a table and a washbowl. The room looked into the large, smoky kitchen, where the lodgers took their meals with the people of the farm and the landlady, who was a widow.

“I washed my hands, after which I went out. The old woman was making a chicken fricassee for dinner in the large fireplace in which hung the iron pot, black with smoke.

“'You have travellers, then, at the present time?' said I to her.

“She answered in an offended tone of voice:

“'I have a lady, an English lady, who has reached years of maturity. She occupies the other room.'

“I obtained, by means of an extra five sous a day, the privilege of dining alone out in the yard when the weather was fine.

“My place was set outside the door, and I was beginning to gnaw the lean limbs of the Normandy chicken, to drink the clear cider and to munch the hunk of white bread, which was four days old but excellent.

“Suddenly the wooden gate which gave on the highway was opened, and a strange lady directed her steps toward the house. She was very thin, very tall, so tightly enveloped in a red Scotch plaid shawl that one might have supposed she had no arms, if one had not seen a long hand appear just above the hips, holding a white tourist umbrella. Her face was like that of a mummy, surrounded with curls of gray hair, which tossed about at every step she took and made me think, I know not why, of a pickled herring in curl papers. Lowering her eyes, she passed quickly in front of me and entered the house.

“That singular apparition cheered me. She undoubtedly was my neighbor, the English lady of mature age of whom our hostess had spoken.

“I did not see her again that day. The next day, when I had settled myself to commence painting at the end of that beautiful valley which you know and which extends as far as Etretat, I perceived, on lifting my eyes suddenly, something singular standing on the crest of the cliff, one might have said a pole decked out with flags. It was she. On seeing me, she suddenly disappeared. I reentered the house at midday for lunch and took my seat at the general table, so as to make the acquaintance of this odd character. But she did not respond to my polite advances, was insensible even to my little attentions. I poured out water for her persistently, I passed her the dishes with great eagerness. A slight, almost imperceptible, movement of the head and an English word, murmured so low that I did not understand it, were her only acknowledgments.

“I ceased occupying myself with her, although she had disturbed my thoughts.

“At the end of three days I knew as much about her as did Madame Lecacheur herself.

“She was called Miss Harriet. Seeking out a secluded village in which to pass the summer, she had been attracted to Benouville some six months before and did not seem disposed to leave it. She never spoke at table, ate rapidly, reading all the while a small book of the Protestant propaganda. She gave a copy of it to everybody. The cure himself had received no less than four copies, conveyed by an urchin to whom she had paid two sous commission. She said sometimes to our hostess abruptly, without preparing her in the least for the declaration:

“'I love the Saviour more than all. I admire him in all creation; I adore him in all nature; I carry him always in my heart.'

“And she would immediately present the old woman with one of her tracts which were destined to convert the universe.

“In, the village she was not liked. In fact, the schoolmaster having pronounced her an atheist, a kind of stigma attached to her. The cure, who had been consulted by Madame Lecacheur, responded:

“'She is a heretic, but God does not wish the death of the sinner, and I believe her to be a person of pure morals.'

“These words, 'atheist,' 'heretic,' words which no one can precisely define, threw doubts into some minds. It was asserted, however, that this English woman was rich and that she had passed her life in travelling through every country in the world because her family had cast her off. Why had her family cast her off? Because of her impiety, of course!

“She was, in fact, one of those people of exalted principles; one of those opinionated puritans, of which England produces so many; one of those good and insupportable old maids who haunt the tables d'hote of every hotel in Europe, who spoil Italy, poison Switzerland, render the charming cities of the Mediterranean uninhabitable, carry everywhere their fantastic manias their manners of petrified vestals, their indescribable toilets and a certain odor of india-rubber which makes one believe that at night they are slipped into a rubber casing.

“Whenever I caught sight of one of these individuals in a hotel I fled like the birds who see a scarecrow in a field.

“This woman, however, appeared so very singular that she did not displease me.

“Madame Lecacheur, hostile by instinct to everything that was not rustic, felt in her narrow soul a kind of hatred for the ecstatic declarations of the old maid. She had found a phrase by which to describe her, a term of contempt that rose to her lips, called forth by I know not what confused and mysterious mental ratiocination. She said: 'That woman is a demoniac.' This epithet, applied to that austere and sentimental creature, seemed to me irresistibly droll. I myself never called her anything now but 'the demoniac,' experiencing a singular pleasure in pronouncing aloud this word on perceiving her.

“One day I asked Mother Lecacheur: 'Well, what is our demoniac about to- day?'

“To which my rustic friend replied with a shocked air:

“'What do you think, sir? She picked up a toad which had had its paw crushed and carried it to her room and has put it in her washbasin and bandaged it as if it were a man. If that is not profanation I should like to know what is!'

“On another occasion, when walking along the shore she bought a large fish which had just been caught, simply to throw it back into the sea again. The sailor from whom she had bought it, although she paid him handsomely, now began to swear, more exasperated, indeed, than if she had put her hand into his pocket and taken his money. For more than a month he could not speak of the circumstance without becoming furious and denouncing it as an outrage. Oh, yes! She was indeed a demoniac, this Miss Harriet, and Mother Lecacheur must have had an inspiration in thus christening her.

“The stable boy, who was called Sapeur, because he had served in Africa in his youth, entertained other opinions. He said with a roguish air: 'She is an old hag who has seen life.'

“If the poor woman had but known!

“The little kind-hearted Celeste did not wait upon her willingly, but I was never able to understand why. Probably her only reason was that she was a stranger, of another race; of a different tongue and of another religion. She was, in fact, a demoniac!

“She passed her time wandering about the country, adoring and seeking God in nature. I found her one evening on her knees in a cluster of bushes. Having discovered something red through the leaves, I brushed aside the branches, and Miss Harriet at once rose to her feet, confused at having been found thus, fixing on me terrified eyes like those of an owl surprised in open day.

“Sometimes, when I was working among the rocks, I would suddenly descry her on the edge of the cliff like a lighthouse signal. She would be gazing in rapture at the vast sea glittering in the sunlight and the boundless sky with its golden tints. Sometimes I would distinguish her at the end of the valley, walking quickly with her elastic English step, and I would go toward her, attracted by I know not what, simply to see her illuminated visage, her dried-up, ineffable features, which seemed to glow with inward and profound happiness.

“I would often encounter her also in the corner of a field, sitting on the grass under the shadow of an apple tree, with her little religious booklet lying open on her knee while she gazed out at the distance.

“I could not tear myself away from that quiet country neighborhood, to which I was attached by a thousand links of love for its wide and peaceful landscape. I was happy in this sequestered farm, far removed from everything, but in touch with the earth, the good, beautiful, green earth. And—must I avow it?—there was, besides, a little curiosity which retained me at the residence of Mother Lecacheur. I wished to become acquainted a little with this strange Miss Harriet and to know what transpires in the solitary souls of those wandering old English women.

“We became acquainted in a rather singular manner. I had just finished a study which appeared to me to be worth something, and so it was, as it sold for ten thousand francs fifteen years later. It was as simple, however, as two and two make four and was not according to academic rules. The whole right side of my canvas represented a rock, an enormous rock, covered with sea-wrack, brown, yellow and red, across which the sun poured like a stream of oil. The light fell upon the rock as though it were aflame without the sun, which was at my back, being visible. That was all. A first bewildering study of blazing, gorgeous light.

“On the left was the sea, not the blue sea, the slate-colored sea, but a sea of jade, greenish, milky and solid beneath the deep-colored sky.

“I was so pleased with my work that I danced from sheer delight as I carried it back to the inn. I would have liked the whole world to see it at once. I can remember that I showed it to a cow that was browsing by the wayside, exclaiming as I did so: 'Look at that, my old beauty; you will not often see its like again.'

“When I had reached the house I immediately called out to Mother Lecacheur, shouting with all my might:

“'Hullo, there! Mrs. Landlady, come here and look at this.'

“The rustic approached and looked at my work with her stupid eyes which distinguished nothing and could not even tell whether the picture represented an ox or a house.

“Miss Harriet just then came home, and she passed behind me just as I was holding out my canvas at arm's length, exhibiting it to our landlady. The demoniac could not help but see it, for I took care to exhibit the thing in such a way that it could not escape her notice. She stopped abruptly and stood motionless, astonished. It was her rock which was depicted, the one which she climbed to dream away her time undisturbed.

“She uttered a British 'Aoh,' which was at once so accentuated and so flattering that I turned round to her, smiling, and said:

“'This is my latest study, mademoiselle.'

“She murmured rapturously, comically and tenderly:

“'Oh! monsieur, you understand nature as a living thing.'

“I colored and was more touched by that compliment than if it had come from a queen. I was captured, conquered, vanquished. I could have embraced her, upon my honor.

“I took my seat at table beside her as usual. For the first time she spoke, thinking aloud:

“'Oh! I do love nature.'

“I passed her some bread, some water, some wine. She now accepted these with a little smile of a mummy. I then began to talk about the scenery.

“After the meal we rose from the table together and walked leisurely across the courtyard; then, attracted doubtless by the fiery glow which the setting sun cast over the surface of the sea, I opened the gate which led to the cliff, and we walked along side by side, as contented as two persons might be who have just learned to understand and penetrate each other's motives and feelings.

“It was one of those warm, soft evenings which impart a sense of ease to flesh and spirit alike. All is enjoyment, everything charms. The balmy air, laden with the perfume of grasses and the smell of seaweed, soothes the olfactory sense with its wild fragrance, soothes the palate with its sea savor, soothes the mind with its pervading sweetness.

“We were now walking along the edge of the cliff, high above the boundless sea which rolled its little waves below us at a distance of a hundred metres. And we drank in with open mouth and expanded chest that fresh breeze, briny from kissing the waves, that came from the ocean and passed across our faces.

“Wrapped in her plaid shawl, with a look of inspiration as she faced the breeze, the English woman gazed fixedly at the great sun ball as it descended toward the horizon. Far off in the distance a three-master in full sail was outlined on the blood-red sky and a steamship, somewhat nearer, passed along, leaving behind it a trail of smoke on the horizon. The red sun globe sank slowly lower and lower and presently touched the water just behind the motionless vessel, which, in its dazzling effulgence, looked as though framed in a flame of fire. We saw it plunge, grow smaller and disappear, swallowed up by the ocean.

“Miss Harriet gazed in rapture at the last gleams of the dying day. She seemed longing to embrace the sky, the sea, the whole landscape.

“She murmured: 'Aoh! I love—I love' I saw a tear in her eye. She continued: 'I wish I were a little bird, so that I could mount up into the firmament.'

“She remained standing as I had often before seen her, perched on the cliff, her face as red as her shawl. I should have liked to have sketched her in my album. It would have been a caricature of ecstasy.

“I turned away so as not to laugh.

“I then spoke to her of painting as I would have done to a fellow artist, using the technical terms common among the devotees of the profession. She listened attentively, eagerly seeking to divine the meaning of the terms, so as to understand my thoughts. From time to time she would exclaim:

“'Oh! I understand, I understand. It is very interesting.'

“We returned home.

“The next day, on seeing me, she approached me, cordially holding out her hand; and we at once became firm friends.

“She was a good creature who had a kind of soul on springs, which became enthusiastic at a bound. She lacked equilibrium like all women who are spinsters at the age of fifty. She seemed to be preserved in a pickle of innocence, but her heart still retained something very youthful and inflammable. She loved both nature and animals with a fervor, a love like old wine fermented through age, with a sensuous love that she had never bestowed on men.

“One thing is certain, that the sight of a bitch nursing her puppies, a mare roaming in a meadow with a foal at its side, a bird's nest full of young ones, screaming, with their open mouths and their enormous heads, affected her perceptibly.

“Poor, solitary, sad, wandering beings! I love you ever since I became acquainted with Miss Harriet.

“I soon discovered that she had something she would like to tell me, but dare not, and I was amused at her timidity. When I started out in the morning with my knapsack on my back, she would accompany me in silence as far as the end of the village, evidently struggling to find words with which to begin a conversation. Then she would leave me abruptly and walk away quickly with her springy step.

“One day, however, she plucked up courage:

“I would like to see how you paint pictures. Are you willing? I have been very curious.'

“And she blushed as if she had said something very audacious.

“I conducted her to the bottom of the Petit-Val, where I had begun a large picture.

“She remained standing behind me, following all my gestures with concentrated attention. Then, suddenly, fearing perhaps that she was disturbing me, she said: 'Thank you,' and walked away.

“But she soon became more friendly, and accompanied me every day, her countenance exhibiting visible pleasure. She carried her camp stool under her arm, not permitting me to carry it. She would remain there for hours, silent and motionless, following with her eyes the point of my brush, in its every movement. When I obtained unexpectedly just the effect I wanted by a dash of color put on with the palette knife, she involuntarily uttered a little 'Ah!' of astonishment, of joy, of admiration. She had the most tender respect for my canvases, an almost religious respect for that human reproduction of a part of nature's work divine. My studies appeared to her a kind of religious pictures, and sometimes she spoke to me of God, with the idea of converting me.

“Oh, he was a queer, good-natured being, this God of hers! He was a sort of village philosopher without any great resources and without great power, for she always figured him to herself as inconsolable over injustices committed under his eyes, as though he were powerless to prevent them.

“She was, however, on excellent terms with him, affecting even to be the confidante of his secrets and of his troubles. She would say:

“'God wills' or 'God does not will,' just like a sergeant announcing to a recruit: 'The colonel has commanded.'

“At the bottom of her heart she deplored my ignorance of the intentions of the Eternal, which she endeavored to impart to me.

“Almost every day I found in my pockets, in my hat when I lifted it from the ground, in my paintbox, in my polished shoes, standing in front of my door in the morning, those little pious tracts which she no doubt, received directly from Paradise.

“I treated her as one would an old friend, with unaffected cordiality. But I soon perceived that she had changed somewhat in her manner, though, for a while, I paid little attention to it.

“When I was painting, whether in my valley or in some country lane, I would see her suddenly appear with her rapid, springy walk. She would then sit down abruptly, out of breath, as though she had been running or were overcome by some profound emotion. Her face would be red, that English red which is denied to the people of all other countries; then, without any reason, she would turn ashy pale and seem about to faint away. Gradually, however, her natural color would return and she would begin to speak.

“Then, without warning, she would break off in the middle of a sentence, spring up from her seat and walk away so rapidly and so strangely that I was at my wits' ends to discover whether I had done or said anything to displease or wound her.

“I finally came to the conclusion that those were her normal manners, somewhat modified no doubt in my honor during the first days of our acquaintance.

“When she returned to the farm, after walking for hours on the windy coast, her long curls often hung straight down, as if their springs had been broken. This had hitherto seldom given her any concern, and she would come to dinner without embarrassment all dishevelled by her sister, the breeze.

“But now she would go to her room and arrange the untidy locks, and when I would say, with familiar gallantry, which, however, always offended her:

“'You are as beautiful as a star to-day, Miss Harriet,' a blush would immediately rise to her cheeks, the blush of a young girl, of a girl of fifteen.

“Then she would suddenly become quite reserved and cease coming to watch me paint. I thought, 'This is only a fit of temper; it will blow over.' But it did not always blow over, and when I spoke to her she would answer me either with affected indifference or with sullen annoyance.

“She became by turns rude, impatient and nervous. I never saw her now except at meals, and we spoke but little. I concluded at length that I must have offended her in some way, and, accordingly, I said to her one evening:

“'Miss Harriet, why is it that you do not act toward me as formerly? What have I done to displease you? You are causing me much pain!'

“She replied in a most comical tone of anger:

“'I am just the same with you as formerly. It is not true, not true,' and she ran upstairs and shut herself up in her room.

“Occasionally she would look at me in a peculiar manner. I have often said to myself since then that those who are condemned to death must look thus when they are informed that their last day has come. In her eye there lurked a species of insanity, an insanity at once mystical and violent; and even more, a fever, an aggravated longing, impatient and impotent, for the unattained and unattainable.

“Nay, it seemed to me there was also going on within her a struggle in which her heart wrestled with an unknown force that she sought to master, and even, perhaps, something else. But what do I know? What do I know?

“It was indeed a singular revelation.

“For some time I had commenced to work, as soon as daylight appeared, on a picture the subject of which was as follows:

“A deep ravine, enclosed, surmounted by two thickets of trees and vines, extended into the distance and was lost, submerged in that milky vapor, in that cloud like cotton down that sometimes floats over valleys at daybreak. And at the extreme end of that heavy, transparent fog one saw, or, rather, surmised, that a couple of human beings were approaching, a human couple, a youth and a maiden, their arms interlaced, embracing each other, their heads inclined toward each other, their lips meeting.

“A first ray of the sun, glistening through the branches, pierced that fog of the dawn, illuminated it with a rosy reflection just behind the rustic lovers, framing their vague shadows in a silvery background. It was well done; yes, indeed, well done.

“I was working on the declivity which led to the Valley of Etretat. On this particular morning I had, by chance, the sort of floating vapor which I needed. Suddenly something rose up in front of me like a phantom; it was Miss Harriet. On seeing me she was about to flee. But I called after her, saying: 'Come here, come here, mademoiselle. I have a nice little picture for you.'

“She came forward, though with seeming reluctance. I handed her my sketch. She said nothing, but stood for a long time, motionless, looking at it, and suddenly she burst into tears. She wept spasmodically, like men who have striven hard to restrain their tears, but who can do so no longer and abandon themselves to grief, though still resisting. I sprang to my feet, moved at the sight of a sorrow I did not comprehend, and I took her by the hand with an impulse of brusque affection, a true French impulse which acts before it reflects.

“She let her hands rest in mine for a few seconds, and I felt them quiver as if all her nerves were being wrenched. Then she withdrew her hands abruptly, or, rather, snatched them away.

“I recognized that tremor, for I had felt it, and I could not be deceived. Ah! the love tremor of a woman, whether she be fifteen or fifty years of age, whether she be of the people or of society, goes so straight to my heart that I never have any hesitation in understanding it!

“Her whole frail being had trembled, vibrated, been overcome. I knew it. She walked away before I had time to say a word, leaving me as surprised as if I had witnessed a miracle and as troubled as if I had committed a crime.

“I did not go in to breakfast. I went to take a turn on the edge of the cliff, feeling that I would just as lief weep as laugh, looking on the adventure as both comic and deplorable and my position as ridiculous, believing her unhappy enough to go insane.

“I asked myself what I ought to do. It seemed best for me to leave the place, and I immediately resolved to do so.

“Somewhat sad and perplexed, I wandered about until dinner time and entered the farmhouse just when the soup had been served up.

“I sat down at the table as usual. Miss Harriet was there, eating away solemnly, without speaking to any one, without even lifting her eyes. Her manner and expression were, however, the same as usual.

“I waited patiently till the meal had been finished, when, turning toward the landlady, I said: 'Well, Madame Lecacheur, it will not be long now before I shall have to take my leave of you.'

“The good woman, at once surprised and troubled, replied in her drawling voice: 'My dear sir, what is it you say? You are going to leave us after I have become so accustomed to you?'

“I glanced at Miss Harriet out of the corner of my eye. Her countenance did not change in the least. But Celeste, the little servant, looked up at me. She was a fat girl, of about eighteen years of age, rosy, fresh, as strong as a horse, and possessing the rare attribute of cleanliness. I had kissed her at odd times in out-of-the-way corners, after the manner of travellers—nothing more.

“The dinner being at length over, I went to smoke my pipe under the apple trees, walking up and down from one end of the enclosure to the other. All the reflections which I had made during the day, the strange discovery of the morning, that passionate and grotesque attachment for me, the recollections which that revelation had suddenly called up, recollections at once charming and perplexing, perhaps also that look which the servant had cast on me at the announcement of my departure—all these things, mixed up and combined, put me now in a reckless humor, gave me a tickling sensation of kisses on the lips and in my veins a something which urged me on to commit some folly.

“Night was coming on, casting its dark shadows under the trees, when I descried Celeste, who had gone to fasten up the poultry yard at the other end of the enclosure. I darted toward her, running so noiselessly that she heard nothing, and as she got up from closing the small trapdoor by which the chickens got in and out, I clasped her in my arms and rained on her coarse, fat face a shower of kisses. She struggled, laughing all the time, as she was accustomed to do in such circumstances. Why did I suddenly loose my grip of her? Why did I at once experience a shock? What was it that I heard behind me?

“It was Miss Harriet, who had come upon us, who had seen us and who stood in front of us motionless as a spectre. Then she disappeared in the darkness.

“I was ashamed, embarrassed, more desperate at having been thus surprised by her than if she had caught me committing some criminal act.

“I slept badly that night. I was completely unnerved and haunted by sad thoughts. I seemed to hear loud weeping, but in this I was no doubt deceived. Moreover, I thought several times that I heard some one walking up and down in the house and opening the hall door.

Spotted a mistake or have an idea?