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Literature · Classic Novels

Ulysses 6William Brayden, Esquire, of Oaklands, Sandymount

18

Literature · Classic Novels

Ulysses 6

William Brayden, Esquire, of Oaklands, Sandymount

JoyceEnglish
Red Murray touched Mr Bloom’s arm with the shears and whispered:
—Brayden.
Mr Bloom turned and saw the liveried porter raise his lettered cap as a stately figure entered between the newsboards of the _Weekly Freeman and National Press_ and the Freeman’s Journal and National Press. Dullthudding Guinness’s barrels. It passed statelily up the staircase, steered by an umbrella, a solemn beardframed face. The broadcloth back ascended each step: back. All his brains are in the nape of his neck, Simon Dedalus says. Welts of flesh behind on him. Fat folds of neck, fat, neck, fat, neck.
—Don’t you think his face is like Our Saviour? Red Murray whispered.
The door of Ruttledge’s office whispered: ee: cree. They always build one door opposite another for the wind to. Way in. Way out.
Our Saviour: beardframed oval face: talking in the dusk. Mary, Martha. Steered by an umbrella sword to the footlights: Mario the tenor.
—Or like Mario, Mr Bloom said.
—Yes, Red Murray agreed. But Mario was said to be the picture of Our Saviour.
Jesusmario with rougy cheeks, doublet and spindle legs. Hand on his heart. In Martha.
Co-ome thou lost one, Co-ome thou dear one!

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Sources & credits: Joyce

Joyce — Ulysses (James Joyce) (1922). Public Domain. James Joyce, Ulysses; public domain in the US; text from Project Gutenberg #4300. Source