"I don't believe it!" Anita Richmond exclaimed with conviction and clutched at Fairchild's arm. "I don't believe it!"
"I can't!" Robert answered. Then he turned to the accuser. "How could it be possible for Harry to be down here robbing a dance hall when he 's out working the mine?"
"Working the mine?" This time it was the sheriff. "What's the necessity for a day and night shift?"
The question was pertinent--and Fairchild knew it. But he did not hesitate.
"I know it sounds peculiar--but it's the truth. We agreed upon it yesterday afternoon."
"At whose suggestion?"
"I 'm not sure--but I think it was mine."
"Young fellow," the sheriff had approached him now, "you 'd better be certain about that. It looks to me like that might be a pretty good excuse to give when a man can't produce an alibi. Anyway, the identification seems pretty complete. Everybody in this room heard that man talk with a Cousin Jack accent. And Mr. Rodaine says that he saw his face. That seems conclusive."
"If Mr. Rodaine's word counts for anything."
The sheriff looked at him sharply.
"Evidently you have n't been around here long." Then he turned to the crowd. "I want a couple of good men to go along with me as deputies."
"I have a right to go." Fairchild had stepped forward.
"Certainly. But not as a deputy. Who wants to volunteer?"
Half a dozen men came forward, and from them the sheriff chose two. Fairchild turned to say good-by to Anita. In vain. Already Maurice Rodaine had escorted her, apparently against her will, to a far end of the dance hall, and there was quarreling with her. Fairchild hurried to join the sheriff and his two deputies, just starting out of the dance hall. Five minutes later they were in a motor car, chugging up Kentucky Gulch.
The trip was made silently. There was nothing for Fairchild to say; he had told all he knew. Slowly, the motor car fighting against the grade, the trip was accomplished. Then the four men leaped from the machine at the last rise before the tunnel was reached and three of them went forward afoot toward where a slight gleam of light came from the mouth of the Blue Poppy.
A consultation and then the creeping forms made the last fifty feet. The sheriff took the lead, at last to stop behind a boulder and to shout a command:
"Hey you, in there."
"'Ey yourself!" It was Harry's voice.
"Come out--and be quick about it. Hold your light in front of your face with both hands."
"The 'ell I will! And 'oo 's talking?"
"Sheriff Adams of Clear Creek County. You 've got one minute to come out--or I 'll shoot."
"I 'm coming on the run!"
And almost instantly the form of Harry, his acetylene lamp lighting up his bulbous, surprised countenance with its spraylike mustache, appeared at the mouth of the tunnel.
"What the bloody 'ell?" he gasped, as he looked into the muzzle of the revolver. From down the mountain side came the shout of one of the deputies:
"Sheriff! Looks like it's him, all right. I 've found a horse down here--all sweated up from running."
"That's about the answer." Sheriff Adams went forward and with a motion of his revolver sent Harry's hands into the air. "Let's see what you 've got on you."
A light gleamed below as an electric flash in the hands of one of the deputies began an investigation of the surroundings. The sheriff, finishing his search of 'Arry's pockets, stepped back.
"Well," he demanded, "what did you do with the proceeds?"
"The proceeds?" Harry stared blankly. "Of what?"
"Quit your kidding now. They 've found your horse down there."
"Would n't it be a good idea--" Fairchild had cut in acridly--"to save your accusations on this thing until you're a little surer of it? Harry has n't any horse. If he 's rented one, you ought to be able to find that out pretty shortly."
As if in answer, the sheriff turned and shouted a question down the mountain side. And back came the answer:
"It's Doc Mason's. Must have been stolen. Doc was at the dance."
"I guess that settles it." The officer reached for his hip pocket. "Stick out your hands, Harry, while I put the cuffs on them."
"But 'ow in bloody 'ell 'ave I been doing anything when I 've been up 'ere working on this chiv wheel? 'Ow--?"
"They say you held up the dance to-night and robbed us," Fairchild cut in. Harry's face lost its surprised look, to give way to a glance of keen questioning.
"And do you say it?"
"I most certainly do not. The identification was given by that honorable person known as Mr. Maurice Rodaine."
"Oh! One thief identifying another--"
"Just cut your remarks along those lines."
"Sheriff!" Again the voice from below.
"Yeh!"
"We 've found a cache down here. Must have been made in a hurry--two new revolvers, bullets, a mask, a couple of new handkerchiefs and the money."
Harry's eyes grew wide. Then he stuck out his hands.
"The evidence certainly is piling up!" he grunted. "I might as well save my talking for later."
"That's a good idea." The sheriff snapped the handcuffs into place. Then Fairchild shut off the pumps and they started toward the machine. Back in Ohadi more news awaited them. Harry, if Harry had been the highwayman, had gone to no expense for his outfit. The combined general store and hardware emporium of Gregg Brothers had been robbed of the articles necessary for a disguise,--also the revolvers and their bullets. Robert Fairchild watched Harry placed in the solitary cell of the county jail with a spirit that could not respond to the Cornishman's grin and his assurances that morning would bring a righting of affairs. Four charges hung heavy above him: that of horse-stealing, of burglary, of highway robbery, and worse, the final one of assault with attempt to kill. Fairchild turned wearily away; he could not find the optimism to join Harry's cheerful announcement that it would be "all right." The appearances were otherwise. Besides, up in the little hospital on the hill, Fairchild had seen lights gleaming as he entered the jail, and he knew that doctors were working there over the wounded body of the fiddler. Tired, heavy at heart, his earlier conquest of the night sodden and overshadowed now, he turned away from the cell and its optimistic occupant,--out into the night.
It was only a short walk to the hospital and Fairchild went there, to leave with at least a ray of hope. The probing operation had been completed; the fiddler would live, and at least the charge against Harry would not be one of murder. That was a thing for which to be thankful; but there was plenty to cause consternation, as Fairchild walked slowly down the dark, winding street toward the main thoroughfare. Without Harry, Fairchild now felt himself lost. Before the big, genial, eccentric Cornishman had come into his life, he had believed, with some sort of divine ignorance, that he could carry out his ambitions by himself, with no knowledge of the technical details necessary to mining, with no previous history of the Blue Poppy to guide him, and with no help against the enemies who seemed everywhere. Now he saw that it was impossible. More, the incidents of the night showed how swiftly those enemies were working, how sharp and stiletto-like their weapons.
That Harry was innocent was certain,--to Robert Fairchild. There was quite a difference between a joke which a whole town recognized as such and a deliberate robbery which threatened the life of at least one man. Fairchild knew in his heart that Harry was not built along those lines.
Looking back over it now, Fairchild could see how easily Fate had played into the hands of the Rodaines, if the Rodaines had not possessed a deeper concern than merely to seize upon a happening and turn it to their own account. The highwayman was big. The highwayman talked with a "Cousin-Jack" accent,--for all Cornishmen are "Cousin Jacks" in the mining country. Those two features in themselves, Fairchild thought, as he stumbled along in the darkness, were sufficient to start the scheming plot in the brain of Maurice Rodaine, already ugly and evil through the trick played by Harry on his father and the rebuke that had come from Anita Richmond. It was an easy matter for him to get the inspiration, leap out of the window, and then wait until the robber had gone, that he might flare forth with his accusation. And after that--.
Either Chance, or something stronger, had done the rest. The finding of the stolen horse and the carelessly made cache near the mouth of the Blue Poppy mine would be sufficient in the eyes of any jury. The evidence was both direct and circumstantial. To Fairchild's mind, there was small chance for escape by Harry, once his case went to trial. Nor did the pounding insistence of intuitive knowledge that the whole thing had been a deliberately staged plot on the part of the Rodaines, father and son, make the slightest difference in Fairchild's estimation. How could he prove it? By personal animosity? There was the whole town of Ohadi to testify that the highwayman was a big man, of the build of Harry, and that he spoke with a Cornish accent. There were the sworn members of the posse to show that they, without guidance, had discovered the horse and the cache,--and the Rodaines were nowhere about to help them. And experience already had told Fairchild that the Rodaines, by a deliberately constructed system, held a ruling power; that against their word, his would be as nothing. Besides, where would be Harry's alibi? He had none; he had been at the mine, alone. There was no one to testify for him, not even Fairchild.
The world was far from bright. Down the dark street the man wandered, his hands sunk deep in his pockets, his head low between his shoulders,--only to suddenly galvanize into intensity, and to stop short that he might hear again the voice which had come to him. At one side was a big house,--a house whose occupants he knew instinctively, for he had seen the shadow of a woman, hands outstretched, as she passed the light-strewn shade of a window on the second floor. More, he had heard her voice, supplemented by gruffer tones. And then it came again.
It was pleading, and at the same time angered with the passion of a person approaching hysteria. A barking sentence answered her, something that Fairchild could not understand. He left the old board sidewalk and crept to the porch that he might hear the better. Then every nerve within him jangled, and the black of the darkness changed to red. The Rodaines were within; he had heard first the cold voice of the father, then the rasping tones of the son, in upbraiding. More, there had come the sobbing of a woman; instinctively Fairchild knew that it was Anita Richmond. And then:
It was her voice, high, screaming. Hysteria had come,--the wild, racking hysteria of a person driven to the breaking point:
"Leave this house--hear me! Leave this house! Can't you see that you're killing him? Don't you dare touch me--leave this house! No--I won't be quiet--I won't--you 're killing him, I tell you--!"
And Fairchild waited for nothing more. A lunge, and he was on the veranda. One more spring and he had reached the door, to find it unlocked, to throw it wide and to leap into the hall. Great steps, and he had cleared the stairs to the second floor.
A scream came from a doorway before him; dimly, as through a red screen, Fairchild saw the frightened face of Anita Richmond, and on the landing, fronting him angrily, stood the two Rodaines. For a moment, Fairchild disregarded them and turned to the sobbing, disheveled little being in the doorway.
"What's happened?"
"They were threatening me--and father!" she moaned. "But you shouldn't have come in--you should n't have--"
"I heard you scream. I could n't help it. I heard you say they were killing your father--"
The girl looked anxiously toward an inner room, where Fairchild could see faintly the still figure of a man outlined under the covers of an old-fashioned four-poster.
"They--they--got him excited. He had another stroke. I--I could n't stand it any longer."
"You 'd better get out," said Fairchild curtly to the Rodaines, with a suggestive motion toward the stairs. They hesitated a moment and Maurice seemed about to launch himself at Robert, but his father laid a restraining hand on his arm. A step and the elder Rodaine hesitated.
"I 'm only going because of your father," he said gruffly, with a glance toward Anita.
Fairchild knew differently, but he said nothing. The gray of Rodaine's countenance told where his courage lay; it was yellow gray, the dirty gray of a man who fights from cover, and from cover only.
"Oh, I know," Anita said. "It's--it's all right. I--I 'm sorry. I--did n't realize that I was screaming--please forgive me--and go, won't you? It means my father's life now."
"That's the only reason I am going; I 'm not going because--"
"Oh, I know. Mr. Fairchild should n't have come in here. He should n't have done it. I 'm sorry--please go."
Down the steps they went, the older man with his hand still on his son's arm; while, white-faced, Fairchild awaited Anita, who had suddenly sped past him into the sick room, then was wearily returning.
"Can I help you?" he asked at last.
"Yes," came her rather cold answer, only to be followed by a quickly whispered "Forgive me." And then the tones became louder--so that they could be heard at the bottom of the stairs: "You can help me greatly--simply by going and not creating any more of a disturbance."
"But--"
"Please go," came the direct answer. "And please do not vent your spite on Mr. Rodaine and his son. I 'm sure that they will act like gentlemen if you will. You should n't have rushed in here."
"I heard you screaming, Miss Richmond."
"I know," came her answer, as icily as ever. Then the door downstairs closed and the sound of steps came on the veranda. She leaned close to him. "I had to say that," came her whispered words. "Please don't try to understand anything I do in the future. Just go--please!"
