Golden weather again, with a clear sky and soft and balmy air! Just before our mid-day meal Olie arrived with mail for us. We've had letters from home! Instead of cheering me up they made me blue, for they seemed to bring word from another world, a world so far, far away!
I decided to have a half-day in the open, so I strapped on my duck-gun and off I went on Paddy, as soon as dinner was over and the men had gone. We went like the wind, until both Paddy and I were tired of it. Then I found a "soft-water" pond hidden behind a fringe of scrub-willow and poplar. The mid-day sun had warmed it to a tempting temperature. So I hobbled Paddy, peeled off and had a most glorious bath. I had just soaped down with bank-mud (which is an astonishingly good solvent) and had taken a header and was swimming about on my back, blinking up at the blue sky, as happy as a mud-turtle in a mill-pond, when I heard Paddy nicker. That disturbed me a little, but I felt sure there could be nobody within miles of me. However, I swam back to where my clothes were, sunned myself dry, and was just standing up to shake out the ends of this short-cropped hair of mine when I saw a man's head Across the pond, staring through the bushes at me. I don't know how or why it is, but I suddenly saw red. I don't remember picking up the duck-gun, and I don't remember aiming it.
But I banged away, with both barrels, straight at that leering head--or at least it ought to have been a leering head, whatever that may mean! The howl that went up out of the wilderness, the next moment, could have been heard for a mile!
It was Dinky-Dunk, and he said I might have put his eyes out with bird-shot, if he hadn't made the quickest drop of his life. And he also said that he'd seen me, a distinct splash of white against the green of the prairie, three good miles away, and wasn't I ashamed of myself, and what would I have done if he'd been Olie or old man Dixon? But he kissed my shoulder where the gun-stock had bruised it, and helped me dress.
Then we rode off together, four or five miles north, where Dinky-Dunk was sure we could get a bag of duck. Which we did, thirteen altogether, and started for home as the sun got low and the evening air grew chilly. It was a heavenly ride. In the west a little army of thin blue clouds was edged with blazing gold, and up between them spread great fan-like shafts of amber light. Then came a riot of orange yellow and ashes of roses and the palest of gold with little islands of azure in it. Then while the dying radiance seemed to hold everything in a luminous wash of air, the stars came out, one by one, and a soft cool wind swept across the prairie, and the light darkened--and I was glad to have Dinky-Dunk there at my side, or I should have had a little cry, for the twilight prairie always makes me lonesome in a way that could never be put into words.
I tried to explain the feeling to Dinky-Dunk. He said he understood. "I'm a Sour-Dough, Gee-Gee, but it still gets me that way," he solemnly confessed. He said that when he listened to beautiful music he felt the same. And that got me thinking of grand opera, and of that Romeo and Juliet night at La Scala, in Milan, when I first met Theobald Gustav. Then I stopped to tell Dinky-Dunk that I'd been hopelessly in love with a tenor at thirteen and had written in my journal: "I shall die and turn to dust still adoring him." Then I told him about my first opera, Rigoletto, and hummed "La Donna E Mobile," which of course he remembered himself. It took me back to Florence, and to a box at the Pagliano, and me all in dimity and cork-screw curls, weeping deliciously at a lady in white, whose troubles I could not quite understand. Then I got thinking of New York and the Metropolitan, and poor old Morris's lines:
And still with listening soul I hear
Strains hushed for many a noisy year:
The passionate chords which wake the tear,
The low-voiced love-tales dear....
Scarce changed, the same musicians play
The selfsame themes to-day;
The silvery swift sonatas ring,
The soaring voices sing!
And I could picture the old Metropolitan on a Caruso night. I could see the Golden Horse-Shoe and the geranium-red trimmings and the satiny white backs of the women, and smell that luxurious heavy smell of warm air and hothouse flowers and Paris perfumery and happy human bodies and hear the whisper of silk along the crimson stairways. I could see the lights go down, in a sort of sigh, before the overture began, and the scared-looking blotches of white on the musicians' scores and the other blotches made by their dress-shirt fronts, and the violins going up and down, up and down, as though they were one piece of machinery, and then the heavy curtain stealing up, and the thrill as that new heaven opened up to me, a gawky girl in her first low-cut dinner gown!
I told Dinky-Dunk I'd sat in every corner of that old house, up in the sky-parlor with the Italian barbers, in press-seats in the second gallery with dear old Fanny-Rain-in-the-Face, and in the Westbury's box with the First Lady of the Land and a Spanish Princess with extremely dirty nails. It seemed so far away, another life and another world! And for three hours of "Manon" I'd be willing to hang like a chimpanzee from the Metropolitan's center chandelier. I suddenly realized how much I missed it. I could have sung to the City as poor Charpentier's "Louise" sang to her Paris. And a coyote howled up near the trail, and the prairie got dark, with a pale green rind of light along the northwest, and I knew there would be a heavy frost before morning.
To-night after supper my soul and I sat down and did a bit of bookkeeping. Dinky-Dunk, who'd been watching me out of the corner of his eye, went to the window and said it looked like a storm. And I knew he meant that I was the Medicine Hat it was to come from, for before he'd got up from the table he'd explained to me that matrimony was like motoring because it was really traveling by means of a series of explosions. Then he tried to explain that in a few weeks the fall rush would be over and we'd have more time for getting what we deserved out of life. But I turned on him with sudden fierceness and declared I wasn't going to be merely an animal. I intended to keep my soul alive, that it was every one's duty, no matter where they were, to ennoble their spirit by keeping in touch with the best that has ever been felt and thought.
When I grimly got out my mouth-organ and played the Pilgrim's Chorus, as well as I could remember it, Dinky-Dunk sat listening in silent wonder. He kept up the fire, and waited until I got through. Then he reached for the dish-pan and said, quite casually, "I'm going to help you wash up to-night, Gee-Gee!" And so I put away the mouth-organ and washed up. But before I went to bed I got out my little vellum edition of Browning's The Ring and the Book, and read at it industriously, doggedly, determinedly, for a solid hour. What it's all about I don't know. Instead of ennobling my spirit it only tired my brain and ended up in making me so mad I flung the book into the wood-box.... Dinky-Dunk has just pinned a piece of paper on my door; it is a sentence from Epictetus. And it says: "Better it is that great souls should live in small habitations than that abject slaves should burrow in great houses!"
