Golden Days for Boys and Girls, Vol. XII, Jan. 3, 1891 3 – Various · Verses Across
Literature · Adventure
Golden Days for Boys and Girls, Vol. XII, Jan. 3, 1891 3Chapter 3
18
Literature · Adventure
Golden Days for Boys and Girls, Vol. XII, Jan. 3, 1891 3
Chapter 3
VariousEnglish
An impatient crowd was waiting at the Big Y station for the northern mail, which was half an hour overdue.
Finally, when the engine thundered into the depot, puffing and panting like an over-driven steed, there was a rush to board the train, as if the time was limited to the shortest possible space.
"It's going to be a rough night," muttered the old engineer, as he peered out of the cab window into the gathering gloom of storm and darkness. "I never felt so uneasy in my life, and I have a presentiment something is going to happen--as if it wasn't enough to be half an hour behind time and your engine in the sulks. But how are you feeling, Gilly?" addressing his fireman. "Any better?"
"No, Jockey; and I am afraid I won't be able to go through. I don't understand it, for I felt well enough when I started."
"I tell you everything is wrong to-night. If Jim were here--Hilloa! there's Jack Ingleside's boy, as true as I live! We're in luck. Hi, Rock! aren't you lost?"
At the sound of the engineer's voice, our hero, who was following leisurely the crowd to one of the cars, looked in that direction to see the soot-begrimed countenance of his old friend.
"Lost, Jockey? Never where you are," replied the youth.
"Going up? Jump in here, then. It won't be like riding in a parlor-car, but it will suit you just as well, I'm thinking."
Rock showed his willingness by springing quickly into the cab.
Railroad companies have a rule forbidding persons to ride with the engineer without permission from the president or superintendent, though at the time we write this matter was not as rigidly looked after as now.
Rock, however, who had passed nearly all his young life on the foot-board, would have been deemed an exception to any rule. At least, so thought Jockey Playfair, the veteran "knight of the lever" on the Pen Yan mail and accommodation.
But Jockey's usual good-humor had been relegated to the background on that evening, as Rock soon saw.
The signal to start was given, and with a full head of steam on, the old engine, trembling and groaning from her pent-up power, began to creep ahead, as if feeling her way along the switches and through the yard, going faster and faster at every revolution of her wheels, until the station-lights faded in the distance, and she plowed boldly into the night.
The tall form of the engineer, clothed in greasy overalls and jumper, stood at his post like a grim sentinel on duty, his right hand on the reversing lever, his left on the throttle, while his steely gray eyes peered into the gloom, as if expecting to see spring from the regions of darkness the hosts of danger and death.
A drizzling rain was falling, so altogether it was a disagreeable night.
"I have a favor to ask of you, Rock," said Gilly, the fireman, as the engine fairly gained her feet and increased her progress at every beat of her piston heart. "I want you to take my place until we get to Trestle Foot. I am used up."
"Of course I will," replied Rock, taking the fireman's place. "Is she very hungry to-night?"
"Hungry and cross, Rock," said the other. "But I'll risk you to feed her."
No engineer who has stood at the lever for any length of time refuses to believe that his trusty servant is without her faults, however he may care for her. She is subject to her ill-moods as well as himself.
The engine, so good-natured on his last run, so prompt to obey his will, on this trip is stubborn and hard to manage.
He can see no reason for her change of spirit. Her wonderful mechanism is in perfect working order, her groom has arrayed her for a dazzling passage, her fireman has fed her with the best of fuel, the flames dart ardently along her brazen veins, she bounds off like a charger, eager for conquest. Her first spurt over, she falters, sulks.
No coaxing can change her mood. In vain her master bestows greatest care upon her; with each effort she grows more sullen.
Jockey Playfair's engine was in the sulks on the trip of which we write. The Silver Swan had never seemed in better temper than at the start. Delays in making connections, the bad condition of the track at places on account of the recent heavy rains, with other difficulties, had caused them to lose time. The engineer, however, had confidently expected to make up for this before reaching Wood's Hollow, sixty miles above the Big Y junction.
In the midst of his anxiety his fireman was taken suddenly ill. Then his engine began to fail him. This last gave him more uneasiness than all the rest.
"Behind time, with a sulky engine and a sick fireman!" he muttered, to himself. "I see it coming--something dreadful! Never mind, old Jockey! You are on your through trip to-night, but stand to your post like a man."
During the next ten miles nothing was said by the three, and then, as they stopped long enough at a way-station to take on a solitary passenger, Jockey merely remarked:
"One minute gained. If we can't do better than that on our next run I'll never touch the lever again."
As Jockey knew, he was now on the most favorable section of the road. No signals were to be expected for a long distance, and there was no reason why he should not regain a good part of the lost time. If he didn't he resolved it should be no fault of his.
As soon as he was fairly under way again, he "linked her up." That means he drew the reversing-rod back until the catch held it near the centre, so the steam, instead of being allowed to follow the length of the piston-rod, beat alternately the heads of the cylinders, giving the highest momentum acquired.
Rock understood his duty perfectly and was determined the Silver Swan should not hunger for fuel under his care.
"Mind how well the boy fires," said Gilly, forgetting for a moment his pain.
"So he should; for wasn't he Tommy Green's pupil? And Tommy was the best fireman ever on the Pen Yan, not even excepting you, Gilly."
"I know it; but she is pulling for all she is worth now, Jockey. You'll get there on time, after all."
The Silver Swan was behaving beautifully now. Apparently she had gotten over her sulks. Nothing occurred to disturb the even tenor of their progress until the lights of Haford's Run came into sight.
At this place they must stop to refill the engine's boiler, and while Rock looked after this matter, Jockey carefully examined each part of the wonderful machine, talking to it and patting it as he would a child.
When he had run his practiced eye over the bars, joints, connecting-rods, cylinders and steam-chests, then around the pilot to the other side to find everything in fine working order, he came back to the cab-step and consulted his watch.
"Ten minutes gained," he murmured, exultantly. "If you hold out like this, old Swan, we'll make Wood's Hollow on time."
"Good! So you will, Jockey!" exclaimed the conductor, coming forward with his lantern. "You have an excellent run ahead of you; do the best you can. If we can gain ten minutes before getting to Trestle Foot, we'll venture to Woodsville. Are you ready?"
"All ready," answered Rock, who had shut off the flow of water and flung back the dangling leather arm to spring from the tender to the footboard.
"Ho!" called out the conductor, "who's firing to-night?" as Rock, jerking open the furnace door, stood in the glow of the fiery light. "Where's Gilly?"
"Here; but he's sick," answered Jockey. "Rock took his place at the Big Y."
"What! Jack's boy? Well, he is good for it. If Gilly is sick he had better come back into a passenger."
But the old fireman wouldn't think of deserting his post so far as that.
The next instant the conductor's lantern waved back and forth, dense volumes of smoke rolled from the smoke-stack, and snorting as if with rage at being driven on again, the engine forged on along its iron pathway.
"Where have you been to-day, Rock?" asked the engineer, as they were once more spinning along at a flying rate.
"Down to Fairfax to see if I could get a job. You know I got turned off the section."
"No--you don't mean it! I'll bet Gammon was at the bottom of it."
"I am sure of it. He has boasted I shouldn't stay there long."
"Zounds! I'd like to shake the rascal out of his jacket. He's been wanting Gilly's place; but he can't get it. What do you want?"
"To brake."
"Get it?"
"Nothing certain. I have little hope, for Donald Minturn will never let me get there if be can help it."
"The old snake! I never did like him. So he isn't over fond of you?"
"No; he is opposed to me on account of an old enmity he bears Mrs. Ingleside."
"Rock, you deserve a place on this road. Why, bless you, you are fit to take my place. Not many trips did old Jack make without taking you with him. I used to fire for him, you know. He had a mat for you at his feet, and when too tired to keep awake longer you slept curled up on the footboard. Ah, it was something such a night as this when poor Jack made his last trip! It wasn't quite so dark it may be, but he was behind time, as we are, and he was trying to make up.
"He was swinging down the long grade beyond Woodsville at a humming rate. There was no station at the Hollow then, and he was counting on a clean sweep to Owls' Nest. Leaving the air-line grade he swooped around the curve, when right in his face and eyes he saw a string of loose cars, which had broken from the special on the highlands.
"He must have been going at the rate of fifty miles an hour, and the runaways were coming toward him at scarcely less speed. I caught a gleam of his white face as he reversed, and then he was beside me at the brake.
"'Stand by!' he cried. 'We'll die at our post.'
"The shock came the next moment. I felt myself lifted into the air, and the next I knew I was lying at the foot of the embankment, a dozen yards from the place where we had met.
"Jack died at his post, and his sufferings could not have lasted long, for he was crushed beyond recognition. Fortunately no other lives were lost, though the passengers were terribly shaken up, and two of the freight cars were piled up on the engine.
"Jack's fidelity, I am sure, averted a worse catastrophe. He met the fate of a hero, and it was always a mystery to me the company never did more for his family.
"Hey! As I live, the Swan is falling into another ugly mood!"
They were rushing along at a tremendous rate, and an inexperienced eye would have seen nothing amiss.
In fact, the engineer himself could not. The driving-rods were shooting back and forth in perfect play, while the large drivers were revolving with clock-like regularity. Every now and then Jockey would give the lever a slight pressure, which would be instantly felt by the iron steed.
Despite all this the Silver Swan was not doing as well as she ought. She was barely keeping her course at the usual speed.
Jockey glanced to the boiler. The index finger pointed to the gauge at 122 degrees. Three more degrees was all she could stand. Rock was doing his duty. The track was straight and level. Still the Swan showed no disposition to gain the twenty minutes coveted time.
The old engineer shook his grizzled head and the furrows deepened on his careworn visage.
"The fates are against us to-night," he muttered. "We can never make Wood's Hollow in time to escape the down express. That is always on time."
Just then the little gong over his head sounded, in response to the conductor's pull upon the cord.
Jockey quickly answered this with a blast from the whistle, which the other would understand to mean that the engine was already crowded to her utmost.
The old engineer was losing his temper by this time, and with his hand still on the lever he leaned forward to peer into the gloom, parting before the dull rays of the headlight, as if to let them pass.
A drizzling rain was yet falling, but he did not notice this, for at his first glance a cry of horror left his lips, and he staggered back, exclaiming:
"It is coming! Someone has blundered!"
Rock started forward with surprise, and he uttered a cry of terror as he saw the gleam of a headlight and the shadowy outlines of an engine and train, less than a rod in front of them.
[TO BE CONTINUED.]
THE ORIGIN OF DOLLS.
It is a safe assertion to make that every girl has at some time or other played with dolls; in fact, it is almost impossible to imagine a girl without a doll. Of course, the older ones have outgrown their dolls, and only keep the old favorites as souvenirs of childish days and pretty playthings, and it is quite likely that they would be puzzled to explain why they call the little image a "doll," and not, as the French do, a "puppet," or, with the Italians, a "bambino," or baby.
What is the meaning of the word "doll?" To explain, it is necessary to go back to the Middle Ages, when it was the fashion all over the Christian world for mothers to give their little children the name of a patron saint. Some saints were more popular than others, and St. Dorothea was at one period more popular than all.
Dorothea, or Dorothy, as the English have it, means a "gift from God." But Dorothea or Dorothy is much too long a name for a little, toddling baby, and so it was shortened to Dolly and Doll, and from giving the babies a nickname it was an easy step to give the name to the little images of which the babies were so fond.
ANECDOTES THAT AMUSE.
In this age of enlightenment it is not often that one meets with an adult who cannot read and write, and the encounter is generally as amusing as it is amazing. In one of the interior towns of Pennsylvania there lives a farmer who brings butter, eggs and produce to market, and, being illiterate, also brings with him his son to do the "figuring." The other day the son was ill, and the old man had to venture alone. For awhile he got along very well by letting his customers do the figuring; but presently he sold two rolls of butter to a woman who could not figure any better than he. The farmer was much puzzled, but, being resolved that she should not know that his early education had been neglected, he took a scrap of paper from his pocket and began. He put down a lot of marks on the paper, and then said, "Let's see; dot's a dot, figure's a figure, two from one and none remains, with three to carry--$1.50, madam, please." She paid over the $1.50, took the butter home, had it weighed and "figured up" by her daughter, who discovered that the price should have been $2.10 instead of $1.50.
A small Detroit boy was given a drum for a Christmas present, and was beating it vociferously on the sidewalk, when a nervous neighbor appeared, and asked, "How much did your father pay for that drum, my little man?" "Twenty-five cents, sir," was the reply. "Will you take a dollar for it?" "Oh, yes, sir," said the boy, eagerly. "Ma said she hoped I'd sell it for ten cents." The exchange was made, and the drum put where it wouldn't make any more noise, and the nervous man chuckled over his stratagem. But, to his horror, when he got home that night there were four drums beating in front of his house, and as he made his appearance, the leader stepped up and said, cheerfully, "These are my cousins, sir. I took that dollar and bought four new drums. Do you want to give us four dollars for them?" The nervous neighbor rushed into the house in despair, and the drum corps is doubtless beating yet in front of his house.
Photography is an art that looks to be easier than it is, but some beginners add to their difficulties by inexcusable carelessness. A young lady bought a Kodak at a dealer's before she went on her summer vacation, and was so confident of her own ability that she took only the book of directions and went off. She took seventy or eighty shots in picturesque places, and promised copies to all her friends. When she came home, she left the camera to have the film developed and printed. The artist developed on and on, but found none but blanks. In great surprise, he sent for the amateur photographer, and when she came he asked, "How did you operate this camera?" "Operate it? Why, I pulled the string as the book says, and touched the button." "But what did you do with this little black cap here?" "Why, I didn't do anything with it," she replied. And then the artist roared with laughter. She had never once removed the cap that covered the lens, and had, of course, taken not a single picture, and when she found what she had done, or rather not done, she wept bitter tears.
One of the most amusing accidents imaginable happened recently to an old gentleman in one of our large Eastern cities. He was asked to buy a ticket to a fireman's ball and good-naturedly complied. The next question was what to do with it. He had two servants, either one of whom would be glad to use it, but he did not wish to show favoritism. Then it occurred to him that he might buy another ticket and give both his servants a pleasure. Not knowing where the tickets were sold, he inquired of a policeman, and the officer suggested that he go to the engine house. So the old gentleman went to the engine house that evening, but there was no one in sight. He had never been in such a place before, and stood for a moment or so uncertain how to make his presence known. Presently he saw an electric button on the side of the room, and he put his thumb on it. The effect was electrical in every sense of the word. Through the ceiling, down the stairs and from every other direction firemen came running and falling, the horses rushed out of their stalls, and, in short, all the machinery of a modern engine house was instantly in motion. Amid all this uproar stood the innocent old gentleman, who did not suspect that he had touched the fire-alarm until the men clamored around him for information as to the locality of the fire. Then he said, mildly, "I should like to buy another ticket for the ball, if you please." The situation was so ludicrous that there was a general shout of laughter, and the old gentleman bought his ticket and the engine house resumed its former state of quiet.
A HAPPY NEW YEAR.
by MARY ROWLES.
A Happy New Year, and a new beginning
For hands that have wavered and steps that fall;
New time for toil and new space for winning
The guerdon of happiness free to all.
Now hope for the souls long clouded over
With possible sorrows and actual pain;
New joys for comrade, and friend and lover,
The year is bringing them all again!
New days and hours for the patient building
Of noble character, pure and true;
For faith and love, with their radiant gliding,
To make the temple of life anew.
A Happy New Year, and a truce to sadness,
Its every moment by God is planned;
Whatever may come, whether grief or gladness,
Must come aright from a Father's hand.
He blessed the old in its dawning--thenceforth
His love was true to us all the way,
And now in the hitherto shines the henceforth,
And out of the yesterdays smiles to-day.
We would have power In this year to brighten
Each lot less blessed and fair than ours;
The woe to heal, and the load to lighten,
The waste soul-garden to plant with flowers.
May every day be a royal possession
To high-born purpose and steadfast aim,
And every hour in its swift progression
Make life more worthy than when it came.
PRACTICAL PHOTOGRAPHY.
by DORCAS.
PART II.
If you simply desire to get a picture from your negative in the easiest and quickest way, without going through the necessary processes which are involved in toning, you can use cyanotype paper, which requires but one process for the completion of the picture and that process simply a bath in clean water.
Prints made upon this cyanotype paper have a beautiful blue tone, and are so simple and easily made that they are very popular. This cyanotype paper is sold in any desired quantity and size, and it is never worth while for the amateur to prepare his own paper, as it is a tedious and uncertain process.
When you are sure the negative is thoroughly dry, place it in the printing frame with the film side uppermost, and upon it lay a sheet of the cyanotype paper cut the right size, with the prepared side next to the film of the negative.
The frame should then be put where the sun's rays will fall upon the glass, and allowed to remain there till the cyanotype paper has turned to a dull bronze in the shadows.
It will be necessary to look at the print from time to time to see when this point is reached. If the paper is not allowed to print long enough, the result will be that the picture will wash off the paper when it is put in water.
When you think it is done, place it in running water, or in several changes of water, and wash it thoroughly. It should be washed till the water that drips from it is no longer discolored, but is perfectly clear. The picture then should stand out in blue tones on a clear white ground.
If you prefer to use the ready sensitized paper, there is a preliminary process through which the paper must pass before you print it. This process is called "fuming," and consists in exposing the paper to the fumes of ammonia for a short time.
A fuming-box is needful, but one can easily be constructed, without the expense of purchasing this convenience. Take a wooden box about two feet cube, and, with hinges, make a door of the cover. Close all the cracks with strips of cloth so that the box will be both light and air tight, and fasten corresponding strips around the edges of the door so that no light will make its way in there.
Stretch two or three strings across the box near the top, on which to hang the paper that is to be fumed, and put a small flat dish in the bottom of the box.
When you are ready to fume your paper, pin two sheets together, back to back, and hang them on one of the strings. Several sheets can be fumed at once in this manner. Fill the dish with ammonia, and closing the door tightly, let the paper absorb the fumes for fifteen or twenty minutes.
After fuming, the paper should be given a short time to dry before it is used for printing. It should then be put in the printing frame in the same way as the cyanotype paper and exposed to the sun.
If your negative is a thin one, a diffused light is better for printing than the direct rays of the sun. Diffused light is a strong light that is not sunlight.
If the negative is exceedingly thin, the light indoors, away from the window, will be sufficient. Satisfactory results cannot of course be achieved with too thin a negative, but this diffused light will give the best print that you can obtain.
In examining the print from time to time be sure that you do not open both sides of the printing frame at once, for if you should do this, you will find it impossible to replace the print in exactly the same position, and so it will be spoiled by being printed with double lines.
No exact rule can be given for the length of time which should be allowed for the printing of a negative. It should, however, be allowed to become twice as dark as it ought to be after the picture is toned and mounted. The after processes of toning bleach the print very much, as the amateur will discover for himself.
If a negative is very dense or thick, as over-development will sometimes cause it to become, the time for printing will be considerably extended. While in a good light, with a negative of the right density, five minutes or less is sufficient to print a negative, three or four hours will sometimes be required.
When the print has become dark enough, it should be removed from the printing frame and put at once in a dark place where the light cannot reach it. It is what is known as a proof at this stage, and the light will turn it black.
About twenty prints can be toned at once, and, as it is a long process, it is better to wait until several have accumulated than to go through the various operations with only one or two prints.
They should first be trimmed to the required size. Some amateurs leave the trimming until after they have finished the toning process, but this is not advisable for several reasons. In the first place, it is easier to trim them beforehand, because they lie flat and are not curled up, as they generally are after toning. None of the toning solution is wasted in toning the parts that are of no use, and if the accumulated clippings are saved, they are of some value on account of the silver in them.
The trimming cannot be satisfactorily done with a pair of scissors, as it is impossible to cut perfectly straight. A thick piece of glass called a cutting mould is used, and a convenient little instrument called Robinson's trimmer. If you do not wish to go to the expense of these articles, however, you can manage very well by using a sharp pen-knife to cut with and any piece of glass with straight edges to trim by.
You should have a firm, hard substance to cut on (glass is preferable), and on this should be put a piece of paper. Upon this paper the print should be laid face downward, and after you have decided how much of it you are going to cut away, draw your knife firmly along by the edge of the glass, pressing down well, and the strips will be cut off leaving a smooth, straight edge.
After the prints have been trimmed, they should be soaked in water for fifteen minutes. If you have not running water in which to place them, the water should be changed several times. This preliminary washing must be very thorough, or the toning will not be satisfactory.
To prepare your toning bath, make up first a stock solution of fifteen ounces of water and fifteen grains of chloride of gold and sodium. The chloride of gold and sodium can be obtained in small bottles which come for the convenience of the amateur prepared in just the desired quantity.
For a toning bath for twenty prints, take ten ounces of water, three grains of sodic bicarbonate, six grains of sodic chloride (common salt), and three ounces of your stock solution of gold. Add to this bath three ounces of the stock solution of gold that has had three drops of saturated solution of bicarbonate of soda added to it. This bath should be alkaline, and you can test it with red litmus paper. If it turns the paper slightly blue, it is ready for use. Put this bath in a flat tray (porcelain preferably), and then lay the prints in it face down. Move them all the time, to insure evenness of tone and to prevent spots. It is a good plan to keep drawing out the undermost one, and putting it on the top.
The prints are of a reddish-brown color when they are put into the toning bath, and in about fifteen or twenty minutes they begin to turn to a rich purplish black. Experience will teach the amateur at what point the prints should be removed from this bath. They should lie long enough to have every tinge of red entirely removed, and yet not long enough to turn the prints to a dull gray.
When the prints have been sufficiently toned, they should be thoroughly washed and then put into the fixing bath. This bath is made of one gallon of water, one pound of sodic hyposulphite, one tablespoonful sodic bicarbonate, and one tablespoonful common salt.
These ingredients should be thoroughly dissolved, and then a portion put in a tray. This tray must be kept for the fixing bath and not be used for any other purpose. The prints are put in the tray in the same manner as in the toning bath, and moved continually until they are fixed.
This process should take fifteen minutes, or, if the bath is rather cool, the time may be extended to twenty minutes.
After the prints have been removed from the fixing bath they are put in a strong solution of salt and water, to prevent their blistering. After they have been in this solution for about five minutes they are then ready for their final washing. The prints should be left in running water for some hours, and there is very little danger of washing them too long or too thoroughly.
After every trace of the fixing bath has been removed, the prints may be taken from the water and dried between sheets of chemically-pure blotting paper. They will not curl up when dried in this way, as they do when simply exposed to the air.
The prints are now ready to mount. This is by no means the least difficult nor the least important of the many processes necessary to secure a successful picture. Even if care has been exercised in all the other processes, yet if the prints are carelessly mounted they will not look well.
The prints should be wet in clean water and laid in a pile upon each other, with their faces down. It is necessary to have a very adhesive paste to make the prints stick well to the mounts. There are some pastes that are manufactured for this purpose, but it is very easy to make one which will work equally well.
Boiled laundry starch, with the addition of a little white glue, is perhaps the best; it can be easily made, and with the addition of a few drops of carbolic acid will keep well. It is made in the proportion of one and three-quarter ounces of starch, mixed with one ounce of water, till it is a smooth paste, as thin as cream, and eighty grains of glue added with fourteen ounces of water. The whole should be well boiled and six drops of carbolic acid added. This can be put in a bottle and will keep a long time.
After the water is pressed from the wet prints a bristle brush is dipped in the paste and drawn back and forth over the print, till it is thoroughly covered.
The position on the mount should have been previously marked with a pencil or with pin-pricks, and when the print is well covered with paste it should be carefully lifted and put in place. With a piece of paper laid over it and a flat paper-cutter, all the unnecessary paste and any bubbles of air may be pressed out from between the print and the mount. With a soft cloth wipe away the paste that is pressed out around the edges of the print and then put it under a weight to dry.
If it is desired to mount prints in an album, a piece of cardboard, an eighth of an inch smaller than the print, should be placed upon the back of the print and the exposed edge covered with paste. Put on just as little as possible and lift it in place at once, before the paste has time to dry. Pass a soft cloth over it to press it into place and then close the album. In less than an hour it will be dry, and if properly mounted will be firmly adhering to the page.
The one important factor for success in photography is care. Without it, you can accomplish nothing, no matter how complete and costly your outfit may be. With care and patience you may achieve results that will be a pleasure to your friends as well as yourself, and will give permanent existence to pleasant scenes and occasions that otherwise must be only memory pictures.
[THE END.]
FEATHER BOOKS.
Elizabeth Brightwen describes, in "Nature Notes," her method of collecting birds' feathers, by grouping them artistically in the page of a large album.
"The book," she says, "should be a blank album of about fifty pages, eleven inches wide by sixteen, so as to make an upright page, which will take in long tail feathers. Cartridge paper of various pale tints is best, as one can choose the ground that will best set off the colors of the feathers. Every other page may be white, and about three black sheets will be useful for swan, albatross and other white-plumaged birds.
"The only working tools required are sharp scissors and a razor, some very thick, strong gum arabic, a little water and a duster, in case of fingers becoming sticky.
"Each page is to receive the feathers of only one bird; then they are sure to harmonize, however you may combine them.
"A common wood-pigeon is an easy bird to begin with, and readily obtained at any poulterer's. Draw out the tail feathers and place them quite flat in some paper till required. Do the same with the right wing and the left, keeping each separate and putting a mark on the papers that you may know which each contains.
"The back, the breast, the fluffy feathers beneath, all should be neatly folded in paper and marked; and this can be done in the evening or at odd times, but placing the feathers on the pages ought to be daylight work, that the colors may be studied. Now open the tail-feather packet, and with the razor carefully pare away the quill at the back of each feather.
"This requires much practice, but at last it is quickly done, and only the soft web is left, which will be perfectly flat when gummed upon the page. When all the packets are thus prepared (it is only the quill feathers that require the razor) then we may begin.
"I will describe a specimen page, but the arrangement can be varied endlessly, and therein lies one of the charms of the work. One never does two pages alike--there is such scope for taste and ingenuity--and it becomes at last a most fascinating occupation.
"Toward the top of the page, place a thin streak of gum, lay upon it a tail feather (the quill end downward), and put one on either side. The best feathers of one wing may be put down, one after the other, till one has sufficiently covered the page; then the other wing feathers may be placed down the other side; the centre may be filled in with the fluffy feathers, and the bottom can be finished off with some breast feathers neatly placed so as to cover all quill ends.
"When one works with small plumage, a wreath looks very pretty, or a curved spray beginning at the top with the very smallest feathers and gradually increasing in size to the bottom of the page.
"Butterflies or moths made of tiny feathers add much to the effect, and they are made thus. It is best, I find, to fill a wide-mouthed bottle with dry gum, and just cover the gum with the water, allow it to melt, keep stirring and adding a few drops of water till just right--no bought liquid gum equals one's own preparation.
"To make the book complete, there should be a careful water-color study of the bird on the opposite page, its Latin and English name, and a drawing of the egg. It may interest some to know how I obtained the ninety-one birds which fill my books. Some were the dried skins of foreign birds, either given me by kind friends or purchased at bird-stuffers'. The woodpecker and nut-hatch were picked up dead in the garden. The dove and budgerigars were moulted feathers saved up until there were sufficient to make a page.
"Years after the death of our favorite parrot, I found that his wings had been preserved; so they appear as a memento of an old friend who lived as a cheery presence in my childhood's home for thirty years. It is a pleasure to me to be able to say no bird was ever killed to enrich my books."
LILIAN'S NEW YEAR'S CALLS.
by Mrs. CLARA DOTY BATES.
"Oh, what a lonesome day it will be!" sighed Lilian, looking wistfully out across the snow-bright prairie.
"Not unless you make it so," responded her mother, cheerily.
"Make it so!" rejoined Lilian. "How can I make it anything else? It is always lonesome here, and to-day will be the worst of all. Only think of the fun the girls will be having in dear old Deerfield, while I am off out here in this--"
She stopped short, fearing she might say too much. What she had been about to say was "this horrid, desolate Kansas ranch."
"Perhaps the boys can take you for a drive, dear; and you know we're invited to Uncle Abner's for the evening."
"A drive!" replied Lilian, scornfully. "I hate driving, all alone, along these endless roads. Nothing but snow, snow, until I am nearly blind."
"You have your books, Lilian; and your father likes perfect lessons."
"Yes, I can have books any day. But think of the girls at home--what they are having. They are getting their tables ready, this very minute. They will darken the parlors and have gas-light, and pretty dresses and lots of callers."
Here Lilian broke down and sobbed. Her mother came to her side and stroked her hair.
"Be brave, daughter," she whispered. "I know it is a great change. But I have often told you we must bear in mind why we left the East, and why we are here. Father would not have been alive but for this change of climate and open-air life. You know he is getting well, and is so happy in that. We ought not to mind anything if he can be well again."
Lilian felt ashamed, and tried to dry her tears. Yet she was unwilling to quite give up her discontent.
"If only something would happen!" she said. Then, desperately, "I wish there would be a cyclone or a blizzard, or a prairie fire! I wish the Indians would make a raid!"
"We don't have cyclones and prairie fires in winter," her mother said, calmly.
Just then Lilian heard a great stamping of feet and gay voices outside on the kitchen threshold.
Her four brothers were coming in from doing their morning chores. As they entered they let in a great rush of cold air. Jack spied Lilian through the half-open sitting room door.
"Hello, Lil!" he called.
She did not answer.
"Lil in the dumps again?" he asked his mother.
"She is a little homesick this morning."
"Why doesn't she get out, as we do, and stir up her spirits?" said Harry. "It's nothing but moping makes her homesick."
"This is a thousand times better than poky old Deerfield," asserted Ben. "There was nothing to do there but slide down hill on a hand-sled, and here we have the ponies, and the cattle, and--"
"But you are a boy, Ben," interposed Mrs. Wyman, "and can do a great variety of things. Lilian isn't strong enough for hard riding, and, besides, she misses her friends."
"Let her make new ones," piped up Jamie. "There's lots of nice people all over these prairies."
"She will find them in time," said Mrs. Wyman. "But you must cheer her all you can meanwhile."
Lilian overheard herself discussed, and began to sob afresh.
Jack went into the sitting-room and playfully pulled her ears, and tried to laugh her out of her gloom.
"Come now, Lil. What is it you want--a gallop, a sleigh-ride?"
Lilian could confess anything to Jack.
She told him all that had been in her thoughts--how the Deerfield girls were getting ready for callers, what pretty dresses they would have, and what gay, good times.
"Do you want callers? Is that what you want, Lilian?"
"Oh, you stupid fellow! I want anything except this awful experience. I told mother I even wished the Indians would drop down on us."
"Why, Lilian, if you saw even one Indian coming down the road, you'd run and hide under the bed."
"No, indeed I wouldn't. I'd make my very best courtesy and wish him a Happy New Year. I would spread the table with the rose-bud china, make coffee for him, and--"
"Y-e-s--but before you'd half done, he would whip out his tomahawk, grasp you by the hair--this way--and, w-h-o-o-p! off would come your scalp. Then he'd tuck your braids into his belt, and away he'd go to the reservation to hang them up on the ridge-pole of his wigwam!"
"All the same, I wish he'd come."
Jack laughed.
"Say, Ben," he called, "Sis wants visitors so badly, she even wishes a Comanche would call."
"I do," persisted Lilian. "I wish a whole tribe would come!"
Harry stormed into the sitting-room, in search of his heavy leather gloves.
"Where are you going, Harry?" asked Lilian, eagerly.
"Out on business," he answered. "Are you ready, Jack?"
"Are you all going off?" cried Lilian, in alarm, lest she should lose even the doubtful pleasure of her brothers' company.
"We're going on the ponies, to look up some stray cattle for Uncle Abner."
"But mamma said you would take me for a drive?"
"Can't this morning--too busy!"
"We're all to go this evening, you know," comforted Jamie.
"This evening! What am I to do alone all day?"
A flood of tears again threatened.
"Oh, entertain your callers!" said Harry, with scant sympathy.
Lilian watched the four boys on their ponies go down the poplar-lined lane to the highway, and then, too desperate for reading or study, or even helping her mother, she flung herself on a sofa and hid her face.
The day was a dazzling one. The rolling prairie on every side looked like a white ocean, with great, sweeping billows of snow as far as eye could see.
The widely separated farm-houses, with their wind-breaks of Lombardy poplars and interspersing clusters of evergreens, looked like ships on this endless, shining, cold sea.
One needed a happy heart and busy hands not to be affected by the vastness and isolation.
Neither of these did Lilian have, and it took her nearly the entire forenoon to get through her bitter struggle with self.
When she finally roused herself she found her mother had put the rooms to rights, and besides her own work, had done all the little tasks Lilian had been used to assume.
This made her remorseful. She got her books and began to study. But somehow the brilliant sunshine kept drawing her to the window to look out.
The sky was of an intense blue that was almost purple. The blue-jays were flitting and calling. A few stray crows hovered over a distant corn-stubble--these were all the signs of life she saw.
She stood tapping a tune on the window panes. Presently she noticed, on the far crest of one of the snow billows, some moving black figures.
They were mere specks against the intense blue beyond, but they fixed her attention. Almost as soon as she saw them, however, they disappeared in an intervening valley.
"That is on the Hardin road," she said, trying to fix the direction. "It can't be the boys, for Uncle Abner's road is to the south."
Almost immediately her curiosity was stimulated again by the re-appearance of the figures on the next rise. She could not distinguish numbers, but she felt certain it was horsemen.
Again they vanished from the crest into the lower-lying space between the land-billows. And so she watched them until they were near enough for her to see it was indeed horsemen.
"Mother," she called, "come here! There's somebody coming along the Hardin road."
Her mother came.
"Who can it be?"
"One, two, three, four, five, six, seven," counted Lilian. "There are seven of them! Perhaps they will turn at the Climbing Hill Corners. They can't be coming here."
"Get the glass," said Mrs. Wyman. "See if we can make them out before they strike the valley."
Lilian ran after the glass. She adjusted it and raised it to her eyes. She had only one glimpse, however, before the descending riders were again hidden by an intervening ridge.
"They ride so wildly, mother!" she said, in a kind of breathless wonder.
"They must be skirting that hill along the creek," said Mrs. Wyman. "We'll see in a minute if they come up from the Corners."
It seemed a long time before they came again in sight. Lilian had just said, "They've turned on the Climbing Hill road," when they burst into full view on a not-distant summit and halted.
Lilian could distinctly see them pointing, as if discussing the way to take. Then, of one accord, they put spurs to their ponies and came wildly dashing down the slope.
Lilian turned deadly pale.
"Mother," she gasped, "they are Indians!"
Mrs. Wyman grew pale also. During her short life in the West she had seen only one or two isolated Indians, and those always at railway stations--dull, commonplace creatures enough, and with nothing suggestive of the warrior about them.
"Where is your father?" she asked, with something of a tremor in her voice.
"Probably over at the sheep-sheds," faltered Lilian. "He's always there near noon. I wish--I wish the boys were here."
"They'll be coming directly. Look again now, Lilian. They are approaching very fast."
Indeed the Indians were coming on fast. They were now in plain sight on the long incline and were riding at a full gallop, gesticulating and pressing forward with what looked to Lilian like savage fierceness.
"They will go by no doubt," said Mrs. Wyman, her native courage reasserting itself. "They are probably out in search of lost ponies or--"
"Look, mother! See! They are not going by. They have halted, and are pointing to the house. See! They are turning in at the lane. Oh, mother!"
"Never mind, dear. They want to inquire, perhaps--"
But while she was speaking, the Indians had wheeled into the gateway and swept up with a headlong pace to the very door.
They swung themselves from their saddles, tethered their ponies to the hitching rails and came quickly up on the porch.
Mrs. Wyman had thrown off her momentary fear. She stepped to the door and opened it. Lilian trembled in every muscle. The leader of the party was a huge fellow, much taller than his followers. He was more fantastic in his dress, too, and had streaks of paint on his cheeks. The rest had turkey feathers stuck into the bands of their slouch hats, and all had blankets over their shoulders.
The chief uttered a surly "How!" and made a motion of his hand to his mouth that he would like something to eat.
Mrs. Wyman smiled cordially, and said, "Come in."
He obeyed directly, the rest stalking after him in perfect silence. They went at once through the sitting-room to the kitchen stove and held out their hands to warm.
This done, they squatted on the floor, with various low guttural sounds to each other, as if exchanging views. They apparently approved of the comfort, for a stolid silence ensued.
Lilian was absolutely spellbound with terror and could not move. Mrs. Wyman went to the pantry to prepare them food.
The chief was restless. He kept his eyes roving over everything. Finally he began to move about.
He went into the sitting-room. He spied the china closet door and opened it.
"Ugh!" he said, as if in delight at the pretty dishes. He waved his hand at Lilian and pointed to the rosebud china, making an imperative gesture, as if to say, "We want to eat off those."
Lilian, anxious to seem to want to please these terrible visitors, nodded and smiled a ghastly smile. The very fact that she must do something seemed to relieve the spell of cold horror that had settled on her.
She took a fresh cloth from a drawer, and spread it deftly on the table. As she straightened the corners daintily, to see if they were quite even, the Indian grumbled his approval.
She took out the dishes and set seven places. She recalled, with a great thump of her heart, what Jack had said about scalping, but as yet there had been no warlike demonstrations.
She began to be more at ease. But what was that uneasy chief doing? He was prying into everything. Lilian distinctly saw him put her scissors into his pocket. But she dared not protest.
While thus distracted, she heard her mother in the kitchen burst into a merry laugh. She ran hastily out to see what had come over her.
Mrs. Wyman was in the pantry, holding a corner of her apron over her mouth, as if to smother her amusement.
There sat the six Indians on the floor, with hats drawn down surlily over their faces, and with blankets shrugged about their shoulders. "Mother, what is it?" was Lilian's whispered inquiry.
Mrs. Wyman pointed silently at the ludicrous row of savages, and covered her lips again with her apron.
Lilian could not help laughing, too.
"New Year's callers, after all," she said, to herself.
Mrs. Wyman had made the circle of waiting braves move somewhat away from the stove, so that she could cook ham and warm potatoes. Lilian returned to her table-setting. She placed a spoon-holder on the cloth, full of bright tea-spoons.
The inquisitive chief gave a genuine whoop of delight at sight of them. He sprang to her side and openly began putting them in his pocket.
This was too much. Lilian flew at him and tried to snatch them away from him. He scowled fiercely, and jabbered at her in excited gutturals.
At once she heard a great scuffling of feet in the kitchen. The other Indians, attracted by the sound, were coming to his rescue.
In they filed in formidable line.
"He shan't have them!" cried Lilian, struggling to prevent the last instalment going into his pocket. "He has my thimble and scissors already. Here," to the others, "your chief is stealing. But he can't have my spoons. You--" catching hold of the nearest one-- "Jack! Ben! Harry!" (for as soon as she got one good look at the faces of her callers she knew them), "Jack--Ben--Harry! hold him! He's just a common thief!"
A roar of laughter followed.
"Good for you, Lilian!" cried Jack, flinging off his hat and blanket, and leaping on the offender's shoulders to pinion his arms. "He shan't have your spoons, Lilian. But allow me to present to you our cousin, Harold Wyman, just arrived from Wyoming. We found him at Uncle Abner's, come to spend New Year's with us."
Lilian, who had captured part of the spoons, blushed and dropped them on the floor.
"It's real mean of you to scare me so," she stammered. "Mother, did you know it was the boys?"
"Not until Jamie winked at me from the floor, and then it was all so ridiculously clear I could not help laughing aloud. I saw you were well over your first fright, so I thought I'd let the boys carry out their fun."
"My, but I'm hot!" ejaculated Ben. "Sis has good grit, hasn't she Harold?"
"Yes," cried Jack, "and she kept her promise about the rosebud china. Let's have dinner. All we lack now is the coffee, Lilian."
When the new cousin, and Uncle Abner's boys and the four teasing brothers were seated about the table, Lilian asked:
"Where did you get your toggery, Jack?"
"Oh, Uncle Abner's garret is full of all sorts of Indian traps. This morning when you were crying for callers--especially Indians--the thought struck us it would be lots of fun to give you your wish. We found Cousin Harold at Uncle Abner's, and he helped us out. He's been on a ranch for years. We knew you wouldn't recognize him. The rest of us kept in the background."
"If you hadn't been so scared, Lilian, you'd have known the ponies," said Jamie.
When they had nearly finished dinner, Lilian said:
"I'll write it all to the Deerfield girls. I don't believe they've had half as jolly a time as we have. Their calls will be just the poky, polite ones. But mine are genuine wild West."
[This Story began in No. 52.]
TRUDY AND KIT;
or,
What a Summer Brought Forth.
by EMMA A. OPPER,
Author of "Susanne," "Barbara and Dill," etc., etc., etc.
Spotted a mistake or have an idea?
Literature · Adventure
Golden Days for Boys and Girls, Vol. XII, Jan. 3, 1891 4
