"A woman should need to be informed but once that her love is not wanted. This is not what I meant."
"Ah! Another scheme! Your little brain is nothing short of an idea machine. Remarkable! Go on."
"No," she said, rather sullenly, at this flow of bitterness, "a variation of my plan. If you will not accompany me to Nara, then I must go alone. I must have money. Do you understand? I am penniless. The King of Asia leaves for Japan to-morrow, at dawn. I will never return to China. Will you--help me?"
"What do you mean by that? Will I break into the house and help you rob?"
"There is no other way. The money is in a desk, locked. I am not strong enough to break the lock. You can. Then, too, there are some papers of mine----"
"Romola, will this give you the contentment you desire?" he said sternly.
"I--I think so. I hope so."
"Then I will help you."
"Oh, Peter, how can I----"
He lifted his hand. "You see, my dear, you can't frighten me--easily. You can't bribe me, Romola. But you can appeal to my weakness----"
"A woman in distress--your weakness!" But there was no mockery in either her voice or her eyes. It was more like a whisper of regret.
"Romola, will you answer a question?"
"I'll try!"
"Why are beautiful women--girls--from all parts of the world stolen--to work in that mine?"
Romola looked at him queerly. "I do not know, Peter."
They attacked the dinner, and by deft stages Peter led the conversation to a lighter vein. It was nearly ten when they left, the dining-room was all but deserted and they departed in high spirits, her arm within his, her smile happy and apparently genuine.
"We must wait until midnight," she informed him. "He will be asleep; the servants will have retired."
Peter suggested a rickshaw ride through the Chinese city to while away the hours in between, but the girl demurred, and amended the suggestion to a street-car ride to Causeway Bay. He consented, and they caught a car in front of the hotel, and climbed to seats on the roof.
He felt gay, excited by the thrill of their impending danger. She was moody. In the bright moonlight on the crystal beach at Causeway Bay he tried to make her dance with him. But she pushed his arms away, and Peter, suddenly feeling the weight of some dark influence, he knew not what, fell silent, and they rode back to the base of the peak road having very little to say.
At a few minutes past midnight they alighted from sedan chairs in the hairpin trail beside the incline railway station at the peak, and as they faced each other, the moon, white and gaunt, slipped from sight behind a billowing black cloud, and the heavens were black and the night was dark around them.
She took his arm, leading him past the murky walls of the old fort, and on up and up the sloping, rocky road, dimly revealed at intervals by points of mysterious light.
They came at length to a high, black hedge, and, groping cautiously along this for a number of yards, found a ragged cleft. He held the branches aside while she climbed through with a faint rustle of silken underskirts. He followed after.
By the dim, ghostly glow of the clouds behind which the moon was floating he made out ominous shapes, scrawny trees and low, stunted bushes.
Hand in hand, with his heart beating very loudly and his breath burning dry in his throat, they approached the desolate, gloomy house--her home!
A low veranda, perhaps a sun-parlor, extended along the wing, and toward this slight elevation the girl stealthily led him, without so much as the cracking of a dry twig underfoot, peering from left to right for indications that their visit was betrayed.
But the house was still, and large and gloomy, and as silent as the halls of death.
They climbed upon the low veranda. The girl ran her fingers along the French window which gave upon the hedged enclosure, and drew back upon greased hinges the window, slowly, inch by inch, until it yawned, wide open.
He followed her into a room, dark as black velvet, weighted with the indescribable, musty odors of an Oriental abode, and possessed of an almost sensuous gloom, a mystic dreariness, a largeness which knew no dimensions.
As Peter cautiously advanced he was impressed, almost startled, by the sense of vastness, and he was aware of great, looming proportions.
Close at hand a clock ticked, slowly, drearily, as if the release of each metallic click of the ancient cogs were to be the last, beating like the rattling heart of a man in the arms of death. This noise, like a great clatter, seemed to fill all space.
And he was alone.
Suddenly a yellow light glowed in the dark recesses of the high ceiling, and Peter sprang back with his hand on the instant inside his coat, where depended in its leather shoulder-sling the automatic.
Across the great room the girl raised a steady hand, indicating a desk of gigantic size, of ironwood or lignum-vitae.
He found himself occupying the center of an enormous mandarin rug, with letterings and grotesque designs in rich blood-reds, and blues and yellows and browns. He gave the room a moment's survey before falling to the task.
The walls of this cavern were of satin, priceless rugs, which hung without a quiver in the breathless gloom. Massive furniture, chairs, tables, settees, of teak, of ebony and dark mahogany, with deep carvings, glaring gargoyles and hideous masks, were arranged with an apparent lack of plan.
And against the far wall, with a face like the gibbous moon, stood a massive clock of carved rosewood, clacking ponderously, almost painfully, as if each tick were to be its last.
Peter crouched before the desk, examining the heavy lock on the drawer, and accepted from the girl's hand a tool, a thick, short, blunt chisel. He inserted the blunt edge of this instrument in the narrow crack, and----
A muffled sob, a moan, a stifled cry!
He sprang to his feet, with his hand diving into his coat, and the fingers he wrapped about the butt of the automatic were as cold as ice.
Romola Borria was cringing, shrinking as if to efface herself from a terrible scene, against the French window, and staring at him with a look of wild imploration, of horror, of--death!
From three unwavering spots along the wall to his left glittered the blue muzzles of revolvers!
Peter dropped to his knees, leaped backward, pointed by instinct, and fired at the lone yellow light in the ceiling.
Darkness. An unseen body moved. Metal rattled distantly upon wood. And metal clanked upon metal. Darkness, black as the grave, and as ominous.
A white, round spot remained fixed upon his retina, slowly fading. The face of the clock. The hands, like black daggers, had pointed to ten minutes of one. Ten minutes of life! Ten minutes to live! Or--less?
Silence, broken only by the reluctant click-clack, click-clack of the rosewood clock.
If he could reach the window! Then a low, convulsed sobbing occurred close to his ear. The girl groped for his arm. She was shaking, shaking so that his arm trembled under it.
"Your final card!" he whispered. "The final trick! God! Now, damn you, get me out of this!"
"I can't. I--I---- Oh, God! Kill me! I gave you every chance. They forced me--forced me to bring you here. They would have strangled me, just as they strangled the other!" She seemed to steady herself while he listened in growing horror.
"Safe!" he groaned. "Safety for you. Death--for me! You--you led me into their hands, and I--I trusted you. I trusted you!"
She laid a cold, moist hand over his lips, this devil-woman.
"Hush! If they, if he, so much as guessed that I cared for you, that I loved you, it would mean my death. I was forced--forced to bring you here. Don't you understand? And if he even guessed. But you had your chance. You had your chance!"
Almost hysterically she was endeavoring to extenuate her crime, her treason.
"Stand up and face them. Meet your death! Escape is--impossible! Impossible! They are watching you like a rat. In a moment they know you can stand this strain no longer! Face them, I say! Show them that----"
Peter pushed her away from him in loathing, and she lay still, only whimpering.
Yet the devils of darkness--where were they? And slowly, yet more slowly, the rosewood clock ticked off its seconds. It should be nearly one. At one----
