Best Russian Short Stories 14 – Anonymous · Verses Across
Literature · Short Stories
Best Russian Short Stories 14Part 2 · Chapter 5
18
Literature · Short Stories
Best Russian Short Stories 14
Part 2 · Chapter 5
AnonymousEnglish
It seemed as if the words of the philosopher had taken effect. High up in the distance a beam of light penetrated a vapoury envelop and disappeared in the mountains. It was followed by a second and a third. There beyond the darkness luminous genii seemed to be hovering, and a great mystery seemed about to be revealed, as if the breath of life were blowing, as if some great ceremony were in process. But it was still very remote. The shades descended thicker and thicker; foggy clouds rolled into masses, separated, and chased one another endlessly, ceaselessly.
A blue light from a distant peak fell upon a deep ravine; the clouds rose and covered the heavens to the zenith.
The rays disappeared and withdrew to a greater and greater distance, as if fleeing from this vale of shades and horrors. Socrates stood and looked after them sadly. Elpidias peered up at the peak full of dread.
"Look, Socrates! What do you see there on the mountain?"
"Friend," answered; the philosopher, "let us investigate our situation. Since we are in motion, we must arrive somewhere, and since earthly existence must have a limit, I believe that this limit is to be found at the parting of two beginnings. In the struggle of light with darkness we attain the crown of our endeavours. Since the ability to think has not been taken from us, I believe that it is the will of the divine being who called our power of thinking into existence that we should investigate the goal of our endeavours ourselves. Therefore, Elpidias, let us in dignified manner go to meet the dawn that lies beyond those clouds."
"Oh, my friend! If that is the dawn, I would rather the long cheerless night had endured forever, for it was quiet and peaceful. Don't you think our time passed tolerably well in instructive converse? And now my soul trembles before the tempest drawing nigh. Say what you will, but there before us are no ordinary shades of the dead night."
Zeus hurled a bolt into the bottomless gulf.
Ctesippus looked up to the peak, and his soul was frozen with horror. Huge sombre figures of the Olympian gods crowded on the mountain in a circle. A last ray shot through the region of clouds and mists, and died away like a faint memory. A storm was approaching now, and the powers of night were once more in the ascendant. Dark figures covered the heavens. In the centre Ctesippus could discern the all-powerful son of Cronos surrounded by a halo. The sombre figures of the older gods encircled him in wrathful excitement. Like flocks of birds winging their way in the twilight, like eddies of dust driven by a hurricane, like autumn leaves lashed by Boreas, numerous minor gods hovered in long clouds and occupied the spaces.
When the clouds gradually lifted from the peak and sent down dismal horror to embrace the earth, Ctesippus fell upon his knees. Later, he admitted that in this dreadful moment he forgot all his master's deductions and conclusions. His courage failed him; and terror took possession of his soul.
He merely listened.
Two voices resounded there where before had been silence, the one the mighty and threatening voice of the Godhead, the other the weak voice of a mortal which the wind carried from the mountain slope to the spot where Ctesippus had left Socrates.
"Are you," thus spake the voice from the clouds, "are you the blasphemous Socrates who strives with the gods of heaven and earth? Once there were none so joyous, so immortal, as we. Now, for long we have passed our days in darkness because of the unbelief and doubt that have come upon earth. Never has the mist closed in on us so heavily as since the time your voice resounded in Athens, the city we once so dearly loved. Why did you not follow the commands of your father, Sophroniscus? The good man permitted himself a few little sins, especially in his youth, yet by way of recompense, we frequently enjoyed the smell of his offerings--"
"Stay, son of Cronos, and solve my doubts! Do I understand that you prefer cowardly hypocrisy to searchings for the truth?"
At this question the crags trembled with the shock of a thundering peal. The first breath of the tempest scattered in the distant gorges. But the mountains still trembled, for he who was enthroned upon them still trembled. And in the anxious quiet of the night only distant sighs could be heard.
In the very bowels of the earth the chained Titans seemed to be groaning under the blow of the son of Cronos.
"Where are you now, you impious questioner?" suddenly came the mocking voice of the Olympian.
"I am here, son of Cronos, on the same spot. Nothing but your answer can move me from it. I am waiting."
Thunder bellowed in the clouds like a wild animal amazed at the daring of a Lybian tamer's fearless approach. At the end of a few moments the Voice again rolled over the spaces:
"Son of Sophroniscus! Is it not enough that you bred so much scepticism on earth that the clouds of your doubt reached even to Olympus? Indeed, many a time when you were carrying on your discourse in the market-places or in the academies or on the promenades, it seemed to me as if you had already destroyed all the altars on earth, and the dust were rising from them up to us here on the mountain. Even that is not enough! Here before my very face you will not recognise the power of the immortals--"
"Zeus, thou art wrathful. Tell me, who gave me the 'Daemon' which spoke to my soul throughout my life and forced me to seek the truth without resting?"
Mysterious silence reigned in the clouds.
"Was it not you? You are silent? Then I will investigate the matter. Either this divine beginning emanates from you or from some one else. If from you, I bring it to you as an offering. I offer you the ripe fruit of my life, the flame of the spark of your own kindling! See, son of Cronos, I preserved my gift; in my deepest heart grew the seed that you sowed. It is the very fire of my soul. It burned in those crises when with my own hand I tore the thread of life. Why will you not accept it? Would you have me regard you as a poor master whose age prevents him from seeing that his own pupil obediently follows out his commands? Who are you that would command me to stifle the flame that has illuminated my whole life, ever since it was penetrated by the first ray of sacred thought? The sun says not to the stars: 'Be extinguished that I may rise.' The sun rises and the weak glimmer of the stars is quenched by its far, far stronger light. The day says not to the torch: 'Be extinguished; you interfere with me.' The day breaks, and the torch smokes, but no longer shines. The divinity that I am questing is not you who are afraid of doubt. That divinity is like the day, like the sun, and shines without extinguishing other lights. The god I seek is the god who would say to me: 'Wanderer, give me your torch, you no longer need it, for I am the source of all light. Searcher for truth, set upon my altar the little gift of your doubt, because in me is its solution.' If you are that god, harken to my questions. No one kills his own child, and my doubts are a branch of the eternal spirit whose name is truth."
Round about, the fires of heaven tore the dark clouds, and out of the howling storm again resounded the powerful voice:
"Whither did your doubts tend, you arrogant sage, who renounce humility, the most beautiful adornment of earthly virtues? You abandoned the friendly shelter of credulous simplicity to wander in the desert of doubt. You have seen this dead space from which the living gods have departed. Will you traverse it, you insignificant worm, who crawl in the dust of your pitiful profanation of the gods? Will you vivify the world? Will you conceive the unknown divinity to whom you do not dare to pray? You miserable digger of dung, soiled by the smut of ruined altars, are you perchance the architect who shall build the new temple? Upon what do you base your hopes, you who disavow the old gods and have no new gods to take their place? The eternal night of doubts unsolved, the dead desert, deprived of the living spirit--this is your world, you pitiful worm, who gnawed at the living belief which was a refuge for simple hearts, who converted the world into a dead chaos. Now, then, where are you, you insignificant, blasphemous sage?"
Nothing was heard but the mighty storm roaring through the spaces. Then the thunder died away, the wind folded its pinions, and torrents of rain streamed through the darkness, like incessant floods of tears which threatened to devour the earth and drown it in a deluge of unquenchable grief.
It seemed to Ctesippus that the master was overcome, and that the fearless, restless, questioning voice had been silenced forever. But a few moments later it issued again from the same spot.
"Your words, son of Cronos, hit the mark better than your thunderbolts. The thoughts you have cast into my terrified soul have haunted me often, and it has sometimes seemed as if my heart would break under the burden of their unendurable anguish. Yes, I abandoned the friendly shelter of credulous simplicity. Yes, I have seen the spaces from which the living gods have departed enveloped in the night of eternal doubt. But I walked without fear, for my 'Daemon' lighted the way, the divine beginning of all life. Let us investigate the question. Are not offerings of incense burnt on your altars in the name of Him who gives life? You are stealing what belongs to another! Not you, but that other, is served by credulous simplicity. Yes, you are right, I am no architect. I am not the builder of a new temple. Not to me was it given to raise from the earth to the heavens the glorious structure of the coming faith. I am one who digs dung, soiled by the smut of destruction. But my conscience tells me, son of Cronos, that the work of one who digs dung is also necessary for the future temple. When the time comes for the proud and stately edifice to stand on the purified place, and for the living divinity of the new belief to erect his throne upon it, I, the modest digger of dung, will go to him and say: 'Here am I who restlessly crawled in the dust of disavowal. When surrounded by fog and soot, I had no time to raise my eyes from the ground; my head had only a vague conception of the future building. Will you reject me, you just one, Just, and True, and Great?'"
Silence and astonishment reigned in the spaces. Then Socrates raised his voice, and continued:
"The sunbeam falls upon the filthy puddle, and light vapour, leaving heavy mud behind, rises to the sun, melts, and dissolves in the ether. With your sunbeam you touched my dust-laden soul and it aspired to you, Unknown One, whose name is mystery! I sought for you, because you are Truth; I strove to attain to you, because you are Justice; I loved you, because you are Love; I died for you, because you are the Source of Life. Will you reject me, O Unknown? My torturing doubts, my passionate search for truth, my difficult life, my voluntary death--accept them as a bloodless offering, as a prayer, as a sigh! Absorb them as the immeasurable ether absorbs the evaporating mists! Take them, you whose name I do not know, let not the ghosts of the night I have traversed bar the way to you, to eternal light! Give way, you shades who dim the light of the dawn! I tell you, gods of my people, you are unjust, and where there is no justice there can be no truth, but only phantoms, creations of a dream. To this conclusion have I come, I, Socrates, who sought to fathom all things. Rise, dead mists, I go my way to Him whom I have sought all my life long!"
The thunder burst again--a short, abrupt peal, as if the egis had fallen from the weakened hand of the thunderer. Storm-voices trembled from the mountains, sounding dully in the gorges, and died away in the clefts. In their place resounded other, marvellous tones.
When Ctesippus looked up in astonishment, a spectacle presented itself such as no mortal eyes had ever seen.
The night vanished. The clouds lifted, and godly figures floated in the azure like golden ornaments on the hem of a festive robe. Heroic forms glimmered over the remote crags and ravines, and Elpidias, whose little figure was seen standing at the edge of a cleft in the rocks, stretched his hands toward them, as if beseeching the vanishing gods for a solution of his fate.
A mountain-peak now stood out clearly above the mysterious mist, gleaming like a torch over dark blue valleys. The son of Cronos, the thunderer, was no longer enthroned upon it, and the other Olympians too were gone.
Socrates stood alone in the light of the sun under the high heavens.
Ctesippus was distinctly conscious of the pulse-beat of a mysterious life quivering throughout nature, stirring even the tiniest blade of grass.
A breath seemed to be stirring the balmy air, a voice to be sounding in wonderful harmony, an invisible tread to be heard--the tread of the radiant Dawn!
And on the illumined peak a man still stood, stretching out his arms in mute ecstasy, moved by a mighty impulse.
A moment, and all disappeared, and the light of an ordinary day shone upon the awakened soul of Ctesippus. It was like dismal twilight after the revelation of nature that had blown upon him the breath of an unknown life.
In deep silence the pupils of the philosopher listened to the marvellous recital of Ctesippus. Plato broke the silence.
"Let us investigate the dream and its significance," he said.
"Let us investigate it," responded the others.
THE SIGNAL
BY VSEVOLOD M. GARSHIN.
Semyon Ivanov was a track-walker. His hut was ten versts away from a railroad station in one direction and twelve versts away in the other. About four versts away there was a cotton mill that had opened the year before, and its tall chimney rose up darkly from behind the forest. The only dwellings around were the distant huts of the other track-walkers.
Semyon Ivanov's health had been completely shattered. Nine years before he had served right through the war as servant to an officer. The sun had roasted him, the cold frozen him, and hunger famished him on the forced marches of forty and fifty versts a day in the heat and the cold and the rain and the shine. The bullets had whizzed about him, but, thank God! none had struck him.
Semyon's regiment had once been on the firing line. For a whole week there had been skirmishing with the Turks, only a deep ravine separating the two hostile armies; and from morn till eve there had been a steady cross-fire. Thrice daily Semyon carried a steaming samovar and his officer's meals from the camp kitchen to the ravine. The bullets hummed about him and rattled viciously against the rocks. Semyon was terrified and cried sometimes, but still he kept right on. The officers were pleased with him, because he always had hot tea ready for them.
He returned from the campaign with limbs unbroken but crippled with rheumatism. He had experienced no little sorrow since then. He arrived home to find that his father, an old man, and his little four-year-old son had died. Semyon remained alone with his wife. They could not do much. It was difficult to plough with rheumatic arms and legs. They could no longer stay in their village, so they started off to seek their fortune in new places. They stayed for a short time on the line, in Kherson and Donshchina, but nowhere found luck. Then the wife went out to service, and Semyon continued to travel about. Once he happened to ride on an engine, and at one of the stations the face of the station-master seemed familiar to him. Semyon looked at the station-master and the station-master looked at Semyon, and they recognised each other. He had been an officer in Semyon's regiment.
"You are Ivanov?" he said.
"Yes, your Excellency."
"How do you come to be here?"
Semyon told him all.
"Where are you off to?"
"I cannot tell you, sir."
"Idiot! What do you mean by 'cannot tell you?'"
"I mean what I say, your Excellency. There is nowhere for me to go to. I must hunt for work, sir."
The station-master looked at him, thought a bit, and said: "See here, friend, stay here a while at the station. You are married, I think. Where is your wife?"
"Yes, your Excellency, I am married. My wife is at Kursk, in service with a merchant."
"Well, write to your wife to come here. I will give you a free pass for her. There is a position as track-walker open. I will speak to the Chief on your behalf."
"I shall be very grateful to you, your Excellency," replied Semyon.
He stayed at the station, helped in the kitchen, cut firewood, kept the yard clean, and swept the platform. In a fortnight's time his wife arrived, and Semyon went on a hand-trolley to his hut. The hut was a new one and warm, with as much wood as he wanted. There was a little vegetable garden, the legacy of former track-walkers, and there was about half a dessiatin of ploughed land on either side of the railway embankment. Semyon was rejoiced. He began to think of doing some farming, of purchasing a cow and a horse.
He was given all necessary stores--a green flag, a red flag, lanterns, a horn, hammer, screw-wrench for the nuts, a crow-bar, spade, broom, bolts, and nails; they gave him two books of regulations and a time-table of the train. At first Semyon could not sleep at night, and learnt the whole time-table by heart. Two hours before a train was due he would go over his section, sit on the bench at his hut, and look and listen whether the rails were trembling or the rumble of the train could be heard. He even learned the regulations by heart, although he could only read by spelling out each word.
It was summer; the work was not heavy; there was no snow to clear away, and the trains on that line were infrequent. Semyon used to go over his verst twice a day, examine and screw up nuts here and there, keep the bed level, look at the water-pipes, and then go home to his own affairs. There was only one drawback--he always had to get the inspector's permission for the least little thing he wanted to do. Semyon and his wife were even beginning to be bored.
Two months passed, and Semyon commenced to make the acquaintance of his neighbours, the track-walkers on either side of him. One was a very old man, whom the authorities were always meaning to relieve. He scarcely moved out of his hut. His wife used to do all his work. The other track-walker, nearer the station, was a young man, thin, but muscular. He and Semyon met for the first time on the line midway between the huts. Semyon took off his hat and bowed. "Good health to you, neighbour," he said.
The neighbour glanced askance at him. "How do you do?" he replied; then turned around and made off.
Later the wives met. Semyon's wife passed the time of day with her neighbour, but neither did she say much.
On one occasion Semyon said to her: "Young woman, your husband is not very talkative."
The woman said nothing at first, then replied: "But what is there for him to talk about? Every one has his own business. Go your way, and God be with you."
However, after another month or so they became acquainted. Semyon would go with Vasily along the line, sit on the edge of a pipe, smoke, and talk of life. Vasily, for the most part, kept silent, but Semyon talked of his village, and of the campaign through which he had passed.
"I have had no little sorrow in my day," he would say; "and goodness knows I have not lived long. God has not given me happiness, but what He may give, so will it be. That's so, friend Vasily Stepanych."
Vasily Stepanych knocked the ashes out of his pipe against a rail, stood up, and said: "It is not luck which follows us in life, but human beings. There is no crueller beast on this earth than man. Wolf does not eat wolf, but man will readily devour man."
"Come, friend, don't say that; a wolf eats wolf."
"The words came into my mind and I said it. All the same, there is nothing crueller than man. If it were not for his wickedness and greed, it would be possible to live. Everybody tries to sting you to the quick, to bite and eat you up."
Semyon pondered a bit. "I don't know, brother," he said; "perhaps it is as you say, and perhaps it is God's will."
"And perhaps," said Vasily, "it is waste of time for me to talk to you. To put everything unpleasant on God, and sit and suffer, means, brother, being not a man but an animal. That's what I have to say." And he turned and went off without saying good-bye.
Semyon also got up. "Neighbour," he called, "why do you lose your temper?" But his neighbour did not look round, and kept on his way.
Semyon gazed after him until he was lost to sight in the cutting at the turn. He went home and said to his wife: "Arina, our neighbour is a wicked person, not a man."
However, they did not quarrel. They met again and discussed the same topics.
"All, mend, if it were not for men we should not be poking in these huts," said Vasily, on one occasion.
"And what if we are poking in these huts? It's not so bad. You can live in them."
"Live in them, indeed! Bah, you!... You have lived long and learned little, looked at much and seen little. What sort of life is there for a poor man in a hut here or there? The cannibals are devouring you. They are sucking up all your life-blood, and when you become old, they will throw you out just as they do husks to feed the pigs on. What pay do you get?"
"Not much, Vasily Stepanych--twelve rubles."
"And I, thirteen and a half rubles. Why? By the regulations the company should give us fifteen rubles a month with firing and lighting. Who decides that you should have twelve rubles, or I thirteen and a half? Ask yourself! And you say a man can live on that? You understand it is not a question of one and a half rubles or three rubles--even if they paid us each the whole fifteen rubles. I was at the station last month. The director passed through. I saw him. I had that honour. He had a separate coach. He came out and stood on the platform... I shall not stay here long; I shall go somewhere, anywhere, follow my nose."
"But where will you go, Stepanych? Leave well enough alone. Here you have a house, warmth, a little piece of land. Your wife is a worker."
"Land! You should look at my piece of land. Not a twig on it--nothing. I planted some cabbages in the spring, just when the inspector came along. He said: 'What is this? Why have you not reported this? Why have you done this without permission? Dig them up, roots and all.' He was drunk. Another time he would not have said a word, but this time it struck him. Three rubles fine!..."
Vasily kept silent for a while, pulling at his pipe, then added quietly: "A little more and I should have done for him."
"You are hot-tempered."
"No, I am not hot-tempered, but I tell the truth and think. Yes, he will still get a bloody nose from me. I will complain to the Chief. We will see then!" And Vasily did complain to the Chief.
Once the Chief came to inspect the line. Three days later important personages were coming from St. Petersburg and would pass over the line. They were conducting an inquiry, so that previous to their journey it was necessary to put everything in order. Ballast was laid down, the bed was levelled, the sleepers carefully examined, spikes driven in a bit, nuts screwed up, posts painted, and orders given for yellow sand to be sprinkled at the level crossings. The woman at the neighbouring hut turned her old man out to weed. Semyon worked for a whole week. He put everything in order, mended his kaftan, cleaned and polished his brass plate until it fairly shone. Vasily also worked hard. The Chief arrived on a trolley, four men working the handles and the levers making the six wheels hum. The trolley travelled at twenty versts an hour, but the wheels squeaked. It reached Semyon's hut, and he ran out and reported in soldierly fashion. All appeared to be in repair.
"Have you been here long?" inquired the Chief.
"Since the second of May, your Excellency."
"All right. Thank you. And who is at hut No. 164?"
The traffic inspector (he was travelling with the Chief on the trolley) replied: "Vasily Spiridov."
"Spiridov, Spiridov... Ah! is he the man against whom you made a note last year?"
"He is."
"Well, we will see Vasily Spiridov. Go on!" The workmen laid to the handles, and the trolley got under way. Semyon watched it, and thought, "There will be trouble between them and my neighbour."
About two hours later he started on his round. He saw some one coming along the line from the cutting. Something white showed on his head. Semyon began to look more attentively. It was Vasily. He had a stick in his hand, a small bundle on his shoulder, and his cheek was bound up in a handkerchief.
"Where are you off to?" cried Semyon.
Vasily came quite close. He was very pale, white as chalk, and his eyes had a wild look. Almost choking, he muttered: "To town--to Moscow--to the head office."
"Head office? Ah, you are going to complain, I suppose. Give it up! Vasily Stepanych, forget it."
"No, mate, I will not forget. It is too late. See! He struck me in the face, drew blood. So long as I live I will not forget. I will not leave it like this!"
Semyon took his hand. "Give it up, Stepanych. I am giving you good advice. You will not better things..."
"Better things! I know myself I shan't better things. You were right about Fate. It would be better for me not to do it, but one must stand up for the right."
"But tell me, how did it happen?"
"How? He examined everything, got down from the trolley, looked into the hut. I knew beforehand that he would be strict, and so I had put everything into proper order. He was just going when I made my complaint. He immediately cried out: 'Here is a Government inquiry coming, and you make a complaint about a vegetable garden. Here are privy councillors coming, and you annoy me with cabbages!' I lost patience and said something--not very much, but it offended him, and he struck me in the face. I stood still; I did nothing, just as if what he did was perfectly all right. They went off; I came to myself, washed my face, and left."
"And what about the hut?"
"My wife is staying there. She will look after things. Never mind about their roads."
Vasily got up and collected himself. "Good-bye, Ivanov. I do not know whether I shall get any one at the office to listen to me."
"Surely you are not going to walk?"
"At the station I will try to get on a freight train, and to-morrow I shall be in Moscow."
The neighbours bade each other farewell. Vasily was absent for some time. His wife worked for him night and day. She never slept, and wore herself out waiting for her husband. On the third day the commission arrived. An engine, luggage-van, and two first-class saloons; but Vasily was still away. Semyon saw his wife on the fourth day. Her face was swollen from crying and her eyes were red.
"Has your husband returned?" he asked. But the woman only made a gesture with her hands, and without saying a word went her way.
Semyon had learnt when still a lad to make flutes out of a kind of reed. He used to burn out the heart of the stalk, make holes where necessary, drill them, fix a mouthpiece at one end, and tune them so well that it was possible to play almost any air on them. He made a number of them in his spare time, and sent them by his friends amongst the freight brakemen to the bazaar in the town. He got two kopeks apiece for them. On the day following the visit of the commission he left his wife at home to meet the six o'clock train, and started off to the forest to cut some sticks. He went to the end of his section--at this point the line made a sharp turn--descended the embankment, and struck into the wood at the foot of the mountain. About half a verst away there was a big marsh, around which splendid reeds for his flutes grew. He cut a whole bundle of stalks and started back home. The sun was already dropping low, and in the dead stillness only the twittering of the birds was audible, and the crackle of the dead wood under his feet. As he walked along rapidly, he fancied he heard the clang of iron striking iron, and he redoubled his pace. There was no repair going on in his section. What did it mean? He emerged from the woods, the railway embankment stood high before him; on the top a man was squatting on the bed of the line busily engaged in something. Semyon commenced quietly to crawl up towards him. He thought it was some one after the nuts which secure the rails. He watched, and the man got up, holding a crow-bar in his hand. He had loosened a rail, so that it would move to one side. A mist swam before Semyon's eyes; he wanted to cry out, but could not. It was Vasily! Semyon scrambled up the bank, as Vasily with crow-bar and wrench slid headlong down the other side.
"Vasily Stepanych! My dear friend, come back! Give me the crow-bar. We will put the rail back; no one will know. Come back! Save your soul from sin!"
Vasily did not look back, but disappeared into the woods.
Semyon stood before the rail which had been torn up. He threw down his bundle of sticks. A train was due; not a freight, but a passenger-train. And he had nothing with which to stop it, no flag. He could not replace the rail and could not drive in the spikes with his bare hands. It was necessary to run, absolutely necessary to run to the hut for some tools. "God help me!" he murmured.
Semyon started running towards his hut. He was out of breath, but still ran, falling every now and then. He had cleared the forest; he was only a few hundred feet from his hut, not more, when he heard the distant hooter of the factory sound--six o'clock! In two minutes' time No. 7 train was due. "Oh, Lord! Have pity on innocent souls!" In his mind Semyon saw the engine strike against the loosened rail with its left wheel, shiver, careen, tear up and splinter the sleepers--and just there, there was a curve and the embankment seventy feet high, down which the engine would topple--and the third-class carriages would be packed ... little children... All sitting in the train now, never dreaming of danger. "Oh, Lord! Tell me what to do!... No, it is impossible to run to the hut and get back in time."
Semyon did not run on to the hut, but turned back and ran faster than before. He was running almost mechanically, blindly; he did not know himself what was to happen. He ran as far as the rail which had been pulled up; his sticks were lying in a heap. He bent down, seized one without knowing why, and ran on farther. It seemed to him the train was already coming. He heard the distant whistle; he heard the quiet, even tremor of the rails; but his strength was exhausted, he could run no farther, and came to a halt about six hundred feet from the awful spot. Then an idea came into his head, literally like a ray of light. Pulling off his cap, he took out of it a cotton scarf, drew his knife out of the upper part of his boot, and crossed himself, muttering, "God bless me!"
He buried the knife in his left arm above the elbow; the blood spurted out, flowing in a hot stream. In this he soaked his scarf, smoothed it out, tied it to the stick and hung out his red flag.
He stood waving his flag. The train was already in sight. The driver would not see him--would come close up, and a heavy train cannot be pulled up in six hundred feet.
And the blood kept on flowing. Semyon pressed the sides of the wound together so as to close it, but the blood did not diminish. Evidently he had cut his arm very deep. His head commenced to swim, black spots began to dance before his eyes, and then it became dark. There was a ringing in his ears. He could not see the train or hear the noise. Only one thought possessed him. "I shall not be able to keep standing up. I shall fall and drop the flag; the train will pass over me. Help me, oh Lord!"
All turned black before him, his mind became a blank, and he dropped the flag; but the blood-stained banner did not fall to the ground. A hand seized it and held it high to meet the approaching train. The engineer saw it, shut the regulator, and reversed steam. The train came to a standstill.
People jumped out of the carriages and collected in a crowd. They saw a man lying senseless on the footway, drenched in blood, and another man standing beside him with a blood-stained rag on a stick.
Vasily looked around at all. Then, lowering his head, he said: "Bind me. I tore up a rail!"
THE DARLING
BY ANTON P. CHEKOV
Olenka, the daughter of the retired collegiate assessor Plemyanikov, was sitting on the back-door steps of her house doing nothing. It was hot, the flies were nagging and teasing, and it was pleasant to think that it would soon be evening. Dark rain clouds were gathering from the east, wafting a breath of moisture every now and then.
Kukin, who roomed in the wing of the same house, was standing in the yard looking up at the sky. He was the manager of the Tivoli, an open-air theatre.
"Again," he said despairingly. "Rain again. Rain, rain, rain! Every day rain! As though to spite me. I might as well stick my head into a noose and be done with it. It's ruining me. Heavy losses every day!" He wrung his hands, and continued, addressing Olenka: "What a life, Olga Semyonovna! It's enough to make a man weep. He works, he does his best, his very best, he tortures himself, he passes sleepless nights, he thinks and thinks and thinks how to do everything just right. And what's the result? He gives the public the best operetta, the very best pantomime, excellent artists. But do they want it? Have they the least appreciation of it? The public is rude. The public is a great boor. The public wants a circus, a lot of nonsense, a lot of stuff. And there's the weather. Look! Rain almost every evening. It began to rain on the tenth of May, and it's kept it up through the whole of June. It's simply awful. I can't get any audiences, and don't I have to pay rent? Don't I have to pay the actors?"
The next day towards evening the clouds gathered again, and Kukin said with an hysterical laugh:
"Oh, I don't care. Let it do its worst. Let it drown the whole theatre, and me, too. All right, no luck for me in this world or the next. Let the actors bring suit against me and drag me to court. What's the court? Why not Siberia at hard labour, or even the scaffold? Ha, ha, ha!"
It was the same on the third day.
Olenka listened to Kukin seriously, in silence. Sometimes tears would rise to her eyes. At last Kukin's misfortune touched her. She fell in love with him. He was short, gaunt, with a yellow face, and curly hair combed back from his forehead, and a thin tenor voice. His features puckered all up when he spoke. Despair was ever inscribed on his face. And yet he awakened in Olenka a sincere, deep feeling.
She was always loving somebody. She couldn't get on without loving somebody. She had loved her sick father, who sat the whole time in his armchair in a darkened room, breathing heavily. She had loved her aunt, who came from Brianska once or twice a year to visit them. And before that, when a pupil at the progymnasium, she had loved her French teacher. She was a quiet, kind-hearted, compassionate girl, with a soft gentle way about her. And she made a very healthy, wholesome impression. Looking at her full, rosy cheeks, at her soft white neck with the black mole, and at the good naïve smile that always played on her face when something pleasant was said, the men would think, "Not so bad," and would smile too; and the lady visitors, in the middle of the conversation, would suddenly grasp her hand and exclaim, "You darling!" in a burst of delight.
The house, hers by inheritance, in which she had lived from birth, was located at the outskirts of the city on the Gypsy Road, not far from the Tivoli. From early evening till late at night she could hear the music in the theatre and the bursting of the rockets; and it seemed to her that Kukin was roaring and battling with his fate and taking his chief enemy, the indifferent public, by assault. Her heart melted softly, she felt no desire to sleep, and when Kukin returned home towards morning, she tapped on her window-pane, and through the curtains he saw her face and one shoulder and the kind smile she gave him.
He proposed to her, and they were married. And when he had a good look of her neck and her full vigorous shoulders, he clapped his hands and said:
"You darling!"
He was happy. But it rained on their wedding-day, and the expression of despair never left his face.
They got along well together. She sat in the cashier's box, kept the theatre in order, wrote down the expenses, and paid out the salaries. Her rosy cheeks, her kind naïve smile, like a halo around her face, could be seen at the cashier's window, behind the scenes, and in the café. She began to tell her friends that the theatre was the greatest, the most important, the most essential thing in the world, that it was the only place to obtain true enjoyment in and become humanised and educated.
"But do you suppose the public appreciates it?" she asked. "What the public wants is the circus. Yesterday Vanichka and I gave Faust Burlesqued, and almost all the boxes were empty. If we had given some silly nonsense, I assure you, the theatre would have been overcrowded. To-morrow we'll put Orpheus in Hades on. Do come."
Whatever Kukin said about the theatre and the actors, she repeated. She spoke, as he did, with contempt of the public, of its indifference to art, of its boorishness. She meddled in the rehearsals, corrected the actors, watched the conduct of the musicians; and when an unfavourable criticism appeared in the local paper, she wept and went to the editor to argue with him.
The actors were fond of her and called her "Vanichka and I" and "the darling." She was sorry for them and lent them small sums. When they bilked her, she never complained to her husband; at the utmost she shed a few tears.
In winter, too, they got along nicely together. They leased a theatre in the town for the whole winter and sublet it for short periods to a Little Russian theatrical company, to a conjuror and to the local amateur players.
Olenka grew fuller and was always beaming with contentment; while Kukin grew thinner and yellower and complained of his terrible losses, though he did fairly well the whole winter. At night he coughed, and she gave him raspberry syrup and lime water, rubbed him with eau de Cologne, and wrapped him up in soft coverings.
"You are my precious sweet," she said with perfect sincerity, stroking his hair. "You are such a dear."
At Lent he went to Moscow to get his company together, and, while without him, Olenka was unable to sleep. She sat at the window the whole time, gazing at the stars. She likened herself to the hens that are also uneasy and unable to sleep when their rooster is out of the coop. Kukin was detained in Moscow. He wrote he would be back during Easter Week, and in his letters discussed arrangements already for the Tivoli. But late one night, before Easter Monday, there was an ill-omened knocking at the wicket-gate. It was like a knocking on a barrel--boom, boom, boom! The sleepy cook ran barefooted, plashing through the puddles, to open the gate.
"Open the gate, please," said some one in a hollow bass voice. "I have a telegram for you."
Olenka had received telegrams from her husband before; but this time, somehow, she was numbed with terror. She opened the telegram with trembling hands and read:
"Ivan Petrovich died suddenly to-day. Awaiting propt orders for wuneral Tuesday."
That was the way the telegram was written--"wuneral"--and another unintelligible word--"propt." The telegram was signed by the manager of the opera company.
"My dearest!" Olenka burst out sobbing. "Vanichka, my dearest, my sweetheart. Why did I ever meet you? Why did I ever get to know you and love you? To whom have you abandoned your poor Olenka, your poor, unhappy Olenka?"
Kukin was buried on Tuesday in the Vagankov Cemetery in Moscow. Olenka returned home on Wednesday; and as soon as she entered her house she threw herself on her bed and broke into such loud sobbing that she could be heard in the street and in the neighbouring yards.
"The darling!" said the neighbours, crossing themselves. "How Olga Semyonovna, the poor darling, is grieving!"
Three months afterwards Olenka was returning home from mass, downhearted and in deep mourning. Beside her walked a man also returning from church, Vasily Pustovalov, the manager of the merchant Babakayev's lumber-yard. He was wearing a straw hat, a white vest with a gold chain, and looked more like a landowner than a business man.
"Everything has its ordained course, Olga Semyonovna," he said sedately, with sympathy in his voice. "And if any one near and dear to us dies, then it means it was God's will and we should remember that and bear it with submission."
He took her to the wicket-gate, said good-bye and went away. After that she heard his sedate voice the whole day; and on closing her eyes she instantly had a vision of his dark beard. She took a great liking to him. And evidently he had been impressed by her, too; for, not long after, an elderly woman, a distant acquaintance, came in to have a cup of coffee with her. As soon as the woman was seated at table she began to speak about Pustovalov--how good he was, what a steady man, and any woman could be glad to get him as a husband. Three days later Pustovalov himself paid Olenka a visit. He stayed only about ten minutes, and spoke little, but Olenka fell in love with him, fell in love so desperately that she did not sleep the whole night and burned as with fever. In the morning she sent for the elderly woman. Soon after, Olenka and Pustovalov were engaged, and the wedding followed.
Pustovalov and Olenka lived happily together. He usually stayed in the lumber-yard until dinner, then went out on business. In his absence Olenka took his place in the office until evening, attending to the book-keeping and despatching the orders.
"Lumber rises twenty per cent every year nowadays," she told her customers and acquaintances. "Imagine, we used to buy wood from our forests here. Now Vasichka has to go every year to the government of Mogilev to get wood. And what a tax!" she exclaimed, covering her cheeks with her hands in terror. "What a tax!"
She felt as if she had been dealing in lumber for ever so long, that the most important and essential thing in life was lumber. There was something touching and endearing in the way she pronounced the words, "beam," "joist," "plank," "stave," "lath," "gun-carriage," "clamp." At night she dreamed of whole mountains of boards and planks, long, endless rows of wagons conveying the wood somewhere, far, far from the city. She dreamed that a whole regiment of beams, 36 ft. x 5 in., were advancing in an upright position to do battle against the lumber-yard; that the beams and joists and clamps were knocking against each other, emitting the sharp crackling reports of dry wood, that they were all falling and then rising again, piling on top of each other. Olenka cried out in her sleep, and Pustovalov said to her gently:
"Olenka my dear, what is the matter? Cross yourself."
Her husband's opinions were all hers. If he thought the room was too hot, she thought so too. If he thought business was dull, she thought business was dull. Pustovalov was not fond of amusements and stayed home on holidays; she did the same.
"You are always either at home or in the office," said her friends. "Why don't you go to the theatre or to the circus, darling?"
"Vasichka and I never go to the theatre," she answered sedately. "We have work to do, we have no time for nonsense. What does one get out of going to theatre?"
On Saturdays she and Pustovalov went to vespers, and on holidays to early mass. On returning home they walked side by side with rapt faces, an agreeable smell emanating from both of them and her silk dress rustling pleasantly. At home they drank tea with milk-bread and various jams, and then ate pie. Every day at noontime there was an appetising odour in the yard and outside the gate of cabbage soup, roast mutton, or duck; and, on fast days, of fish. You couldn't pass the gate without being seized by an acute desire to eat. The samovar was always boiling on the office table, and customers were treated to tea and biscuits. Once a week the married couple went to the baths and returned with red faces, walking side by side.
"We are getting along very well, thank God," said Olenka to her friends. "God grant that all should live as well as Vasichka and I."
When Pustovalov went to the government of Mogilev to buy wood, she was dreadfully homesick for him, did not sleep nights, and cried. Sometimes the veterinary surgeon of the regiment, Smirnov, a young man who lodged in the wing of her house, came to see her evenings. He related incidents, or they played cards together. This distracted her. The most interesting of his stories were those of his own life. He was married and had a son; but he had separated from his wife because she had deceived him, and now he hated her and sent her forty rubles a month for his son's support. Olenka sighed, shook her head, and was sorry for him.
"Well, the Lord keep you," she said, as she saw him off to the door by candlelight. "Thank you for coming to kill time with me. May God give you health. Mother in Heaven!" She spoke very sedately, very judiciously, imitating her husband. The veterinary surgeon had disappeared behind the door when she called out after him: "Do you know, Vladimir Platonych, you ought to make up with your wife. Forgive her, if only for the sake of your son. The child understands everything, you may be sure."
When Pustovalov returned, she told him in a low voice about the veterinary surgeon and his unhappy family life; and they sighed and shook their heads, and talked about the boy who must be homesick for his father. Then, by a strange association of ideas, they both stopped before the sacred images, made genuflections, and prayed to God to send them children.
And so the Pustovalovs lived for full six years, quietly and peaceably, in perfect love and harmony. But once in the winter Vasily Andreyich, after drinking some hot tea, went out into the lumber-yard without a hat on his head, caught a cold and took sick. He was treated by the best physicians, but the malady progressed, and he died after an illness of four months. Olenka was again left a widow.
"To whom have you left me, my darling?" she wailed after the funeral. "How shall I live now without you, wretched creature that I am. Pity me, good people, pity me, fatherless and motherless, all alone in the world!"
She went about dressed in black and weepers, and she gave up wearing hats and gloves for good. She hardly left the house except to go to church and to visit her husband's grave. She almost led the life of a nun.
It was not until six months had passed that she took off the weepers and opened her shutters. She began to go out occasionally in the morning to market with her cook. But how she lived at home and what went on there, could only be surmised. It could be surmised from the fact that she was seen in her little garden drinking tea with the veterinarian while he read the paper out loud to her, and also from the fact that once on meeting an acquaintance at the post-office, she said to her:
"There is no proper veterinary inspection in our town. That is why there is so much disease. You constantly hear of people getting sick from the milk and becoming infected by the horses and cows. The health of domestic animals ought really to be looked after as much as that of human beings."
She repeated the veterinarian's words and held the same opinions as he about everything. It was plain that she could not exist a single year without an attachment, and she found her new happiness in the wing of her house. In any one else this would have been condemned; but no one could think ill of Olenka. Everything in her life was so transparent. She and the veterinary surgeon never spoke about the change in their relations. They tried, in fact, to conceal it, but unsuccessfully; for Olenka could have no secrets. When the surgeon's colleagues from the regiment came to see him, she poured tea, and served the supper, and talked to them about the cattle plague, the foot and mouth disease, and the municipal slaughter houses. The surgeon was dreadfully embarrassed, and after the visitors had left, he caught her hand and hissed angrily:
"Didn't I ask you not to talk about what you don't understand? When we doctors discuss things, please don't mix in. It's getting to be a nuisance."
She looked at him in astonishment and alarm, and asked:
"But, Volodichka, what am I to talk about?"
And she threw her arms round his neck, with tears in her eyes, and begged him not to be angry. And they were both happy.
But their happiness was of short duration. The veterinary surgeon went away with his regiment to be gone for good, when it was transferred to some distant place almost as far as Siberia, and Olenka was left alone.
Now she was completely alone. Her father had long been dead, and his armchair lay in the attic covered with dust and minus one leg. She got thin and homely, and the people who met her on the street no longer looked at her as they had used to, nor smiled at her. Evidently her best years were over, past and gone, and a new, dubious life was to begin which it were better not to think about.
In the evening Olenka sat on the steps and heard the music playing and the rockets bursting in the Tivoli; but it no longer aroused any response in her. She looked listlessly into the yard, thought of nothing, wanted nothing, and when night came on, she went to bed and dreamed of nothing but the empty yard. She ate and drank as though by compulsion.
And what was worst of all, she no longer held any opinions. She saw and understood everything that went on around her, but she could not form an opinion about it. She knew of nothing to talk about. And how dreadful not to have opinions! For instance, you see a bottle, or you see that it is raining, or you see a muzhik riding by in a wagon. But what the bottle or the rain or the muzhik are for, or what the sense of them all is, you cannot tell--you cannot tell, not for a thousand rubles. In the days of Kukin and Pustovalov and then of the veterinary surgeon, Olenka had had an explanation for everything, and would have given her opinion freely no matter about what. But now there was the same emptiness in her heart and brain as in her yard. It was as galling and bitter as a taste of wormwood.
Gradually the town grew up all around. The Gypsy Road had become a street, and where the Tivoli and the lumber-yard had been, there were now houses and a row of side streets. How quickly time flies! Olenka's house turned gloomy, the roof rusty, the shed slanting. Dock and thistles overgrew the yard. Olenka herself had aged and grown homely. In the summer she sat on the steps, and her soul was empty and dreary and bitter. When she caught the breath of spring, or when the wind wafted the chime of the cathedral bells, a sudden flood of memories would pour over her, her heart would expand with a tender warmth, and the tears would stream down her cheeks. But that lasted only a moment. Then would come emptiness again, and the feeling, What is the use of living? The black kitten Bryska rubbed up against her and purred softly, but the little creature's caresses left Olenka untouched. That was not what she needed. What she needed was a love that would absorb her whole being, her reason, her whole soul, that would give her ideas, an object in life, that would warm her aging blood. And she shook the black kitten off her skirt angrily, saying:
"Go away! What are you doing here?"
And so day after day, year after year not a single joy, not a single opinion. Whatever Marva, the cook, said was all right.
One hot day in July, towards evening, as the town cattle were being driven by, and the whole yard was filled with clouds of dust, there was suddenly a knocking at the gate. Olenka herself went to open it, and was dumbfounded to behold the veterinarian Smirnov. He had turned grey and was dressed as a civilian. All the old memories flooded into her soul, she could not restrain herself, she burst out crying, and laid her head on Smirnov's breast without saying a word. So overcome was she that she was totally unconscious of how they walked into the house and seated themselves to drink tea.
"My darling!" she murmured, trembling with joy. "Vladimir Platonych, from where has God sent you?"
"I want to settle here for good," he told her. "I have resigned my position and have come here to try my fortune as a free man and lead a settled life. Besides, it's time to send my boy to the gymnasium. He is grown up now. You know, my wife and I have become reconciled."
"Where is she?" asked Olenka.
"At the hotel with the boy. I am looking for lodgings."
"Good gracious, bless you, take my house. Why won't my house do? Oh, dear! Why, I won't ask any rent of you," Olenka burst out in the greatest excitement, and began to cry again. "You live here, and the wing will be enough for me. Oh, Heavens, what a joy!"
The very next day the roof was being painted and the walls whitewashed, and Olenka, arms akimbo, was going about the yard superintending. Her face brightened with her old smile. Her whole being revived and freshened, as though she had awakened from a long sleep. The veterinarian's wife and child arrived. She was a thin, plain woman, with a crabbed expression. The boy Sasha, small for his ten years of age, was a chubby child, with clear blue eyes and dimples in his cheeks. He made for the kitten the instant he entered the yard, and the place rang with his happy laughter.
"Is that your cat, auntie?" he asked Olenka. "When she has little kitties, please give me one. Mamma is awfully afraid of mice."
Olenka chatted with him, gave him tea, and there was a sudden warmth in her bosom and a soft gripping at her heart, as though the boy were her own son.
In the evening, when he sat in the dining-room studying his lessons, she looked at him tenderly and whispered to herself:
"My darling, my pretty. You are such a clever child, so good to look at."
"An island is a tract of land entirely surrounded by water," he recited.
"An island is a tract of land," she repeated--the first idea asseverated with conviction after so many years of silence and mental emptiness.
She now had her opinions, and at supper discussed with Sasha's parents how difficult the studies had become for the children at the gymnasium, but how, after all, a classical education was better than a commercial course, because when you graduated from the gymnasium then the road was open to you for any career at all. If you chose to, you could become a doctor, or, if you wanted to, you could become an engineer.
Sasha began to go to the gymnasium. His mother left on a visit to her sister in Kharkov and never came back. The father was away every day inspecting cattle, and sometimes was gone three whole days at a time, so that Sasha, it seemed to Olenka, was utterly abandoned, was treated as if he were quite superfluous, and must be dying of hunger. So she transferred him into the wing along with herself and fixed up a little room for him there.
Every morning Olenka would come into his room and find him sound asleep with his hand tucked under his cheek, so quiet that he seemed not to be breathing. What a shame to have to wake him, she thought.
"Sashenka," she said sorrowingly, "get up, darling. It's time to go to the gymnasium."
He got up, dressed, said his prayers, then sat down to drink tea. He drank three glasses of tea, ate two large cracknels and half a buttered roll. The sleep was not yet out of him, so he was a little cross.
"You don't know your fable as you should, Sashenka," said Olenka, looking at him as though he were departing on a long journey. "What a lot of trouble you are. You must try hard and learn, dear, and mind your teachers."
"Oh, let me alone, please," said Sasha.
Then he went down the street to the gymnasium, a little fellow wearing a large cap and carrying a satchel on his back. Olenka followed him noiselessly.
"Sashenka," she called.
He looked round and she shoved a date or a caramel into his hand. When he reached the street of the gymnasium, he turned around and said, ashamed of being followed by a tall, stout woman:
"You had better go home, aunt. I can go the rest of the way myself."
She stopped and stared after him until he had disappeared into the school entrance.
Oh, how she loved him! Not one of her other ties had been so deep. Never before had she given herself so completely, so disinterestedly, so cheerfully as now that her maternal instincts were all aroused. For this boy, who was not hers, for the dimples in his cheeks and for his big cap, she would have given her life, given it with joy and with tears of rapture. Why? Ah, indeed, why?
When she had seen Sasha off to the gymnasium, she returned home quietly, content, serene, overflowing with love. Her face, which had grown younger in the last half year, smiled and beamed. People who met her were pleased as they looked at her.
"How are you, Olga Semyonovna, darling? How are you getting on, darling?"
"The gymnasium course is very hard nowadays," she told at the market. "It's no joke. Yesterday the first class had a fable to learn by heart, a Latin translation, and a problem. How is a little fellow to do all that?"
And she spoke of the teacher and the lessons and the text-books, repeating exactly what Sasha said about them.
At three o'clock they had dinner. In the evening they prepared the lessons together, and Olenka wept with Sasha over the difficulties. When she put him to bed, she lingered a long time making the sign of the cross over him and muttering a prayer. And when she lay in bed, she dreamed of the far-away, misty future when Sasha would finish his studies and become a doctor or an engineer, have a large house of his own, with horses and a carriage, marry and have children. She would fall asleep still thinking of the same things, and tears would roll down her cheeks from her closed eyes. And the black cat would lie at her side purring: "Mrr, mrr, mrr."
Suddenly there was a loud knocking at the gate. Olenka woke up breathless with fright, her heart beating violently. Half a minute later there was another knock.
"A telegram from Kharkov," she thought, her whole body in a tremble. "His mother wants Sasha to come to her in Kharkov. Oh, great God!"
She was in despair. Her head, her feet, her hands turned cold. There was no unhappier creature in the world, she felt. But another minute passed, she heard voices. It was the veterinarian coming home from the club.
"Thank God," she thought. The load gradually fell from her heart, she was at ease again. And she went back to bed, thinking of Sasha who lay fast asleep in the next room and sometimes cried out in his sleep:
"I'll give it to you! Get away! Quit your scrapping!"
