But, for all this, I meditated for a long while upon what Lizzie had said. It was true that I was really fond of "proper" little Rosalind Jemmett; concerning myself I had no especial illusions; and, to my credit, I faced what I considered the real issue, squarely.
We were in Aunt Marcia's parlour. Rosalind was an orphan, and lived in turn with her three aunts. She said the other two were less unendurable than Aunt Marcia, and I believed her. I consider, to begin with, that a person is not civilised who thumps upon the floor upstairs with a poker, simply because it happens to be eleven o'clock; and moreover, Aunt Marcia's parlour--oh, it really was a "parlour,"--was entirely too like the first night of a charity bazaar, when nothing has been sold.
The room was not a particularly large one; but it contained exactly three hundred and seven articles of bijouterie, not estimating the china pug-dog upon the hearth. I know, for I counted them.
Besides, there were twenty-eight pictures upon the walls--one in oils of the late Mr. Dumby (for Aunt Marcia was really Mrs. Clement Dumby), painted, to all appearances, immediately after the misguided gentleman who married Aunt Marcia had been drowned, and before he had been wiped dry,--and for the rest, everywhere the eye was affronted by engravings framed in gilt and red-plush of "Sanctuary," "Le Hamac," "Martyre Chretienne," "The Burial of Latane," and other Victorian outrages.
Then on an easel there was a painting of a peacock, perched upon an urn, against a gilded background; this painting irrelevantly deceived your expectations, for it was framed in blue plush. Also there were "gift-books" on the centre table, and a huge volume, again in red plush, with its titular "Album" cut out of thin metal and nailed to the cover. This album contained calumnious portraits of Aunt Marcia's family, the most of them separately enthroned upon the same imitation rock, in all the pride of a remote, full-legged and starchy youth, each picture being painfully "coloured by hand."
