The Phantom Herd 11Unexpected Guests for Applehead
18
Fiction · Western
The Phantom Herd 11
Unexpected Guests for Applehead
BowerEnglish
Applehead Forrman was worried over his cat, Compadre, which is Spanish for comrade or something of that sort. It was a blue cat and it was a big cat, and it had a bellicose disposition, and Applehead was anxious because it had lately declared war on a neighboring coyote and had not come out of the battle unscathed. Applehead had heard the disturbance and had gone out with a rifle and dispersed the coyote, but not until Compadre had lost half of his tail and a good deal of his self-assurance. Since that night, almost a week ago, Compadre had been a changed cat. He had sought dark corners and had yowled when the best friend he had in the world tried to coax him out to his meals. Applehead was very patient and very sympathetic, and hunted small game with which to tempt the invalid's appetite.
On this day he had a fat prairie dog which he had shot, and he was carrying it around by a hind leg looking for Compadre and calling "Kitty, kitty, kitty," in the most seductive tones of which his desert-harshened vocal chords were capable. He looked under the squat adobe cabin which held all the odds and ends that had accumulated about the place, and which he called the "ketch-all." He went over and looked under the water tank where there was shade and coolness. He went to the stable, and from there he returned to the adobe house, squat like the "ketch-all" but larger. There was a hole alongside the fireplace chimney at the end next the hill, and sometimes when Compadre was especially disenchanted with his world, he went into the hole and nursed his grievances in dark seclusion under the house.
Applehead got down upon all fours and called "Kitty, kitty, kitty," with his face close to the hole. It was past noon, and Compadre had not had anything to eat since the night before, when he had lapped up half a saucer of canned milk and had apathetically licked a slice of bacon. Applehead put his ear to the hole and imagined he heard a faint meow from a far corner. He pushed the prairie dog into the aperture and called "Kitty-kitty-kitty" again coaxingly.
He was so absorbed in his anxious quest that he did not hear the chuckle of two wagons coming up through the sand to the corral. He did not even hear the footsteps of men approaching the house. He did not hear anything at all except a dismal yowl now and then from the darkness. He contorted his long person that he might peer into the gloom. He pushed the prairie dog in as far as he could reach. "Come, kitty-kitty-kitty!" he coaxed. "Doggone your onery soul, I'm gitting tired of this kinda performance! You can tromp on me just so fur and no further, now I'm a-tellin' yuh. That there tail of yourn needs a fresh rag tied to it, and some salve. But I ain't the burrowin' kind of animal, and I ain't comin' in under there after yuh. Come, kitty-kitty-kitty! Come on outa there 'fore I send a charge of birdshot in after yuh!" His voice changed to a tremulous chant of rising anger. "You wall-eyed, mangy, rat-eatin' son of a gun, what have I been feedin' yuh fur all these years? You come outa there! If it wasn't for the love uh God I got in my heart, I'll fill yuh so full of holes the coyotes'll have to make soup of ye! I'll sure spread yuh out so thin your hide'll measure up like a mountain lion! Don't yuh yowl at me like that! Come, kitty-kitty-kitty--ni-ice kitty! Come to your old pard what ketched yuh the fattest young dog on the flat for your dinner. Come on, now; you ain't skeered uh me, shorely! Come on, Compadre--ni-ice kitty!"
"Let me try!" cried Rosemary behind him, her voice startling old Applehead so that he knocked his head painfully on the rock foundation as he jerked himself into a more dignified posture. His eyes widened at the size of the audience grouped behind him, but he had faced more amazing sights than that in his eventful career. He got stiffly to his feet and bowed, the prairie dog dangling limply from his hand.
"Howdy! Howdy! Pleased to meet yuh," he greeted them dazedly. Then he spied Luck standing half behind Weary's tall form, and his embarrassed smile changed to a joyful grin. "Well, danged if it ain't Luck! How are yuh, boy? I was jest thinkin' about you right this morning. What wind blowed you into camp? Come right on in, folks. If you're friends of Luck's, yuh don't need no interduction in this camp. Luck and me's et outa the same skillet months on end together. Come on in. I've et, but they's plenty left." His blue eyes twinkled quizzically over the Happy Family and then went to Luck. "What yuh up to this time, boy? 'Nother wild-west show?"
While they were waiting for coffee to boil, Luck told him what he was up to this time. Told him what it was he meant to do in the way of making a Western picture that should be worthy the West. He did not say a word about needing Applehead's assistance; he did not need to say a word about that. Applehead himself saw where he would fit into the scheme, and he seemed to take it for granted that Luck saw it also.
"Got all your stuff out from town?" he asked, while he was hunting cups enough to go around. "If yuh ain't, you can send a couple of the boys in with a four-horse team after dinner. I d'no about beds, unless yuh got your own beddin'-rolls with yuh. The missus, she can have a room, and the rest of yuh will have to knock some bunks together. Mebby we can clean out the 'ketch-all' and turn that into a bunk house. One I had, it burnt down last winter; some darn-fool Mexicans got to fightin' in there and kicked the lamp over. It could have a new roof put on, I reckon; the walls is there yet. You can take a look around after you eat, and see what all there is to do. Well, set up, folks; ain't much, but I've throwed my feet under the table fer less and was thankful to git it, now I'm a-tellin' yuh!"
Big Medicine bethought him of the remains of the train lunch which they had frugally saved. He brought that and added it to Applehead's impromptu meal. The sandwiches were mashed flat, and the pickles were limp, and the cake much inclined to crumble, but Applehead gave one look and took off his hat.
"I've et, but I can shore eat again when I git my eyes on cake," he declared exuberantly, and pulled an empty box up to the table for a seat. "I wisht Compadre could git a smell uh that there fried chicken; it would put new life into him, which he needs after tangling with that there coyote 'tother night."
"We ought to unhitch and give the horses a feed," Luck suggested. "Any particular place?"
"Well, you know where to put them cayuses as well as I do," Applehead mumbled, with his mouth full of cake. "I don't care what yuh do around the danged place. Go along and don't bother me, boy; I'm busy."
"Didn't I tell you how it would be?" Luck reminded Andy and Weary when they were outside. "That old boy is tickled to death to have us here. He sure is a type, too. I'll be using him in the picture. And just tale a look at that corral down there! We'll set up camp this afternoon and round up some horses,--Applehead always keeps a bunch running back here on the mesa,--and to-morrow morning we'll get to work. A couple of you will have to take these teams back this afternoon, too. I'll let you drive the four-horse in, Weary, and lead the other behind. And I'll send the Native Son in with Applehead's team and wagon, so you can haul out a thousand feet of lumber for a stage. Get it surfaced one side,--fourteen-foot boards, sabe? And about twenty-five pounds of eight-penny nails. We've got the tools in our outfit. I wonder which pasture Applehead's team is running in. I'll have one of the boys get them up, unless--"
"Luck Lindsay!" came Rosemary's high, clear treble. "Aren't you boys going to eat any dinner?"
"We'll eat when we have more time!" Luck shouted back. "Send Applehead out here, will you?"
Presently Applehead appeared with a large piece of cake in one hand and a well-picked chicken wing in the other. "What yuh want?" he inquired lazily, in the tone that implies extreme physical comfort.
"I want your big team to haul some lumber out from town. Where are they? If you don't mind catching them up while I help get this stuff unloaded, we'll have things moving around here directly."
"Shore I'll ketch 'em up fur ye, soon as I find Compadre and give him this here bone. He's been kinda off his feed since that coyote clumb his frame. He was under the house, but I reckon so many strange voices kinda got his goat. There ain't ary yowl to be got outa that hole no more. Come, kitty-kitty-kitty!"
Luck threw out his hands despairingly, and then laughed. Applehead's tender solicitude for his cat was a fixed characteristic of the man, and Luck knew there was no profit in argument upon the subject. He began unloading the lighter pieces of baggage while the boys fed the livery teams. The others came straggling down from the house, lighting their after-dinner cigarettes and glancing curiously at the adobe out-buildings which were so different from anything in Montana. The sagebrush slopes wore a comfortable air of familiarity, even though the boys were more accustomed to bunch grass; but an adobe stable was a novelty.
Fast as they came near him, Luck put them to work. There was plenty to do before they could even begin work on the Big Picture, but Luck seemed to have thought out all the details of camp-setting with the same attention to trifles which he had shown in the making of a picture. In half an hour he had every one busy, including old Applehead, who, having located Compadre in the stable loft and left the chicken wing at the top of the ladder, had saddled his horse and gone off into a far pasture to bring in all the horses down there, so that Luck could choose whatever animals he wished to use. Dave Wiswell, the dried little man, was helping Rosemary wash the dishes and put away the food supplies they had brought out with them, as fast as Happy Jack could carry them up from the wagon. Andy Green was ruthlessly emptying the only closet--a roomy one, fortunately--in the house, and tacking up black paper which Luck had brought, so that it might serve as a dark room. Big Medicine and Pink were clearing out the one-roomed adobe cabin which Applehead called the "ketch-all," so that the boys could sleep there until the bunk-house was repaired.
Luck was unpacking his camera and swearing softly to himself while he set it up, and wishing that his experience as assistant camera-man was not quite so far in the past. He foresaw difficulties with that camera until he got in practice, but he did not say anything about it to the others. He got it together finally, put in the two-hundred-foot magazine of negative that he had brought with him to use while waiting for his big order to arrive, made a few light tests, and went up to the house to see if Andy had the dark room dark enough.
He found Andy defending himself as best he could from a small domestic storm. In his anxiety to have that dark room fixed just the way Luck wanted it, Andy had purloined a shelf which Rosemary needed, and which she meant to have, if words could restore it to its place behind the kitchen stove. Andy had the shelf down and was taking out bent nails with a new hammer when Luck came to the door with his arms full of packages of chemicals and a ruby lamp.
"What can a fellow do?" Andy was inquiring plaintively. "There ain't another board on the place that's the right width. I looked. Luck's got to have a shelf; you don't expect him to keep all his junk on the floor, do you? I'm sorry, but I've just got to have it, girl."
"You've just got to put that shelf back, Andy. Where do you expect me to put things? There isn't a pantry on the place, and only that one dinky little cupboard over there. I can't keep my dishes on the floor, and cooking is going to be pretty important, itself, around this camp!"
"Soon as the lumber gets here, I'll have Andy build you a cupboard," Luck soothed her. "You haven't got many conveniences here, and that's a fact. But we'll get things straightened out, pronto. Got any bones or scraps left, Mrs. Andy? That little black dog that followed us out is here yet. He didn't go back with the boys. I found him curled up in the wagon shed just now; poor little devil looks about starved. His ribs stand out worse than a cow that's wintered on a sheep range."
With Rosemary's attention diverted to the little black dog, Andy got the shelf nailed firmly upon the wall of the dark room. And immediately Luck proceeded to use it to its fullest capacity and announced that he needed another one, whereat Andy groaned.
"Say, I'm a brave man, all right, but I don't dare to swipe any more shelves," he protested. "Not from my wife, anyway. Timber must sure be scarce in this man's country. I never did see a place so shy of boards as this ranch is."
"Well, let's see if there are any barrels," said Luck. "I've been studying on how to rig up some way to develop my film. If we can find some half barrels and knock the heads out, I can wind the negative around them with the emulsion side out, and dip it in the bigger barrels of developer; see how I mean? Believe me, this laboratory problem is going to be a big one till I can see my way to getting tanks and film racks out here. But I believe barrels will work all right. And, say! There's some old hose I saw out by the windmill tank; you get that, and see if you can't run it under the house and up through a hole in the floor. I expect it leaks in forty places, but maybe you can mend it. And we ought to have some way to run the water out in a trough or something. You see what you can do about that, Andy, while I go and unpack the rest of my camera outfit. There's a garret up over the ceiling, here, and you'll have to see what shape it's in for drying film. Stop all the cracks so dust can't blow in. I want to start taking scenes to-morrow morning, you know. I've got two hundred feet of raw stock to work with till the other gets here. I've got to develop my tests before to-morrow so I'll know what I'm doing. I can't afford to spoil any film."
"Well, hardly," Andy agreed. "By gracious, I hope you're making the rest of the bunch hump themselves, too. Honest, I'd die if I saw anybody sitting around in the shade, right now!"
"Andy, did you go and take that shelf after all?" came the reproachful voice of Rosemary from the kitchen, and Luck retreated by way of the front door without telling Andy just how busy the other boys were.
The "ketch-all," where Big Medicine and Pink were clearing out the accumulation of years, was enveloped in a cloud of dust. Down in the corral a dozen horses were circling, with Applehead moving cautiously about in the middle dragging his loop and making ready for a throw. There was one snuffy little bay gelding that he meant to turn over to Luck for a saddle horse, and he wanted to get him caught and in the stable before showing him to Luck. Happy Jack was wobbling up the path with an oversized sack of potatoes balanced on his shoulder, and his face a deep crimson from the heat and his exertions. Down in the stable the little black dog, enlivened by the plate of bones Rosemary had given him, had scented the cat in the loft and was barking hysterically up the ladder.
Luck stepped out briskly, cheered by the atmosphere of bustling preparation which surrounded him. That he was the moving spirit which directed all these activities stimulated him like good old wine. It was for his Big Picture that they were preparing. Already his brain was at work upon the technique of picture production, formulating a system which should as far as possible eliminate the risk of failure because of the handicaps under which he must work.
Having to be his own camera-man, and to work without an assistant, piled high the burden of work and responsibility; but he could not afford to pay the salaries such assistants would demand. He had a practical knowledge of camera craft, since he had worked his way up through all branches of the game, and he was sure that with practice he could do the photographic work. He hoped to teach Andy enough about it so that he could help; Andy seemed to have an adaptability superior to some of the others and would learn the rudiments readily, Luck believed.
The lack of a leading woman was another handicap. He could not afford to hire one, and he could not very well weave a love story into his plot without a woman. He was going to try Rosemary, since her part would consist mostly of riding in and out of scenes and looking pretty,--at least in the earlier portion. And by the time he was ready to produce the dramatic scenes, he hoped that she would be able to act the part. It was a risk, of course, and down deep in his heart he feared that much of her charm would never reach the screen; but he must manage somehow, since there would be no money to spend on salaries. He ought to have a character woman, too,--which he lacked.
But other things he did have, and they were the things that would count most for success or failure. He had his real boys, for instance; and he had his real country; and, last and most important of all, he had his story to tell. In spite of his weariness, Luck was almost happy that first afternoon at Applehead's ranch. He went whistling about his task of directing the others and doing two men's work himself, and he refused to worry about anything.
That evening after supper, when they were all smoking and resting before Applehead's big rock fireplace, Luck's energy would not let him dwell upon the trivial incidents of their trip, which the Happy Family were discussing with reminiscent enjoyment. Applehead's booming laugh was to Luck as a vague accompaniment to his own thoughts darting here and there among his plans.
"Aw, gwan!" Happy Jack was exclaiming in his habitual tone of protest. "Conductor lied to me, is how I come to be over to that place when the train started to pull out. I was buyin' something. I wasn't talking to no Mexican girl. I betche--"
"Now, while we're all together," Luck broke suddenly into Happy's explanation, "I'm just going over the scenario from start to finish and assign your parts. Applehead, I'm going to cast you for the sheriff. You won't need to do any acting at all--"
"We-ell, if I do, I calc'late I got some idee uh how a shurf had oughta ack," Applehead informed him with a boastful note in his voice, and pulled himself up straighter in his chair. "I was 'lected shurf uh this county four different terms right hand runnin', and if I do say it, they wasn't nobody ever said I didn't do my duty. Ary man I went after, I come purty near bringin' him into camp, now I'm tellin' ye! This here old girl has shore talked out in meetin', in her time, and there wasn't ary man wanted to face her down in an argument, now I'm tellin' ye." He got up and took his old six-shooter off the mantel and held it lovingly in his palm. Very solemnly he licked his thumb and polished a certain place along the edge of the yellow ivory handle, and held it so the Happy Family could see three tiny notches.
"Them's three argyments she shore settled," he stated grimly, and turned slowly upon Luck.
"Yes-s, I calc'late I can play shurf for ye, all right enough."
Luck looked up at him with his eyes shining, remembering how staunch a friend Applehead had been in times past, and how even his boastings were but a naive recognition of facts concerning himself. Applehead Forrman was fifty-six years old, but Luck could not at that moment recall a man more dangerous to meet as an enemy or more loyal to have as a friend.
"I calc'late you can," he agreed in his soft, friendly drawl. "Sit down and turn your good ear this way, Applehead, so this story can soak in. You'll see where you come in as sheriff, and you'll sabe just what you'll have to do. Bud, here, will be the outlaw that blows into the cow-camp and begins to mix things. He's the one you'll have to settle. So here's the way the story runs:"
"Say, boss, make it short and sweet, can't you?" Andy begged. He was sitting on the floor with his head against Rosemary's knees, and his eyelids were drooping drowsily. "By gracious, nobody'll have to sing me to sleep to-night! I'm about ready to hit the hay right now."
"I'll cut out the atmosphere and just stick to the action, then," Luck conceded. "I want to get you all placed, so we can get to work in the morning without any delay. Sabe?"
"Shoot," murmured Pink, opening his eyes with some effort "I can listen for five minutes, maybe."
"I can't, I don't believe," the Native Son yawned. "But go ahead, amigo. My heart's with you, anyway, whether my eyes are open or shut."
Luck was pretty sleepy himself, after two nights and a day spent in a chair car, with another day of hard labor to finish the ordeal. But his enthusiasm had never been keener than when, in the land of sage and cactus, he first unfolded his precious scenario and bent forward to read by the light of the fire. He forgot to skip the "atmosphere." Scene by scene he lived the story through. Scene by scene he saw his Big Picture grow vivid as ever the reality would be. Once or twice he glanced up and saw Applehead leaning forward with his elbows on his knees and his pipe gone cold in his fingers, absorbed, living the story even as Luck lived it.
A long, rumbling snore stopped him with a mental jolt. He came back to reality and looked at the Happy Family. Every one of them, save Rosemary, was sound asleep; and even Rosemary was dreaming at the fire with her eyes half closed, and her fingers moving caressingly through the unconscious Andy's brown hair.
"Let 'em be. You go ahead and read it out," Applehead muttered, impatient of the pause.
So Luck, with his audience dwindled to one bald-headed old rangeman, read the story of what he meant to create out there in the wild spaces of New Mexico.
