The Home Book of Verse 2 – Stevenson · Verses Across
Literature · Romance
The Home Book of Verse 2Opening pages (part 2)
18
Literature · Romance
The Home Book of Verse 2
Opening pages (part 2)
StevensonEnglish
He that still may see your cheeks,
Where all rareness still reposes,
Is a fool if e'er he seeks
Other lilies, other roses.
He to whom your soft lip yields,
And perceives your breath in kissing,
All the odors of the fields
Never, never shall be missing.
He that question would anew
What fair Eden was of old,
Let him rightly study you,
And a brief of that behold.
Welcome, welcome, then I sing,
Far more welcome than the spring;
He that parteth from you never,
Shall enjoy a spring forever.
William Browne [1591-1643?]
THE COMPLETE LOVER
For her gait, if she be walking;
Be she sitting, I desire her
For her state's sake; and admire her
For her wit if she be talking;
Gait and state and wit approve her;
For which all and each I love her.
Be she sullen, I commend her
For a modest. Be she merry,
For a kind one her prefer I.
Briefly, everything doth lend her
So much grace, and so approve her,
That for everything I love her.
William Browne [1591-1643?]
RUBIES AND PEARLS
Some asked me where the rubies grew,
And nothing I did say,
But with my finger pointed to
The lips of Julia.
Some asked how pearls did grow, and where;
Then spoke I to my girl,
To part her lips, and showed them there
The quarrelets of pearl.
Robert Herrick [1591-1674]
UPON JULIA'S CLOTHES
Whenas in silks my Julia goes,
Then, then, methinks, how sweetly flows
The liquefaction of her clothes!
Next, when I cast mine eyes and see
That brave vibration each way free,
- O how that glittering taketh me!
Robert Herrick [1591-1674]
TO CYNTHIA ON CONCEALMENT OF HER BEAUTY
Do not conceal those radiant eyes,
The starlight of serenest skies;
Lest, wanting of their heavenly light,
They turn to chaos' endless night!
Do not conceal those tresses fair,
The silken snares of thy curled hair;
Lest, finding neither gold nor ore,
The curious silk-worm work no more.
Do not conceal those breasts of thine,
More snow-white than the Apennine;
Lest, if there be like cold and frost,
The lily be for ever lost.
Do not conceal that fragrant scent,
Thy breath, which to all flowers hath lent
Perfumes; lest, it being suppressed,
No spices grow in all the East.
Do not conceal thy heavenly voice,
Which makes the hearts of gods rejoice;
Lest, music hearing no such thing,
The nightingale forget to sing.
Do not conceal, nor yet eclipse,
Thy pearly teeth with coral lips;
Lest that the seas cease to bring forth
Gems which from thee have all their worth.
Do not conceal no beauty, grace,
That's either in thy mind or face;
Lest virtue overcome by vice
Make men believe no Paradise.
Francis Kynaston [1587-1642]
SONG
Ask me no more where Jove bestows,
When June is past, the fading rose;
For in your beauty's orient deep
These flowers, as in their causes, sleep.
Ask me no more whither do stray
The golden atoms of the day;
For in pure love heaven did prepare
Those powders to enrich your hair.
Ask me no more whither doth haste
The nightingale when May is past;
For in your sweet dividing throat
She winters and keeps warm her note.
Ask me no more where those stars 'light
That downwards fall in dead of night;
For in your eyes they sit, and there
Fixed become as in their sphere.
Ask me no more if east or west
The Phoenix builds her spicy nest;
For unto you at last she flies,
And in your fragrant bosom dies.
Thomas Carew [1598?-1639?]
A DEVOUT LOVER
I have a mistress, for perfections rare
In every eye, but in my thoughts most fair.
Like tapers on the altar shine her eyes;
Her breath is the perfume of sacrifice;
And wheresoe'er my fancy would begin,
Still her perfection lets religion in.
We sit and talk, and kiss away the hours
As chastely as the morning dews kiss flowers:
I touch her, like my beads, with devout care,
And come unto my courtship as my prayer.
Thomas Randolph [1605-1635]
ON A GIRDLE
That which her slender waist confined
Shall now my joyful temples bind;
No monarch but would give his crown
His arms might do what this has done.
It was my Heaven's extremest sphere,
The pale which held that lovely deer:
My joy, my grief, my hope, my love,
Did all within this circle move.
A narrow compass! and yet there
Dwelt all that's good, and all that's fair!
Give me but what this ribbon bound,
Take all the rest the sun goes round!
Edmund Waller [1606-1687]
CASTARA
Like the violet, which alone
Prospers in some happy shade,
My Castara lives unknown,
To no looser eye betrayed:
For she's to herself untrue
Who delights i' the public view
Such is her beauty as no arts
Have enriched with borrowed grace.
Her high birth no pride imparts,
For she blushes in her place.
Folly boasts a glorious blood;
She is noblest, being good.
Cautious, she knew never yet
What a wanton courtship meant;
Nor speaks loud to boast her wit,
In her silence, eloquent.
Of herself survey she takes,
But 'tween men no difference makes.
She obeys with speedy will
Her grave parents' wise commands;
And so innocent, that ill
She nor acts, nor understands.
Women's feet run still astray
If to ill they know the way.
She sails by that rock, the court,
Where oft virtue splits her mast;
And retiredness thinks the port
Where her fame may anchor cast.
Virtue safely cannot sit
Where vice is enthroned for wit.
She holds that day's pleasure best
Where sin waits not on delight;
Without mask, or ball, or feast,
Sweetly spends a winter's night.
O'er that darkness whence is thrust
Prayer and sleep, oft governs lust.
She her throne makes reason climb,
While wild passions captive lie;
And, each article of time,
Her pure thoughts to heaven fly;
All her vows religious be,
And she vows her love to me.
William Habington [1605-1654]
TO ARAMANTHA
That She Would Dishevel Her Hair
Aramantha, sweet and fair,
Ah, braid no more that shining hair!
As my curious hand or eye
Hovering round thee, let it fly.
Let it fly as unconfined
As its calm ravisher the wind,
Who hath left his darling, th' east,
To wanton in that spicy nest.
Every tress must be confessed;
But neatly tangled at the best;
Like a clew of golden thread
Most excellently ravelled.
Do not, then, wind up that light
In ribbons, and o'er-cloud in night,
Like the sun in's early ray;
But shake your head and scatter day.
Richard Lovelace [1618-1658]
CHLOE DIVINE
Chloe's a Nymph in flowery groves,
A Nereid in the streams;
Saint-like she in the temple moves,
A woman in my dreams.
Love steals artillery from her eyes,
The Graces point her charms;
Orpheus is rivalled in her voice,
And Venus in her arms.
Never so happily in one
Did heaven and earth combine;
And yet 'tis flesh and blood alone
That makes her so divine.
Thomas D'Urfey [1653-1723]
MY PEGGY
My Peggy is a young thing,
Just entered in her teens,
Fair as the day, and sweet as May,
Fair as the day, and always gay:
My Peggy is a young thing,
And I'm na very auld,
Yet weel I like to meet her at
The wauking o' the fauld.
My Peggy speaks sae sweetly
Whene'er we meet alane,
I wish nae mair to lay my care,
I wish nae mair o' a' that's rare:
My Peggy speaks sae sweetly,
To a' the lave I'm cauld;
But she gars a' my spirits glow
At wauking o' the fauld.
My Peggy smiles sae kindly
Whene'er I whisper love,
That I look doun on a' the toun,
That I look doun upon a croun:
My Peggy smiles sae kindly,
It makes me blithe and bauld,
And naething gi'es me sic delight
As waulking o' the fauld.
My Peggy sings sae saftly,
When on my pipe I play;
By a' the rest it is confessed,
By a' the rest that she sings best:
My Peggy sings sae saftly,
And in her sangs are tauld,
Wi' innocence the wale o' sense,
At wauking o' the fauld.
Allan Ramsay [1686-1758]
SONG
From "Acis and Galatea"
O ruddier than the cherry!
O sweeter than the berry!
O nymph more bright
Than moonshine night,
Like kidlings blithe and merry!
Ripe as the melting luster;
Yet hard to tame
As raging flame,
And fierce as storms that bluster!
John Gay [1685-1732]
"TELL ME, MY HEART, IF THIS BE LOVE"
When Delia on the plain appears,
Awed by a thousand tender fears
I would approach, but dare not move:
Tell me, my heart, if this be love?
Whene'er she speaks, my ravished ear
No other voice than hers can hear,
No other wit but hers approve:
Tell me, my heart, if this be love?
If she some other youth commend,
Though I was once his fondest friend,
His instant enemy I prove:
Tell me, my heart, if this be love?
When she is absent, I no more
Delight in all that pleased before -
The clearest spring, or shadiest grove:
Tell me, my heart, if this be love?
When fond of power, of beauty vain,
Her nets she spread for every swain,
I strove to hate, but vainly strove:
Tell me, my heart, if this be love?
George Lyttleton [1709-1773]
THE FAIR THIEF
Before the urchin well could go,
She stole the whiteness of the snow;
And more, that whiteness to adorn,
She stole the blushes of the morn;
Stole all the sweetness ether sheds
On primrose buds and violet beds.
Still to reveal her artful wiles
She stole the Graces' silken smiles;
She stole Aurora's balmy breath;
And pilfered orient pearl for teeth;
The cherry, dipped in morning dew,
Gave moisture to her lips, and hue.
These were her infant spoils, a store;
And she, in time, still pilfered more!
At twelve, she stole from Cyprus' queen
Her air and love-commanding mien;
Stole Juno's dignity; and stole
From Pallas sense to charm the soul.
Apollo's wit was next her prey;
Her next, the beam that lights the day;
She sang; - amazed the Sirens heard,
And to assert their voice appeared.
She played; - the Muses from their hill,
Wondered who thus had stole their skill.
Great Jove approved her crimes and art;
And, t'other day, she stole my heart!
If lovers, Cupid, are thy care,
Exert thy vengeance on this Fair:
To trial bring her stolen charms,
And let her prison be my arms!
Charles Wyndham [1710-1763]
AMORET
If rightly tuneful bards decide,
If it be fixed in Love's decrees,
That Beauty ought not to be tried
But by its native power to please,
Then tell me, youths and lovers, tell -
What fair can Amoret excel?
Behold that bright unsullied smile,
And wisdom speaking in her mien:
Yet - she so artless all the while,
So little studious to be seen -
We naught but instant gladness know,
Nor think to whom the gift we owe.
But neither music, nor the powers
Of youth and mirth and frolic cheer,
Add half the sunshine to the hours,
Or make life's prospect half so clear,
As memory brings it to the eye
From scenes where Amoret was by.
This, sure, is Beauty's happiest part;
This gives the most unbounded sway;
This shall enchant the subject heart
When rose and lily fade away;
And she be still, in spite of Time,
Sweet Amoret, in all her prime.
Mark Akenside [1721-1770]
SONG
The shape alone let others prize,
The features of the fair:
I look for spirit in her eyes,
And meaning in her air.
A damask cheek, an ivory arm,
Shall ne'er my wishes win:
Give me an animated form,
That speaks a mind within.
A face where awful honor shines,
Where sense and sweetness move,
And angel innocence refines
The tenderness of love.
These are the soul of beauty's frame;
Without whose vital aid
Unfinished all her features seem,
And all her roses dead.
But ah! where both their charms unite,
How perfect is the view,
With every image of delight,
With graces ever new:
Of power to charm the greatest woe,
The wildest rage control,
Diffusing mildness o'er the brow,
And rapture through the soul.
Their power but faintly to express
All language must despair;
But go, behold Arpasia's face,
And read it perfect there.
Mark Akenside [1721-1770]
KATE OF ABERDEEN
The silver moon's enamored beam
Steals softly through the night,
To wanton with the winding stream,
And kiss reflected light.
To beds of state go balmy sleep
('Tis where you've seldom been),
May's vigil while the shepherds keep
With Kate of Aberdeen.
Upon the green the virgins wait,
In rosy chaplets gay,
Till morn unbar her golden gate,
And give the promised May.
Methinks I hear the maids declare,
The promised May, when seen,
Not half so fragrant, half so fair,
As Kate of Aberdeen.
Strike up the tabor's boldest notes,
We'll rouse the nodding grove;
The nested birds shall raise their throats,
And hail the maid of love;
And see - the matin lark mistakes,
He quits the tufted green:
Fond bird! 'tis not the morning breaks, -
'Tis Kate of Aberdeen.
Now lightsome o'er the level mead,
Where midnight fairies rove,
Like them the jocund dance we'll lead,
Or tune the reed to love:
For see the rosy May draws nigh,
She claims a virgin Queen;
And hark, the happy shepherds cry,
'Tis Kate of Aberdeen.
John Cunningham [1729-1773]
SONG
Who has robbed the ocean cave,
To tinge thy lips with coral hue?
Who from India's distant wave
For thee those pearly treasures drew?
Who from yonder orient sky
Stole the morning of thine eye?
A thousand charms, thy form to deck,
From sea, and earth, and air are torn;
Roses bloom upon thy cheek,
On thy breath their fragrance borne.
Guard thy bosom from the day,
Lest thy snows should melt away.
But one charm remains behind,
Which mute earth can ne'er impart;
Nor in ocean wilt thou find,
Nor in the circling air, a heart.
Fairest! wouldst thou perfect be,
Take, oh, take that heart from me.
John Shaw [1559-1625]
CHLOE
It was the charming month of May,
When all the flowers were fresh and gay;
One morning, by the break of day,
The youthful, charming Chloe
From peaceful slumber she arose,
Girt on her mantle and her hose,
And o'er the flowery mead she goes,
The youthful, charming Chloe.
Lovely was she by the dawn,
Youthful Chloe, charming Chloe,
Tripping o'er the pearly lawn,
The youthful, charming Chloe.
The feathered people you might see,
Perched all around on every tree,
In notes of sweetest melody
They hail the charming Chloe;
Till, painting gay the eastern skies,
The glorious sun began to rise,
Out-rivalled by the radiant eyes
Of youthful, charming Chloe.
Lovely was she by the dawn,
Youthful Chloe, charming Chloe,
Tripping o'er the pearly lawn,
The youthful, charming Chloe.
Robert Burns [1759-1796]
"O MALLY'S MEEK, MALLY'S SWEET"
As I was walking up the street,
A barefit maid I chanced to meet;
But O the road was very hard
For that fair maiden's tender feet.
O Mally's meek, Mally's sweet,
Mally's modest and discreet,
Mally's rare, Mally's fair,
Mally's every way complete.
It were more meet that those fine feet
Were weel laced up in silken shoon,
And 'twere more fit that she should sit
Within yon chariot gilt aboon.
Her yellow hair, beyond compare,
Comes trinkling down her swan-white neck,
And her two eyes, like stars in skies,
Would keep a sinking ship frae wreck.
O Mally's meek, Mally's sweet,
Mally's modest and discreet,
Mally's rare, Mally's fair,
Mally's every way complete.
Robert Burns [1759-1796]
THE LOVER'S CHOICE
You, Damon, covet to possess
The nymph that sparkles in her dress;
Would rustling silks and hoops invade,
And clasp an armful of brocade.
Such raise the price of your delight
Who purchase both their red and white,
And, pirate-like, surprise your heart
With colors of adulterate art.
Me, Damon, me the maid enchants
Whose cheeks the hand of nature paints;
A modest blush adorns her face,
Her air an unaffected grace.
No art she knows, or seeks to know;
No charm to wealthy pride will owe;
No gems, no gold she needs to wear;
She shines intrinsically fair.
Thomas Bedingfield [ ? -1613]
RONDEAU REDOUBLE
My day and night are in my lady's hand;
I have no other sunrise than her sight;
For me her favor glorifies the land;
Her anger darkens all the cheerful light.
Her face is fairer than the hawthorn white,
When all a-flower in May the hedgerows stand;
While she is kind, I know of no affright;
My day and night are in my lady's hand.
All heaven in her glorious eyes is spanned;
Her smile is softer than the summer's night,
Gladder than daybreak on the Faery strand;
I have no other sunrise than her sight.
Her silver speech is like the singing flight
Of runnels rippling o'er the jewelled sand;
Her kiss a dream of delicate delight;
For me her favor glorifies the land.
What if the Winter chase the Summer bland!
The gold sun in her hair burns ever bright.
If she be sad, straightway all joy is banned;
Her anger darkens all the cheerful light.
Come weal or woe, I am my lady's knight
And in her service every ill withstand;
Love is my Lord in all the world's despite
And holdeth in the hollow of his hand
My day and night.
John Payne [1842-1916]
"MY LOVE SHE'S BUT A LASSIE YET"
My love she's but a lassie yet,
A lightsome lovely lassie yet;
It scarce wad do
To sit an' woo
Down by the stream sae glassy yet.
But there's a braw time coming yet,
When we may gang a-roaming yet;
An' hint wi' glee
O' joys to be,
When fa's the modest gloaming yet.
She's neither proud nor saucy yet,
She's neither plump nor gaucy yet;
But just a jinking,
Bonny blinking,
Hilty-skilty lassie yet.
But O, her artless smile's mair sweet
Than hinny or than marmalete;
An' right or wrang,
Ere it be lang,
I'll bring her to a parley yet.
I'm jealous o' what blesses her,
The very breeze that kisses her,
The flowery beds
On which she treads,
Though wae for ane that misses her.
Then O, to meet my lassie yet,
Up in yon glen sae grassy yet;
For all I see
Are naught to me,
Save her that's but a lassie yet.
James Hogg [1770-1835]
JESSIE, THE FLOWER O' DUNBLANE
The sun has gane down o'er the lofty Benlomond
And left the red clouds to preside o'er the scene,
While lanely I stray, in the calm simmer gloamin',
To muse on sweet Jessie, the Flower o' Dunblane.
How sweet is the brier, wi' its saft fauldin' blossom,
And sweet is the birk, wi' its mantle o' green;
Yet sweeter and fairer, and dear to this bosom,
Is lovely young Jessie, the Flower o' Dunblane.
She's modest as ony, and blithe as she's bonnie;
For guileless simplicity marks her its ain;
And far be the villain, divested of feeling,
Wha'd blight in its bloom the sweet Flower o' Dunblane.
Sing on, thou sweet mavis, thy hymn to the e'ening!
Thou'rt dear to the echoes of Calderwood glen;
Sae dear to this bosom, sae artless and winning,
Is charming young Jessie, the Flower o' Dunblane.
How lost were my days till I met wi' my Jessie!
The sports o' the city seemed foolish and vain;
I ne'er saw a nymph I would ca' my dear lassie
Till charmed wi' sweet Jessie, the Flower o' Dunblane.
Though mine were the station o' loftiest grandeur,
Amidst its profusion I'd languish in pain,
And reckon as naething the height o' its splendor,
If wanting sweet Jessie, the Flower o' Dunblane.
Robert Tannahill [1774-1810]
MARGARET AND DORA
Margaret's beauteous - Grecian arts
Ne'er drew form completer,
Yet why, in my hearts of hearts,
Hold I Dora's sweeter?
Dora's eyes of heavenly blue
Pass all painting's reach,
Ringdoves' notes are discord to
The music of her speech.
Artists! Margaret's smile receive,
And on canvas show it;
But for perfect worship leave
Dora to her poet.
Thomas Campbell [1777-1844]
DAGONET'S CANZONET
A queen lived in the South;
And music was her mouth,
And sunshine was her hair,
By day, and all the night
The drowsy embers there
Remembered still the light;
My soul, was she not fair!
But for her eyes - they made
An iron man afraid;
Like sky-blue pools they were,
Watching the sky that knew
Itself transmuted there
Light blue, or deeper blue;
My soul, was she not fair!
The lifting of her hands
Made laughter in the lands
Where the sun is, in the South:
But my soul learnt sorrow there
In the secrets of her mouth,
Her eyes, her hands, her hair:
O soul, was she not fair!
Ernest Rhys [1859-
STANZAS FOR MUSIC
There be none of Beauty's daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean's pausing,
The waves lie still and gleaming,
And the lulled winds seem dreaming.
And the midnight moon is weaving
Her bright chain o'er the deep,
Whose breast is gently heaving,
As an infant's asleep:
So the spirit bows before thee,
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer's ocean.
George Gordon Byron [1788-1824]
"FLOWERS I WOULD BRING"
Flowers I would bring if flowers could make thee fairer,
And music, if the Muse were dear to thee;
(For loving these would make thee love the bearer)
But sweetest songs forget their melody,
And loveliest flowers would but conceal the wearer: -
A rose I marked, and might have plucked; but she
Blushed as she bent, imploring me to spare her,
Nor spoil her beauty by such rivalry.
Alas! and with what gifts shall I pursue thee,
What offerings bring, what treasures lay before thee;
When earth with all her floral train doth woo thee,
And all old poets and old songs adore thee;
And love to thee is naught; from passionate mood
Secured by joy's complacent plenitude!
Aubrey Thomas de Vere [1814-1902]
"IT IS NOT BEAUTY I DEMAND"
It is not Beauty I demand,
A crystal brow, the moon's despair,
Nor the snow's daughter, a white hand,
Nor mermaid's yellow pride of hair:
Tell me not of your starry eyes,
Your lips that seem on roses fed,
Your breasts, where Cupid tumbling lies
Nor sleeps for kissing of his bed: -
A bloomy pair of vermeil cheeks
Like Hebe's in her ruddiest hours,
A breath that softer music speaks
Than summer winds a-wooing flowers, -
These are but gauds: nay, what are lips?
Coral beneath the ocean-stream,
Whose brink when your adventurer sips
Full oft he perisheth on them.
And what are cheeks but ensigns oft
That wave hot youth to fields of blood?
Did Helen's breast, though ne'er so soft,
Do Greece or Ilium any good?
Eyes can with baleful ardor burn;
Poison can breathe, that erst perfumed;
There's many a white hand holds an urn
With lovers' hearts to dust consumed.
For crystal brows - there's naught within;
They are but empty cells for pride;
He who the Siren's hair would win
Is mostly strangled in the tide.
Give me, instead of Beauty's bust,
A tender heart, a loyal mind
Which with temptation I could trust,
Yet never linked with error find, -
One in whose gentle bosom I
Could pour my secret heart of woes,
Like the care-burthened honey-fly
That hides his murmurs in the rose, -
My earthly Comforter! whose love
So indefeasible might be
That, when my spirit won above,
Hers could not stay, for sympathy.
George Darley [1795-1846]
SONG
She is not fair to outward view
As many maidens be,
Her loveliness I never knew
Until she smiled on me;
Oh! then I saw her eye was bright,
A well of love, a spring of light.
But now her looks are coy and cold,
To mine they ne'er reply,
And yet I cease not to behold
The love-light in her eye:
Her very frowns are fairer far
Than smiles of other maidens are.
Hartley Coleridge [1796-1849]
SONG
A violet in her lovely hair,
A rose upon her bosom fair!
But O, her eyes
A lovelier violet disclose,
And her ripe lips the sweetest rose
That's 'neath the skies.
A lute beneath her graceful hand
Breathes music forth at her command;
But still her tongue
Far richer music calls to birth
Than all the minstrel power on earth
Can give to song.
And thus she moves in tender light,
The purest ray, where all is bright,
Serene, and sweet;
And sheds a graceful influence round,
That hallows e'en the very ground
Beneath her feet!
Charles Swain [1801-1874]
EILEEN AROON
When like the early rose,
Eileen Aroon!
Beauty in childhood blows,
Eileen Aroon!
When, like a diadem,
Buds blush around the stem,
Which is the fairest gem? -
Eileen Aroon!
Is it the laughing eye,
Eileen Aroon!
Is it the timid sigh,
Eileen Aroon!
Is it the tender tone,
Soft as the stringed harp's moan?
O, it is truth alone, -
Eileen Aroon!
When like the rising day,
Eileen Aroon!
Love sends his early ray,
Eileen Aroon!
What makes his dawning glow,
Changeless through joy or woe?
Only the constant know: -
Eileen Aroon!
I know a valley fair,
Eileen Aroon!
I knew a cottage there,
Eileen Aroon!
Far in that valley's shade
I knew a gentle maid,
Flower of a hazel glade, -
Eileen Aroon!
Who in the song so sweet?
Eileen Aroon!
Who in the dance so fleet?
Eileen Aroon!
Dear were her charms to me
Dearer her laughter free,
Dearest her constancy, -
Eileen Aroon!
Were she no longer true,
Eileen Aroon!
What should her lover do?
Eileen Aroon!
Fly with his broken chain
Far o'er the sounding main,
Never to love again, -
Eileen Aroon!
Youth must with time decay,
Eileen Aroon!
Beauty must fade away,
Eileen Aroon!
Castles are sacked in war,
Chieftains are scattered far,
Truth is a fixed star, -
Eileen Aroon!
Gerald Griffin [1803-1840]
ANNIE LAURIE
Maxwelton braes are bonnie
Where early fa's the dew,
And it's there that Annie Laurie
Gie'd me her promise true -
Gie'd me her promise true,
Which ne'er forgot will be;
And for bonnie Annie Laurie
I'd lay me doun and dee.
Her brow is like the snaw-drift;
Her throat is like the swan;
Her face it is the fairest
That e'er the sun shone on -
That e'er the sun shone on -
And dark blue is her ee;
And for bonnie Annie Laurie
I'd lay me doun and dee.
Like dew on the gowan lying
Is the fa' o' her fairy feet;
And like the winds in summer sighing,
Her voice is low and sweet -
Her voice is low and sweet -
And she's a' the world to me;
And for bonnie Annie Laurie
I'd lay me doun and dee.
William Douglas [1672?-1748]
TO HELEN
Helen, thy beauty is to me
Like those Nicaean barks of yore,
That gently, o'er a perfumed sea,
The weary, wayworn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs, have brought me home
To the glory that was Greece
And the grandeur that was Rome.
Lo! in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand!
Ah, Psyche, from the regions which
Are Holy Land!
Edgar Allan Poe [1809-1849]
"A VOICE BY THE CEDAR TREE"
From "Maud"
I
A voice by the cedar tree,
In the meadow under the Hall!
She is singing an air that is known to me,
A passionate ballad gallant and gay,
A martial song like a trumpet's call!
Singing alone in the morning of life,
In the happy morning of life and of May,
Singing of men that in battle array,
Ready in heart and ready in hand,
March with banner and bugle and fife
To the death, for their native land.
II
Maud with her exquisite face,
And wild voice pealing up to the sunny sky,
And feet like sunny gems on an English green,
Maud in the light of her youth and her grace,
Singing of Death, and of Honor that cannot die,
Till I well could weep for a time so sordid and mean,
And myself so languid and base.
III
Silence, beautiful voice!
Be still, for you only trouble the mind
With a joy in which I cannot rejoice,
A glory I shall not find.
Still! I will hear you no more,
For your sweetness hardly leaves me a choice
But to move to the meadow and fall before
Her feet on the meadow grass, and adore,
Not her, who is neither courtly nor kind,
Not her, not her, but a voice.
Alfred Tennyson [1809-1892]
SONG
Nay but you, who do not love her,
Is she not pure gold, my mistress?
Holds earth aught - speak truth - above her?
Aught like this tress, see, and this tress,
And this last fairest tress of all,
So fair, see, ere I let it fall?
Because you spend your lives in praising;
To praise, you search the wide world over:
Then why not witness, calmly gazing,
If earth holds aught - speak truth - above her?
Above this tress, and this, I touch
But cannot praise, I love so much!
Robert Browning [1812-1889]
THE HENCHMAN
My lady walks her morning round,
My lady's page her fleet greyhound,
My lady's hair the fond winds stir,
And all the birds make songs for her.
Her thrushes sing in Rathburn bowers,
And Rathburn side is gay with flowers;
But ne'er like hers, in flower or bird,
Was beauty seen or music heard.
The distance of the stars is hers;
The least of all her worshipers,
The dust beneath her dainty heel,
She knows not that I see or feel.
Oh, proud and calm! - she cannot know
Where'er she goes with her I go;
Oh, cold and fair! - she cannot guess
I kneel to share her hound's caress!
Gay knights beside her hunt and hawk,
I rob their ears of her sweet talk;
Her suitors come from east and west,
I steal her smiles from every guest.
Unheard of her, in loving words,
I greet her with the song of birds;
I reach her with her green-armed bowers,
I kiss her with the lips of flowers.
The hound and I are on her trail,
The wind and I uplift her veil;
As if the calm, cold moon she were,
And I the tide, I follow her.
As unrebuked as they, I share
The license of the sun and air,
And in a common homage hide
My worship from her scorn and pride.
World-wide apart, and yet so near,
I breathe her charmed atmosphere,
Wherein to her my service brings
The reverence due to holy things.
Her maiden pride, her haughty name,
My dumb devotion shall not shame;
The love that no return doth crave
To knightly levels lifts the slave.
No lance have I, in joust or fight,
To splinter in my lady's sight;
But, at her feet, how blest were I
For any need of hers to die!
John Greenleaf Whittier [1807-1892]
LOVELY MARY DONNELLY
Oh, lovely Mary Donnelly, it's you I love the best! If fifty girls were round you I'd hardly see the rest. Be what it may the time of day, the place be where it will, Sweet looks of Mary Donnelly, they bloom before me still.
Her eyes like mountain water that's flowing on a rock, How clear they are, how dark they are! they give me many a shock. Red rowans warm in sunshine and wetted with a shower, Could ne'er express the charming lip that has me in its power.
Her nose is straight and handsome, her eyebrows lifted up, Her chin is very neat and pert, and smooth like a china cup, Her hair's the brag of Ireland, so weighty and so fine; It's rolling down upon her neck, and gathered in a twine.
The dance o' last Whit-Monday night exceeded all before; No pretty girl for miles about was missing from the floor; But Mary kept the belt of love, and O but she was gay! She danced a jig, she sung a song, that took my heart away.
When she stood up for dancing, her steps were so complete, The music nearly killed itself to listen to her feet; The fiddler moaned his blindness, he heard her so much praised, But blessed his luck he wasn't deaf when once her voice she raised.
And evermore I'm whistling or lilting what you sung, Your smile is always in my heart, your name beside my tongue; But you've as many sweethearts as you'd count on both your hands, And for myself there's not a thumb or little finger stands.
Oh, you're the flower o' womankind in country or in town; The higher I exalt you, the lower I'm cast down. If some great lord should come this way, and see your beauty bright, And you to be his lady, I'd own it was but right.
O might we live together in a lofty palace hall,
Where joyful music rises, and where scarlet curtains fall!
O might we live together in a cottage mean and small,
With sods of grass the only roof, and mud the only wall!
O lovely Mary Donnelly, your beauty's my distress: It's far too beauteous to be mine, but I'll never wish it less. The proudest place would fit your face, and I am poor and low; But blessings be about you, dear, wherever you may go!
William Allingham [1824-1889]
LOVE IN THE VALLEY
Under yonder beech-tree single on the green-sward,
Couched with her arms behind her golden head,
Knees and tresses folded to slip and ripple idly,
Lies my young love sleeping in the shade.
Had I the heart to slide an arm beneath her,
Press her parting lips as her waist I gather slow,
Waking in amazement she could not but embrace me:
Then would she hold me and never let me go?
Shy as the squirrel and wayward as the swallow,
Swift as the swallow along the river's light
Circleting the surface to meet his mirrored winglets,
Fleeter she seems in her stay than in her flight.
Shy as the squirrel that leaps among the pine-tops,
Wayward as the swallow overhead at set of sun,
She whom I love is hard to catch and conquer,
Hard, but O the glory of the winning were she won!
When her mother tends her before the laughing mirror,
Tying up her laces, looping up her hair,
Often she thinks, were this wild thing wedded,
More love should I have, and much less care.
When her mother tends her before the lighted mirror,
Loosening her laces, combing down her curls,
Often she thinks, were this wild thing wedded,
I should miss but one for many boys and girls.
Heartless she is as the shadow in the meadows, Flying to the hills on a blue and breezy noon. No, she is athirst and drinking up her wonder: Earth to her is young as the slip of the new moon. Deals she an unkindness, 'tis but her rapid measure, Even as in a dance; and her smile can heal no less: Like the swinging May-cloud that pelts the flowers with hailstones Off a sunny border, she was made to bruise and bless.
Lovely are the curves of the white owl sweeping Wavy in the dusk lit by one large star. Lone on the fir-branch, his rattle-note unvaried, Brooding o'er the gloom, spins the brown eve-jar. Darker grows the valley, more and more forgetting: So were it with me if forgetting could be willed. Tell the grassy hollow that holds the bubbling well-spring, Tell it to forget the source that keeps it filled.
Stepping down the hill with her fair companions,
Arm in arm, all against the raying West,
Boldly she sings, to the merry tune she marches;
Brave in her shape, and sweeter unpossessed.
Sweeter, for she is what my heart first awaking
Whispered the world was; morning light is she.
Love that so desires would fain keep her changeless;
Fain would fling the net, and fain have her free.
Happy happy time, when the white star hovers
Low over dim fields fresh with bloomy dew,
Near the face of dawn, that draws athwart the darkness,
Threading it with color, like yewberries the yew.
Thicker crowd the shades as the grave East deepens
Glowing, and with crimson a long cloud swells.
Maiden still the morn is; and strange she is, and secret;
Strange her eyes; her cheeks are cold as cold sea-shells.
Sunrays, leaning on our southern hills and lighting Wild cloud-mountains that drag the hills along, Oft ends the day of your shifting brilliant laughter Chill as a dull face frowning on a song. Ay, but shows the South-west a ripple-feathered bosom Blown to silver while the clouds are shaken and ascend Scaling the mid-heavens as they stream, there comes a sunset Rich, deep like love in beauty without end.
When at dawn she sighs, and like an infant to the window
Turns grave eyes craving light, released from dreams,
Beautiful she looks, like a white water-lily
Bursting out of bud in havens of the streams.
When from bed she rises clothed from neck to ankle
In her long nightgown sweet as boughs of May,
Beautiful she looks, like a tall garden-lily
Pure from the night, and splendid for the day.
Mother of the dews, dark eye-lashed twilight,
Low-lidded twilight, o'er the valley's brim,
Rounding on thy breast sings the dew-delighted skylark,
Clear as though the dewdrops had their voice in him.
Hidden where the rose-flush drinks the rayless planet,
Fountain-full he pours the spraying fountain-showers.
Let me hear her laughter, I would have her ever
Cool as dew in twilight, the lark above the flowers.
All the girls are out with their baskets for the primrose;
Up lanes, woods through, they troop in joyful bands.
My sweet leads: she knows not why, but now she loiters,
Eyes the bent anemones, and hangs her hands.
Such a look will tell that the violets are peeping,
Coming the rose: and unaware a cry
Springs in her bosom for odors and for color,
Covert and the nightingale; she knows not why.
Kerchiefed head and chin she darts between her tulips,
Streaming like a willow gray in arrowy rain:
Some bend beaten cheek to gravel, and their angel
She will be; she lifts them, and on she speeds again.
Black the driving rain cloud breasts the iron gateway:
She is forth to cheer a neighbor lacking mirth.
So when sky and grass met rolling dumb for thunder
Saw I once a white dove, sole light of earth.
Prim little scholars are the flowers of her garden,
Trained to stand in rows, and asking if they please.
I might love them well but for loving more the wild ones:
O my wild ones! they tell me more than these.
You, my wild one, you tell of honied field-rose,
Violet, blushing eglantine in life; and even as they,
They by the wayside are earnest of your goodness,
You are of life's, on the banks that line the way.
Peering at her chamber the white crowns the red rose, Jasmine winds the porch with stars two and three. Parted is the window; she sleeps; the starry jasmine Breathes a falling breath that carries thoughts of me. Sweeter unpossessed, have I said of her my sweetest? Not while she sleeps: while she sleeps the jasmine breathes, Luring her to love: she sleeps; the starry jasmine Bears me to her pillow under white rose-wreaths.
Yellow with birdfoot-trefoil are the grass-glades;
Yellow with cinquefoil of the dew-gray leaf;
Yellow with stonecrop; the moss-mounds are yellow;
Blue-necked the wheat sways, yellowing to the sheaf.
Green-yellow bursts from the copse the laughing yaffle;
Sharp as a sickle is the edge of shade and shine:
Earth in her heart laughs looking at the heavens,
Thinking of the harvest: I look and think of mine.
This I may know: her dressing and undressing
Such a change of light shows as when the skies in sport
Shift from cloud to moonlight; or edging over thunder
Slips a ray of sun; or sweeping into port
White sails furl; or on the ocean borders
White sails lean along the waves leaping green.
Visions of her shower before me, but from eyesight
Guarded she would be like the sun were she seen.
Front door and back of the mossed old farmhouse
Open with the morn, and in a breezy link
Freshly sparkles garden to stripe-shadowed orchard,
Green across a rill where on sand the minnows wink.
Busy in the grass the early sun of summer
Swarms, and the blackbird's mellow fluting notes
Call my darling up with round and roguish challenge:
Quaintest, richest carol of all the singing throats!
Cool was the woodside; cool as her white dairy Keeping sweet the cream-pan; and there the boys from school, Cricketing below, rushed brown and red with sunshine; O the dark translucence of the deep-eyed cool! Spying from the farm, herself she fetched a pitcher Full of milk, and tilted for each in turn the beak. Then a little fellow, mouth up and on tiptoe, Said, "I will kiss you": she laughed and leaned her cheek.
Doves of the fir-wood walling high our red roof
Through the long noon coo, crooning through the coo.
Loose droop the leaves, and down the sleepy roadway
Sometimes pipes a chaffinch; loose droops the blue.
Cows flap a slow tail knee-deep in the river,
Breathless, given up to sun and gnat and fly.
Nowhere is she seen; and if I see her nowhere,
Lightning may come, straight rains and tiger sky.
O the golden sheaf, the rustling treasure-armful!
O the nutbrown tresses nodding interlaced!
O the treasure-tresses one another over
Nodding! O the girdle slack about the waist!
Slain are the poppies that shot their random scarlet
Quick amid the wheat-ears: wound about the waist,
Gathered, see these brides of Earth one blush of ripeness!
O the nutbrown tresses nodding interlaced.
Large and smoky red the sun's cold disk drops,
Clipped by naked hills, on violet shaded snow:
Eastward large and still lights up a bower of moonrise,
Whence at her leisure steps the moon aglow.
Nightlong on black print-branches our beech-tree
Gazes in this whiteness: nightlong could I.
Here may life on death or death on life be painted.
Let me clasp her soul to know she cannot die!
Gossips count her faults; they scour a narrow chamber
Where there is no window, read not heaven or her.
"When she was a tiny," one aged woman quavers,
Plucks at my heart and leads me by the ear.
Faults she had once as she learned to run and tumbled:
Faults of feature some see, beauty not complete.
Yet, good gossips, beauty that makes holy
Earth and air, may have faults from head to feet.
Hither she comes; she comes to me; she lingers, Deepens her brown eyebrows, while in new surprise High rise the lashes in wonder of a stranger; Yet am I the light and living of her eyes. Something friends have told her fills her heart to brimming, Nets her in her blushes, and wounds her, and tames. - Sure of her haven, O like a dove alighting, Arms up, she dropped: our souls were in our names.
Soon will she lie like a white frost sunrise.
Yellow oats and brown wheat, barley pale as rye,
Long since your sheaves have yielded to the thresher,
Felt the girdle loosened, seen the tresses fly.
Soon will she lie like a blood-red sunset.
Swift with the to-morrow, green-winged Spring!
Sing from the South-west, bring her back the truants,
Nightingale and swallow, song and dipping wing.
Soft new beech-leaves, up to beamy April
Spreading bough on bough a primrose mountain, you,
Lucid in the moon, raise lilies to the skyfields,
Youngest green transfused in silver shining through:
Fairer than the lily, than the wild white cherry:
Fair as in image my seraph love appears
Borne to me by dreams when dawn is at my eyelids:
Fair as in the flesh she swims to me on tears.
Could I find a place to be alone with heaven,
I would speak my heart out: heaven is my need.
Every woodland tree is flushing like the dogwood,
Flashing like the whitebeam, swaying like the reed.
Flushing like the dogwood crimson in October;
Streaming like the flag-reed South-west blown;
Flashing as in gusts the sudden-lighted whitebeam:
All seem to know what is for heaven alone.
George Meredith [1828-1909]
MARIAN
She can be as wise as we,
And wiser when she wishes;
She can knit with cunning wit,
And dress the homely dishes.
She can flourish staff or pen,
And deal a wound that lingers;
She can talk the talk of men,
And touch with thrilling fingers.
Match her ye across the sea,
Natures fond and fiery;
Ye who zest the turtle's nest
With the eagle's eyrie.
Soft and loving is her soul,
Swift and lofty soaring;
Mixing with its dove-like dole
Passionate adoring.
Such a she who'll match with me?
In flying or pursuing,
Subtle wiles are in her smiles
To set the world a-wooing.
She is steadfast as a star,
And yet the maddest maiden:
She can wage a gallant war,
And give the peace of Eden.
George Meredith [1828-1909]
PRAISE OF MY LADY
My lady seems of ivory
Forehead, straight nose, and cheeks that be
Hollowed a little mournfully.
Beata mea Domina!
Her forehead, overshadowed much
By bows of hair, has a wave such
As God was good to make for me.
Beata mea Domina!
Not greatly long my lady's hair,
Nor yet with yellow color fair,
But thick and crisped wonderfully:
Beata mea Domina!
Heavy to make the pale face sad,
And dark, but dead as though it had
Been forged by God most wonderfully
Beata mea Domina!
Of some strange metal, thread by thread,
To stand out from my lady's head,
Not moving much to tangle me.
Beata mea Domina!
Beneath her brows the lids fall slow,
The lashes a clear shadow throw
Where I would wish my lips to be.
Beata mea Domina!
Her great eyes, standing far apart,
Draw up some memory from her heart,
And gaze out very mournfully;
Beata mea Domina!
So beautiful and kind they are,
But most times looking out afar,
Waiting for something, not for me.
Beata mea Domina!
I wonder if the lashes long
Are those that do her bright eyes wrong,
For always half tears seem to be
Beata mea Domina!
Lurking below the underlid,
Darkening the place where they lie hid:
If they should rise and flow for me!
Beata mea Domina!
Her full lips being made to kiss,
Curled up and pensive each one is;
This makes me faint to stand and see.
Beata mea Domina!
Her lips are not contented now,
Because the hours pass so slow
Towards a sweet time: (pray for me),
Beata mea Domina!
Nay, hold thy peace! for who can tell?
But this at least I know full well,
Her lips are parted longingly,
Beata mea Domina!
So passionate and swift to move,
To pluck at any flying love,
That I grow faint to stand and see.
Beata mea Domina!
Yea! there beneath them is her chin,
So fine and round, it were a sin
To feel no weaker when I see
Beata mea Domina!
God's dealings; for with so much care
And troublous, faint lines wrought in there,
He finishes her face for me.
Beata mea Domina!
Of her long neck what shall I say?
What things about her body's sway,
Like a knight's pennon or slim tree
Beata mea Domina!
Set gently waving in the wind;
Or her long hands that I may find
On some day sweet to move o'er me?
Beata mea Domina!
God pity me though, if I missed
The telling, how along her wrist
The veins creep, dying languidly
Beata mea Domina!
Inside her tender palm and thin.
Now give me pardon, dear, wherein
My voice is weak and vexes thee.
Beata mea Domina!
All men that see her any time,
I charge you straightly in this rhyme,
What, and wherever you may be,
Beata mea Domina!
To kneel before her; as for me
I choke and grow quite faint to see
My lady moving graciously.
Beata mea Domina!
William Morris [1834-1896]
MADONNA MIA
Under green apple boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair's weight;
She hath no maids to stand
Gold-clothed on either hand;
In all that great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen's head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joys from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet, -
Yet no man knows.
Only this thing is said;
That white and gold and red,
God's three chief words, man's bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady's praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This is my lady's birth;
God gave her might and mirth.
And laid his whole sweet earth
Between her hands.
Under deep apple boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
Algernon Charles Swinburne [1837-1909]
"MEET WE NO ANGELS, PANSIE?"
Came, on a Sabbath morn, my sweet,
In white, to find her lover;
The grass grew proud beneath her feet,
The green elm-leaves above her: -
Meet we no angels, Pansie?
She said, "We meet no angels now";
And soft lights streamed upon her;
And with white hand she touched a bough;
She did it that great honor: -
What! meet no angels, Pansie?
O sweet brown hat, brown hair, brown eyes,
Down-dropped brown eyes, so tender!
Then what said I? - gallant replies
Seem flattery, and offend her: -
But, - meet we no angels, Pansie?
Thomas Ashe [1836-1889]
TO DAPHNE
Like apple-blossoms, white and red;
Like hues of dawn, which fly too soon;
Like bloom of peach, so softly spread;
Like thorn of May and rose of June -
Oh, sweet! oh, fair! beyond compare,
Are Daphne's cheeks,
Are Daphne's blushing cheeks, I swear.
That pretty rose, which comes and goes
Like April sunshine in the sky,
I can command it when I choose -
See how it rises if I cry:
Oh, sweet! oh, fair! beyond compare,
Are Daphne's cheeks,
Are Daphne's blushing cheeks, I swear.
Ah! when it lies round lips and eyes,
And fades away, again to spring,
No lover, sure, could ask for more
Than still to cry, and still to sing:
Oh, sweet! oh, fair! beyond compare,
Are Daphne's cheeks,
Are Daphne's blushing cheeks, I swear.
Walter Besant [1836-1901]
"GIRL OF THE RED MOUTH"
Girl of the red mouth,
Love me! Love me!
Girl of the red mouth,
Love me!
'Tis by its curve, I know,
Love fashioneth his bow,
And bends it - ah, even so!
Oh, girl of the red mouth, love me!
Girl of the blue eye,
Love me! Love me!
Girl of the dew eye,
Love me!
Worlds hang for lamps on high;
And thought's world lives in thy
Lustrous and tender eye -
Oh, girl of the blue eye, love me!
Girl of the swan's neck,
Love me! Love me!
Girl of the swan's neck,
Love me!
As a marble Greek doth grow
To his steed's back of snow,
Thy white neck sits thy shoulder so, -
Oh, girl of the swan's neck, love me!
Girl of the low voice,
Love me! Love me!
Girl of the sweet voice,
Love me!
Like the echo of a bell, -
Like the bubbling of a well, -
Sweeter! Love within doth dwell, -
Oh, girl of the low voice, love me!
Martin MacDermott [1823-1905]
THE DAUGHTER OF MENDOZA
O lend to me, sweet nightingale,
Your music by the fountain,
And lend to me your cadences,
O river of the mountain!
That I may sing my gay brunette,
A diamond spark in coral set,
Gem for a prince's coronet -
The daughter of Mendoza.
How brilliant is the morning star,
The evening star how tender, -
The light of both is in her eyes,
Their softness and their splendor.
But for the lash that shades their light
They were too dazzling for the sight,
And when she shuts them, all is night -
The daughter of Mendoza.
O ever bright and beauteous one,
Bewildering and beguiling,
The lute is in thy silvery tones,
The rainbow in thy smiling;
And thine, is, too, o'er hill and dell,
The bounding of the young gazelle,
The arrow's flight and ocean's swell -
Sweet daughter of Mendoza!
What though, perchance, we no more meet, -
What though too soon we sever?
Thy form will float like emerald light
Before my vision ever.
For who can see and then forget
The glories of my gay brunette -
Thou art too bright a star to set,
Sweet daughter of Mendoza!
Mirabeau Bonaparte Lamar [1798-1859]
"IF SHE BE MADE OF WHITE AND RED"
If she be made of white and red,
As all transcendent beauty shows;
If heaven be blue above her head,
And earth be golden, as she goes:
Nay, then thy deftest words restrain;
Tell not that beauty, it is vain.
If she be filled with love and scorn,
As all divinest natures are;
If 'twixt her lips such words are born,
As can but Heaven or Hell confer:
Bid Love be still, nor ever speak,
Lest he his own rejection seek.
Herbert P. Horne [1864-
THE LOVER'S SONG
Lend me thy fillet, Love!
I would no longer see:
Cover mine eyelids close awhile,
And make me blind like thee.
Then might I pass her sunny face,
And know not it was fair;
Then might I hear her voice, nor guess
Her starry eyes were there.
Ah! banished so from stars and sun -
Why need it be my fate?
If only she might dream me good
And wise, and be my mate!
Lend her thy fillet, Love!
Let her no longer see:
If there is hope for me at all,
She must be blind like thee.
Edward Rowland Sill [1841-1887]
"WHEN FIRST I SAW HER"
When first I saw her, at the stroke
The heart of nature in me spoke;
The very landscape smiled more sweet,
Lit by her eyes, pressed by her feet;
She made the stars of heaven more bright
By sleeping under them at night;
And fairer made the flowers of May
By being lovelier than they.
O, soft, soft, where the sunshine spread,
Dark in the grass I laid my head;
And let the lights of earth depart
To find her image in my heart;
Then through my being came and went
Tones of some heavenly instrument,
As if where its blind motions roll
The world should wake and be a soul.
George Edward Woodberry [1855-1930]
MY APRIL LADY
When down the stair at morning
The sunbeams round her float,
Sweet rivulets of laughter
Are rippling in her throat;
The gladness of her greeting
Is gold without alloy;
And in the morning sunlight
I think her name is Joy.
When in the evening twilight
The quiet book-room lies,
We read the sad old ballads,
While from her hidden eyes
The tears are falling, falling,
That give her heart relief;
And in the evening twilight,
I think her name is Grief.
My little April lady,
Of sunshine and of showers
She weaves the old spring magic,
And breaks my heart in flowers!
But when her moods are ended,
She nestles like a dove;
Then, by the pain and rapture,
I know her name is Love.
Henry Van Dyke [1852-1933]
THE MILKMAID
A New Song To An Old Tune
Across the grass I see her pass;
She comes with tripping pace, -
A maid I know, - and March winds blow
Her hair across her face; -
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
The March winds blow. I watch her go:
Her eye is brown and clear;
Her cheek is brown, and soft as down,
(To those who see it near!) -
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
What has she not that those have got, -
The dames that walk in silk!
If she undo her kerchief blue,
Her neck is white as milk.
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
Let those who will be proud and chill!
For me, from June to June,
My Dolly's words are sweet as curds -
Her laugh is like a tune; -
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
Break, break to hear, O crocus-spear!
O tall Lent-lilies flame!
There'll be a bride at Easter-tide,
And Dolly is her name.
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
Austin Dobson [1840-1921]
SONG
This peach is pink with such a pink
As suits the peach divinely;
The cunning color rarely spread
Fades to the yellow finely;
But where to spy the truest pink
Is in my Love's soft cheek, I think.
The snowdrop, child of windy March,
Doth glory in her whiteness;
Her golden neighbors, crocuses,
Unenvious praise her brightness!
But I do know where, out of sight,
My sweetheart keeps a warmer white.
Norman Gale [1862-
IN FEBRUARY
My Lady's birthday crowns the growing year;
A flower of Spring before the Spring is here;
To sing of her and this fair day to keep
The very Loves forsake their Winter sleep;
Where'er she goes their circling wings they spread,
And shower celestial roses o'er her head.
I, too, would chant her worth and dare to raise
A hymn to what's beyond immortal praise.
Go, little verse, and lay in vesture meet
Of poesy, my homage at her feet.
Henry Simpson [1868-
"LOVE, I MARVEL WHAT YOU ARE"
Love, I marvel what you are!
Heaven in a pearl of dew,
Lilies hearted with a star -
All are you.
Spring along your forehead shines
And the summer blooms your breast.
Graces of autumnal vines
Round you rest.
Birds about a limpid rose
Making song and light of wing
While the warm wind sunny blows, -
So you sing.
Darling, if the little dust,
That I know is merely I,
Have availed to win your trust,
Let me die.
Trumbull Stickney [1874-1904]
BALLADE OF MY LADY'S BEAUTY
Squire Adam had two wives, they say,
Two wives had he for his delight;
He kissed and clypt them all the day,
And clypt and kissed them all the night.
Now Eve like ocean foam was white,
And Lilith, roses dipped in wine,
But though they were a goodly sight,
No lady is so fair as mine.
To Venus some folk tribute pay,
And Queen of Beauty she is hight,
And Sainte Marie the world doth sway,
In cerule napery bedight.
My wonderment these twain invite,
Their comeliness it is divine;
And yet I say in their despite,
No lady is so fair as mine.
Dame Helen caused a grievous fray,
For love of her brave men did fight,
The eyes of her made sages fey
And put their hearts in woeful plight.
To her no rhymes will I indite,
For her no garlands will I twine;
Though she be made of flowers and light,
No lady is so fair as mine.
L'ENVOI
Prince Eros, Lord of lovely might,
Who on Olympus doth recline,
Do I not tell the truth aright?
No lady is so fair as mine.
Joyce Kilmer [1886-1918]
URSULA
I see her in the festal warmth to-night,
Her rest all grace, her motion all delight.
Endowed with all the woman's arts that please,
In her soft gown she seems a thing of ease,
Whom sorrow may not reach or evil blight.
To-morrow she will toil from floor to floor
To smile upon the unreplying poor,
To stay the tears of widows, and to be
Confessor to men's erring hearts . . . ah me!
She knows not I am beggar at her door.
Robert Underwood Johnson [1853-
VILLANELLE OF HIS LADY'S TREASURES
I took her dainty eyes, as well
As silken tendrils of her hair:
And so I made a Villanelle!
I took her voice, a silver bell,
As clear as song, as soft as prayer;
I took her dainty eyes as well.
It may be, said I, who can tell,
These things shall be my less despair?
And so I made a Villanelle!
I took her whiteness virginal
And from her cheeks two roses rare:
I took her dainty eyes as well.
I said: "It may be possible
Her image from my heart to tear!"
And so I made a Villanelle!
I stole her laugh, most musical:
I wrought it in with artful care;
I took her dainty eyes as well;
And so I made a Villanelle.
