"Didn't I know it--didn't I know it?" I demanded of my soul, and my pulses sang a paean; "I knew, with that voice, she couldn't be a common actress--a vulgar, raddled creature out of a barn! You not a gentlewoman! Nonsense! Why--why, you're positively incredible! Oh, you great, wonderful, lazy woman, you are probably very stupid, and you certainly can't act, but your eyes are black velvet, and your voice is evidently stolen from a Cremona, and as for your hair, there must be pounds of it, and, altogether, you ought to be set up on a pedestal for men to worship! There is just one other woman in the whole wide world as beautiful as you are; and she is two thousand years old, and is securely locked up in the Louvre, and belongs to the French Government, and, besides, she hasn't any arms, so that even there you have the advantage!"
Indeed, Miss Annabelle Alys Montmorenci was of much the same large, placid type as the Venus of Milo, nor were the upper portions of the two faces dissimilar. Miss Montmorenci's lips, however, were far more curved, more buxom, and were, at the present moment, bordered by an absolutely bewildering assemblage of dimples which the statue may not boast.
