Under the Witches' Moon 11 – Gallizier · Verses Across
Literature · Historical Fiction
Under the Witches' Moon 11Book the First · The Denunciation
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Literature · Historical Fiction
Under the Witches' Moon 11
Book the First · The Denunciation
GallizierEnglish
The Basilica of Constantine no longer retained its pristine splendor, its pristine purity as in the days, ere the revival of paganism by the Emperor Julian the Apostate had put a sudden and impressive check upon the meretricious defilement of the glory, for which it was built.
The exterior began to show signs of decay. The interior, too, had changed with the inexorable trend of the times. The solemn recesses were filled with precious relics. Many hued tapers surrounded the glorious pillars, and eastern tapestries wreathed their fringes round the massive altars.
As Tristan entered the incense-saturated dusk of St. Peter's, the first part of the service had just been concluded. The last faint echoes from the voices in the choir still hovered upon the air, and the silent crowds of worshippers were still grouped in their listening attitudes and absorbed in their devotions.
The only light was bestowed by the evening sun, duskily illuminating the emblazoned windows, or by the glimmer of lamps in distant shrines, hung with sable velvet and attended each by its own group of ministering priests.
Struck with an indefinable awe Tristan looked about. At first he only realized the great space, the four long rows of closely set columns, and the great triumphal arch which framed the mosaics of the apse, where Constantine stood in the clouds offering his Basilica to the Saviour and St. Peter. Then he looked towards the sacred shrines above the Apostle's grave, where lamps burned incessantly and cast a dazzling halo above the high altar, reflected in the silver paving of the presbytery and on the golden gates and images of the Confessio. Immediately behind the altar was revealed a long panel of gold, studded with gems and ornaments, with figures of Christ and the Apostles, a native offering from the Emperor Valentinian III. The high altar and its brilliant surroundings were seen from the nave between a double row of twisted marble columns, white as snow. A beam covered with plates of silver united them and supported great silver images of the Saviour, the Virgin and the Apostles with lilies and candelabra.
To their shrines, to do homage, had in time come the Kings from all the earth: Oswy, King of the Northumbrians, Cædwalla, King of the West Saxons, Coenred, King of the Mercians, and with him his son Sigher, King of the East Saxons. Even Macbeth is said to have made the pilgrimage. Ethelwulf came in the middle of the ninth century, and with him came his son Alfred. In the arcades beneath the columned vestibule of the Basilica, tomb succeeded tomb. Here the popes were buried, Leo I, the Great, being first in line, the Saxon Pilgrim Kings, the Emperors Honorius III and Theodosius II, regarding whom St. John Chrysostomus has written: "Emperors were proud to stand in the hall keeping guard at the fisherman's door."
During the interval between the divisions of the service, Tristan, like many of those present, found his interest directed towards the relics, which were inclosed in a silver cabinet with crystal doors and placed above the high altar. Although it was impossible to obtain a satisfactory view of these ecclesiastical treasures, they nevertheless occupied his attention till it was diverted by the appearance of a monk in the habit of the Benedictines, who had mounted the richly carved pulpit fixed between two pillars.
As far as Tristan was enabled to follow the trend of the sermon it teemed with allusions to the state of society and religion as it prevailed throughout the Christian world, and especially in the city of the Pontiff. By degrees the monk's eloquence took on darker and more terrible tints, as he seemed slowly to pass from generalities to personal allusions, which increased the fear and mortification of the great assembly with every moment.
From the shadows of the shrine, where he had chosen his station, Tristan was enabled to mark every shade of the emotions which swayed the multitudes and, as his eyes roamed inadvertently towards the chapel of the Father Confessor, he saw a continuous stream of penitents enter the dark passage leading towards the crypts, many of whom were masked.
Turning his head by chance, Tristan's glance fell upon two men who had apparently just entered the Basilica and paused a few paces away, to listen to the words which the monk hurled like thunderbolts across the heads of his listeners. Despite their precaution to wear masks, Tristan recognized the Grand Chamberlain in the one, while his companion, the hunchback, appeared rather uncomfortable in the sanctified air of the Basilica.
Hitherto Odo of Cluny's attacks on the existing state had been general. Now he glanced over the crowd, as if in quest of some special object, as with strident voice he declaimed:
"Repent! Death stands behind you! The flag of your glory shall cease to wave on the towers of your strong citadel. Destruction clamors at your palace gates, and the enemy that cometh upon you unaware is an enemy that none shall vanquish or subdue, not even they who are the mightiest among the mighty. Blood stains the earth and the sky. Its red waves swallow up the land! The heavens grow pale and tremble! The silver stars blacken and decay, and the winds of the desert make lament for that which shall come to pass, ere ever the grapes be pressed or the harvest gathered. It is a scarlet sea wherein, like a broken and deserted ship, Rome flounders, never to rise again--"
He paused for a moment and caught his breath hard.
"The Scarlet Woman of Babylon is among us!" he cried. "Hence! accursed tempter. Thou poisoner of peace, thou quivering sting in the flesh, destroyer of the strength of manhood! Theodora!--thou abomination--thou tyrannous treachery! What shall be done unto thee in the hour of darkness? Put off the ornaments of gold, the jewels, wherewith thou adornest thy beauty, and crown thyself with the crown of endless affliction. For thou shalt be girdled about with flame and fire shall be thy garment. Thy lips that have drunk sweet wine shall be steeped in bitterness! Vainly shalt thou make thyself fair and call upon thy legion of lovers. They shall be as dead men, deaf to thine entreaties, and none shall respond to thy call! None shall hide thee from shame and offer thee comfort! In the midst of thy lascivious delights shalt thou suddenly perish, and my soul shall be avenged on thy sins, queen-courtesan of the earth!"
Scarcely had the last word died to silence when a blinding flash of lightning rent the gloom followed by a tremendous crash of thunder that shook the great edifice to its foundation. The bronze portals opened as of their own accord and a terrific gust of wind extinguished every light in the thousand-jetted candelabrum. Impenetrable darkness reigned--thick, suffocating darkness, as the thunder rolled away in grand, sullen echoes.
There was a momentary lull, then, piercing the profound gloom, came the cries and shrieks of frightened women, the horrible, selfish scrambling, struggling and pushing of a bewildered multitude. A veritable frenzy of fear seemed to possess every one. Groans and sobs, entreaties and curses from those, who, intent on saving themselves, were brutally trying to force a passage to the door, the heart-rending, frantic appeals of the women--all these sounds increased the horror of the situation, and Tristan, blind, giddy and confused, listened to the uproar about him with somewhat of the affrighted, panic-stricken compassion that a stranger in hell might feel, while hearkening to the ceaseless plaints of the self-tortured damned.
Lost in a dim stupefaction of wonderment, Tristan remained where he stood, while the crowds rushed from the Basilica. As he was about to follow in their wake, his gaze was attracted towards the chapel of the Grand Penitentiary, from which came a number of masked personages while he, to whose keeping were confided crimes of a magnitude that seemed beyond the extensive powers of absolution, was barely visible under the cowl, which was drawn deeply over his forehead.
The thought occurred to Tristan to seek the ear of the Confessor, in as much as the Pontiff to whom he had hoped to lay bare his heart could not grant him an audience.
The lateness of the hour and the uncertainty of the fate of the Monk of Cluny prevented him from following the prompting of the moment and, staggering rather than walking, Tristan made for the portals of St. Peter's and walked unseeing into the gathering dusk.
