"Which of your Reverences is Padre Damaso?" asked the Captain-General without any preliminary greeting, neither asking them to be seated nor inquiring about their health nor addressing them with the flattering speeches to which such important personages are accustomed.
"Padre Damaso is not here among us, sir," replied Fray Sibyla in the same dry tone as that used by his Excellency.
"Your Excellency's servant is in bed sick," added Padre Salvi humbly. "After having the pleasure of welcoming you and of informing ourselves concerning your Excellency's health, as is the duty of all good subjects of the King and of every person of culture, we have come in the name of the respected servant of your Excellency who has had the misfortune--"
"Oh!" interrupted the Captain-General, twirling a chair about on one leg and smiling nervously, "if all the servants of my Excellency were like his Reverence, Padre Damaso, I should prefer myself to serve my Excellency!"
The reverend gentlemen, who were standing up physically, did so mentally at this interruption.
"Won't your Reverences be seated?" he added after a brief pause, moderating his tone a little.
Capitan Tiago here appeared in full dress, walking on tiptoe and leading by the hand Maria Clara, who entered timidly and with hesitation. Still she bowed gracefully and ceremoniously.
"Is this young lady your daughter?" asked the Captain-General in surprise.
"And your Excellency's, General," answered Capitan Tiago seriously.
The alcalde and the aides opened their eyes wide, but his Excellency lost none of his gravity as he took the girl's hand and said affably, "Happy are the fathers who have daughters like you, señorita! I have heard you spoken of with respect and admiration and have wanted to see you and thank you for your beautiful action of this afternoon. I am informed of everything and when I make my report to his Majesty's government I shall not forget your noble conduct. Meanwhile, permit me to thank you in the name of his Majesty, the King, whom I represent here and who loves peace and tranquillity in his loyal subjects, and for myself, a father who has daughters of your age, and to propose a reward for you."
"Sir--" answered the trembling Maria Clara.
His Excellency guessed what she wanted to say, and so continued: "It is well, señorita, that you are at peace with your conscience and content with the good opinion of your fellow-countrymen, with the faith which is its own best reward and beyond which we should not aspire. But you must not deprive me of an opportunity to show that if Justice knows how to punish she also knows how to reward and that she is not always blind!" The italicized words were all spoken in a loud and significant tone.
"Señor Don Juan Crisostomo Ibarra awaits the orders of your Excellency!" announced the aide in a loud voice.
Maria Clara shuddered.
"Ah!" exclaimed the Captain-General. "Allow me, señorita, to express my desire to see you again before leaving the town, as I still have some very important things to say to you. Señor Alcalde, you will accompany me during the walk which I wish to take after the conference that I will hold alone with Señor Ibarra."
"Your Excellency will permit us to inform you," began Padre Salvi humbly, "that Señor Ibarra is excommunicated."
His Excellency cut short this speech, saying, "I am happy that I have only to regret the condition of Padre Damaso, for whom I sincerely desire a complete recovery, since at his age a voyage to Spain on account of his health may not be very agreeable. But that depends on him! Meanwhile, may God preserve the health of your Reverences!"
"And so much depends on him," murmured Padre Salvi as they retired. "We'll see who makes that voyage soonest!" remarked another Franciscan.
"I shall leave at once," declared the indignant Padre Sibyla.
"And we shall go back to our province," said the Augustinians. Neither the Dominican nor the Augustinians could endure the thought that they had been so coldly received on a Franciscan's account.
In the hall they met Ibarra, their amphitryon of a few hours before, but no greetings were exchanged, only looks that said many things. But when the friars had withdrawn the alcalde greeted him familiarly, although the entrance of the aide looking for the young man left no time for conversation. In the doorway he met Maria Clara; their looks also said many things but quite different from what the friars' eyes had expressed.
Ibarra was dressed in deep mourning, but presented himself serenely and made a profound bow, even though the visit of the friars had not appeared to him to be a good augury. The Captain-General advanced toward him several steps.
"I take pleasure, Señor Ibarra, in shaking your hand. Permit me to receive you in all confidence." His Excellency examined the youth with marked satisfaction.
"Sir, such kindness--"
"Your surprise offends me, signifying as it does that you had not expected to be well received. That is casting a doubt on my sense of justice!"
"A cordial reception, sir, for an insignificant subject of his Majesty like myself is not justice but a favor."
"Good, good," exclaimed his Excellency, seating himself and waving Ibarra to a chair. "Let us enjoy a brief period of frankness. I am very well satisfied with your conduct and have already recommended you to his Majesty for a decoration on account of your philanthropic idea of erecting a schoolhouse. If you had let me know, I would have attended the ceremony with pleasure, and perhaps might have prevented a disagreeable incident."
"It seemed to me such a small matter," answered the youth, "that I did not think it worth while troubling your Excellency with it in the midst of your numerous cares. Besides, my duty was to apply first to the chief authority of my province."
His Excellency nodded with a satisfied air and went on in an even more familiar tone: "In regard to the trouble you're had with Padre Damaso, don't hold any fear or rancor, for they won't touch a hair of your head while I govern the islands. As for the excommunication, I'll speak to the Archbishop, since it is necessary for us to adjust ourselves to circumstances. Here we can't laugh at such things in public as we can in the Peninsula and in enlightened Europe. Nevertheless, be more prudent in the future. You have placed yourself in opposition to the religious orders, who must be respected on account of their influence and their wealth. But I will protect you, for I like good sons, I like to see them honor the memory of their fathers. I loved mine, and, as God lives, I don't know what I would have done in your place!"
Then, changing the subject of conversation quickly, he asked, "I'm told that you have just returned from Europe; were you in Madrid?"
"Yes, sir, several months."
"Perhaps you heard my family spoken of?"
"Your Excellency had just left when I had the honor of being introduced to your family."
"How is it, then, that you came without bringing any recommendations to me?"
"Sir," replied Ibarra with a bow, "because I did not come direct from Spain and because I have heard your Excellency so well spoken of that I thought a letter of recommendation might not only be valueless but even offensive; all Filipinos are recommended to you."
A smile played about the old soldier's lips and he replied slowly, as though measuring and weighing his words, "You flatter me by thinking so, and--so it ought to be. Nevertheless, young man, you must know what burdens weigh upon our shoulders here in the Philippines. Here we, old soldiers, have to do and to be everything: King, Minister of State, of War, of Justice, of Finance, of Agriculture, and of all the rest. The worst part of it too is that in every matter we have to consult the distant mother country, which accepts or rejects our proposals according to circumstances there--and at times blindly. As we Spaniards say, 'He who attempts many things succeeds in none.' Besides, we generally come here knowing little about the country and leave it when we begin to get acquainted with it. With you I can be frank, for it would be useless to try to be otherwise. Even in Spain, where each department has its own minister, born and reared in the locality, where there are a press and a public opinion, where the opposition frankly opens the eyes of the government and keeps it informed, everything moves along imperfectly and defectively; thus it is a miracle that here things are not completely topsyturvy in the lack of these safeguards, and having to live and work under the shadow of a most powerful opposition. Good intentions are not lacking to us, the governing powers, but we find ourselves obliged to avail ourselves of the eyes and arms of others whom ordinarily we do not know and who perhaps, instead of serving their country, serve only their own private interests. This is not our fault but the fault of circumstances--the friars aid us not a little in getting along, but they are not sufficient. You have aroused my interest and it is my desire that the imperfections of our present system of government be of no hindrance to you. I cannot look after everybody nor can everybody come to me. Can I be of service to you in any way? Have you no request to make?"
Ibarra reflected a moment before he answered. "Sir, my dearest wish is the happiness of my country, a happiness which I desire to see owed to the mother country and to the efforts of my fellow-citizens, the two united by the eternal bonds of common aspirations and common interests. What I would request can only be given by the government after years of unceasing toil and after the introduction of definite reforms."
His Excellency gazed at him for a few seconds with a searching look, which Ibarra sustained with naturalness. "You are the first man that I've talked to in this country!" he finally exclaimed, extending his hand.
"Your Excellency has seen only those who drag themselves about in the city; you have not visited the slandered huts of our towns or your Excellency would have been able to see real men, if to be a man it is sufficient to have a generous heart and simple customs."
The Captain-General rose and began to walk back and forth in the room. "Señor Ibarra," he exclaimed, pausing suddenly, and the young man also rose, "perhaps within a month I shall leave. Your education and your mode of thinking are not for this country. Sell what you have, pack your trunk, and come with me to Europe; the climate there will be more agreeable to you."
"I shall always while I live preserve the memory of your Excellency's kindness," replied Ibarra with emotion, "but I must remain in this country where my fathers have lived."
"Where they have died you might say with more exactness! Believe me, perhaps I know your country better than you yourself do. Ah, now I remember," he exclaimed with a change of tone, "you are going to marry an adorable young woman and I'm detaining you here! Go, go to her, and that you may have greater freedom send her father to me," this with a smile. "Don't forget, though, that I want you to accompany me in my walk."
Ibarra bowed and withdrew. His Excellency then called to his aide. "I'm satisfied," he said, slapping the latter lightly on the shoulder. "Today I've seen for the first time how it is possible for one to be a good Spaniard without ceasing to be a good Filipino and to love his country. Today I showed their Reverences that we are not all puppets of theirs. This young man gave me the opportunity and I shall soon have settled all my accounts with the friars. It's a pity that some day or other this young man--But call the alcalde."
The alcalde presented himself immediately. As he entered, the Captain-General said to him, "Señor Alcalde, in order to avoid any repetition of scenes such as you witnessed this afternoon, scenes that I regret, as they hurt the prestige of the government and of all good Spaniards, allow me to recommend to your especial care Señor Ibarra, so that you may afford him means for carrying out his patriotic intentions and also that in the future you prevent his being molested by persons of any class whatsoever, under any pretext at all."
The alcalde understood the reprimand and bowed to conceal his confusion.
"Have the same order communicated to the alferez who commands in the district here. Also, investigate whether that gentleman has affairs of his own that are not sanctioned by the regulations. I've heard more than one complaint in regard to that."
Capitan Tiago presented himself stiff and formal. "Don Santiago," said his Excellency in an affable tone, "a little while ago I felicitated you on the happiness of having a daughter such as the Señorita de los Santos; now let me congratulate you on your future son-in-law. The most virtuous of daughters is certainly worthy of the best citizen of the Philippines. Is it permitted to know when the wedding will occur?"
"Sir!" stammered Capitan Tiago, wiping the perspiration from his forehead.
"Come now, I see that there is nothing definitely arranged. If persons are lacking to stand up with them, I shall take the greatest pleasure in being one of them. That's for the purpose of ridding myself of the feeling of disgust which the many weddings I've heretofore taken part in have given me," he added, turning to the alcalde.
"Yes, sir," answered Capitan Tiago with a smile that would move to pity.
Ibarra almost ran in search of Maria Clara--he had so many things to tell her. Hearing merry voices in one of the rooms, he knocked lightly on the door.
"Who's there?" asked the voice of Maria Clara.
"I!"
The voices became hushed and the door--did not open.
"It's I, may I come in?" called the young man, his heart beating violently.
The silence continued. Then light footsteps approached the door and the merry voice of Sinang murmured through the keyhole, "Crisostomo, we're going to the theater tonight. Write what you have to say to Maria."
The footsteps retreated again as rapidly as they approached.
"What does this mean?" murmured Ibarra thoughtfully as he retired slowly from the door.
CHAPTER XXXVIII
The Procession
At nightfall, when all the lanterns in the windows had been lighted, for the fourth time the procession started amid the ringing of bells and the usual explosions of bombs. The Captain-General, who had gone out on foot in company with his two aides, Capitan Tiago, the alcalde, the alferez, and Ibarra, preceded by civil-guards and officials who opened the way and cleared the street, was invited to review the procession from the house of the gobernadorcillo, in front of which a platform had been erected where a loa would be recited in honor of the Blessed Patron.
Ibarra would gladly have renounced the pleasure of hearing this poetical composition, preferring to watch the procession from Capitan Tiago's house, where Maria Clara had remained with some of her friends, but his Excellency wished to hear the loa, so he had no recourse but to console himself with the prospect of seeing her at the theater.
The procession was headed by the silver candelabra borne by three begloved sacristans, behind whom came the school children in charge of their teacher, then boys with paper lanterns of varied shapes and colors placed on the ends of bamboo poles of greater or less length and decorated according to the caprice of each boy, since this illumination was furnished by the children of the barrios, who gladly performed this service, imposed by the matanda sa nayon, each one designing and fashioning his own lantern, adorning it as his fancy prompted and his finances permitted with a greater or less number of frills and little streamers, and lighting it with a piece of candle if he had a friend or relative who was a sacristan, or if he could buy one of the small red tapers such as the Chinese burn before their altars.
In the midst of the crowd came and went alguazils, guardians of justice to take care that the lines were not broken and the people did not crowd together. For this purpose they availed themselves of their rods, with blows from which, administered opportunely and with sufficient force, they endeavored to add to the glory and brilliance of the procession--all for the edification of souls and the splendor of religious show. At the same time that the alguazils were thus distributing free their sanctifying blows, other persons, to console the recipients, distributed candles and tapers of different sizes, also free.
"Señor Alcalde," said Ibarra in a low voice, "do they administer those blows as a punishment for sin or simply because they like to do so?"
"You're right, Señor Ibarra," answered the Captain-General, overhearing the question. "This barbarous sight is a wonder to all who come here from other countries. It ought to be forbidden."
Without any apparent reason, the first saint that appeared was St. John the Baptist. On looking at him it might have been said that the fame of Our Savior's cousin did not amount to much among the people, for while it is true that he had the feet and legs of a maiden and the face of an anchorite, yet he was placed on an old wooden andas, and was hidden by a crowd of children who, armed with candles and unlighted lanterns, were engaging in mock fights.
"Unfortunate saint!" muttered the Sage Tasio, who was watching the procession from the street, "it avails you nothing to have been the forerunner of the Good Tidings or that Jesus bowed before you! Your great faith and your austerity avail you nothing, nor the fact that you died for the truth and your convictions, all of which men forget when they consider nothing more than their own merits. It avails more to preach badly in the churches than to be the eloquent voice crying in the desert, this is what the Philippines teaches you! If you had eaten turkey instead of locusts and had worn garments of silk rather than hides, if you had joined a Corporation--"
But the old man suspended his apostrophe at the approach of St. Francis. "Didn't I say so?" he then went on, smiling sarcastically. "This one rides on a ear, and, good Heavens, what a car! How many lights and how many glass lanterns! Never did I see you surrounded by so many luminaries, Giovanni Bernardone! And what music! Other tunes were heard by your followers after your death! But, venerable and humble founder, if you were to come back to life now you would see only degenerate Eliases of Cortona, and if your followers should recognize you, they would put you in jail, and perhaps you would share the fate of Cesareus of Spyre."
After the music came a banner on which was pictured the same saint, but with seven wings, carried by the Tertiary Brethren dressed in guingón habits and praying in high, plaintive voices. Rather inexplicably, next came St. Mary Magdalene, a beautiful image with abundant hair, wearing a pañuelo of embroidered piña held by fingers covered with rings, and a silk gown decorated with gilt spangles. Lights and incense surrounded her while her glass tears reflected the colors of the Bengal lights, which, while giving a fantastic appearance to the procession, also made the saintly sinner weep now green, now red, now blue tears. The houses did not begin to light up until St. Francis was passing; St. John the Baptist did not enjoy this honor and passed hastily by as if ashamed to be the only one dressed in hides in such a crowd of folk covered with gold and jewels.
"There goes our saint!" exclaimed the daughter of the gobernadorcillo to her visitors. "I've lent him all my rings, but that's in order to get to heaven."
The candle-bearers stopped around the platform to listen to the loa and the blessed saints did the same; either they or their bearers wished to hear the verses. Those who were carrying St. John, tired of waiting, squatted down on their heels and agreed to set him on the ground.
"The alguazil may scold!" objected one of them.
"Huh, in the sacristy they leave him in a corner among the cobwebs!"
So St. John, once on the ground, became one of the townsfolk.
As the Magdalene set out the women joined the procession, only that instead of beginning with the children, as among the men, the old women came first and the girls filled up the lines to the car of the Virgin, behind which came the curate under his canopy. This practise they had from Padre Damaso, who said: "To the Virgin the maidens and not the old women are pleasing!" This statement had caused wry faces on the part of many saintly old ladies, but the Virgin did not change her tastes.
San Diego followed the Magdalene but did not seem to be rejoicing over this fact, since he moved along as repentantly as he had in the morning when he followed St. Francis. His float was drawn by six Tertiary Sisters--whether because of some vow or on account of some sickness, the fact is that they dragged him along, and with zeal. San Diego stopped in front of the platform and waited to be saluted.
But it was necessary to wait for the float of the Virgin, which was preceded by persons dressed like phantoms, who frightened the little children so that there were heard the cries and screams of terrified babies. Yet in the midst of that dark mass of gowns, hoods, girdles, and nuns' veils, from which arose a monotonous and snuffling prayer, there were to be seen, like white jasmines or fresh sampaguitas among old rags, twelve girls dressed in white, crowned with flowers, their hair curled, and flashing from their eyes glances as bright as their necklaces. Like little genii of light who were prisoners of specters they moved along holding to the wide blue ribbons tied to the Virgin's car and suggesting the doves that draw the car of Spring.
Now all the images were in attitudes of attention, crowded one against the other to listen to the verses. Everybody kept his eyes fixed on the half-drawn curtain until at length a sigh of admiration escaped from the lips of all. Deservedly so, too, for it was a boy with wings, riding-boots, sash, belt, and plumed hat.
"It's the alcalde!" cried some one, but this prodigy of creation began to recite a poem like himself and took no offense at the comparison.
But why record here what he said in Latin, Tagalog, and Spanish, all in verse--this poor victim of the gobernadorcillo? Our readers have enjoyed Padre Damaso's sermon of the morning and we do not wish to spoil them by too many wonders. Besides, the Franciscan might feel hard toward us if we were to put forward a competitor, and this is far from being the desire of such peaceful folk as we have the good fortune to be.
Afterwards, the procession moved on, St. John proceeding along his vale of tears. When the Virgin passed the house of Capitan Tiago a heavenly song greeted her with the words of the archangel. It was a voice tender, melodious, pleading, sighing out the Ave Maria of Gounod to the accompaniment of a piano that prayed with it. The music of the procession became hushed, the praying ceased, and even Padre Salvi himself paused. The voice trembled and became plaintive, expressing more than a salutation--rather a prayer and a protest.
Terror and melancholy settled down upon Ibarra's heart as he listened to the voice from the window where he stood. He comprehended what that suffering soul was expressing in a song and yet feared to ask himself the cause of such sorrow. Gloomy and thoughtful, he turned to the Captain-General.
"You will join me at the table," the latter said to him. "There we'll talk about those boys who disappeared."
"Could I be the cause?" murmured the young man, staring without seeing the Captain-General, whom he was following mechanically.
CHAPTER XXXIX
Doña Consolacion
Why were the windows closed in the house of the alferez? Where were the masculine features and the flannel camisa of the Medusa or Muse of the Civil Guard while the procession was passing? Had Doña Consolacion realized how disagreeable were her forehead seamed with thick veins that appeared to conduct not blood but vinegar and gall, and the thick cigar that made a fit ornament for her purple lips, and her envious leer, and yielding to a generous impulse had she wished not to disturb the pleasure of the populace by her sinister appearance? Ah, for her generous impulses existed in the Golden Age! The house, showed neither lanterns nor banners and was gloomy precisely because the town was making merry, as Sinang said, and but for the sentinel walking before the door appeared to be uninhabited.
A dim light shone in the disordered sala, rendering transparent the dirty concha-panes on which the cobwebs had fastened and the dust had become incrusted. The lady of the house, according to her indolent custom, was dozing on a wide sofa. She was dressed as usual, that is, badly and horribly: tied round her head a pañuelo, from beneath which escaped thin locks of tangled hair, a camisa of blue flannel over another which must once have been white, and a faded skirt which showed the outlines of her thin, flat thighs, placed one over the other and shaking feverishly. From her mouth issued little clouds of smoke which she puffed wearily in whatever direction she happened to be looking when she opened her eyes. If at that moment Don Francisco de Cañamaque could have seen her, he would have taken her for a cacique of the town or the mankukúlam, and then decorated his discovery with commentaries in the vernacular of the markets, invented by him for her particular use.
That morning she had not attended mass, not because she had not so desired, for on the contrary she had wished to show herself to the multitude and to hear the sermon, but her spouse had not permitted her to do so, his refusal being accompanied as usual by two or three insults, oaths, and threats of kicking. The alferez knew that his mate dressed ridiculously and had the appearance of what is known as a "querida of the soldiers," so he did not care to expose her to the gaze of strangers and persons from the capital. But she did not so understand it. She knew that she was beautiful and attractive, that she had the airs of a queen and dressed much better and with more splendor than Maria Clara herself, who wore a tapis while she went in a flowing skirt. It was therefore necessary for the alferez to threaten her, "Either shut up, or I'll kick you back to your damned town!" Doña Consolacion did not care to return to her town at the toe of a boot, but she meditated revenge.
Never had the dark face of this lady been such as to inspire confidence in any one, not even when she painted, but that morning it greatly worried the servants, especially when they saw her move about the house from one part to another, silently, as if meditating something terrible or malign. Her glance reflected the look that springs from the eyes of a serpent when caught and about to be crushed; it was cold, luminous, and penetrating, with something fascinating, loathsome, and cruel in it. The most insignificant error, the least unusual noise, drew from her a vile insult that struck into the soul, but no one answered her, for to excuse oneself would have been an additional fault.
So the day passed. Not encountering any obstacle that would block her way,--her husband had been invited out,--she became saturated with bile, the cells of her whole organism seemed to become charged with electricity which threatened to burst in a storm of hate. Everything about her folded up as do the flowers at the first breath of the hurricane, so she met with no resistance nor found any point or high place to discharge her evil humor. The soldiers and servants kept away from her. That she might not hear the sounds of rejoicing outside she had ordered the windows closed and charged the sentinel to let no one enter. She tied a handkerchief around her head as if to keep it from bursting and, in spite of the fact that the sun was still shining, ordered the lamps to be lighted.
Sisa, as we saw, had been arrested as a disturber of the peace and taken to the barracks. The alferez was not then present, so the unfortunate woman had had to spend the night there seated on a bench in an abandoned attitude. The next day the alferez saw her, and fearing for her in those days of confusion nor caring to risk a disagreeable scene, he had charged the soldiers to look after her, to treat her kindly, and to give her something to eat. Thus the madwoman spent two days.
Tonight, whether the nearness to the house of Capitan Tiago had brought to her Maria Clara's sad song or whether other recollections awoke in her old melodies, whatever the cause, Sisa also began to sing in a sweet and melancholy voice the kundíman of her youth. The soldiers heard her and fell silent; those airs awoke old memories of the days before they had been corrupted. Doña Consolacion also heard them in her tedium, and on learning who it was that sang, after a few moments of meditation, ordered that Sisa be brought to her instantly. Something like a smile wandered over her dry lips.
When Sisa was brought in she came calmly, showing neither wonder nor fear. She seemed to see no lady or mistress, and this wounded the vanity of the Muse, who endeavored to inspire respect and fear. She coughed, made a sign to the soldiers to leave her, and taking down her husband's whip, said to the crazy woman in a sinister tone, "Come on, magcantar icau!"
Naturally, Sisa did not understand such Tagalog, and this ignorance calmed the Medusa's wrath, for one of the beautiful qualities of this lady was to try not to know Tagalog, or at least to appear not to know it. Speaking it the worst possible, she would thus give herself the air of a genuine orofea, as she was accustomed to say. But she did well, for if she martyrized Tagalog, Spanish fared no better with her, either in regard to grammar or pronunciation, in spite of her husband, the chairs and the shoes, all of which had done what they could to teach her.
One of the words that had cost her more effort than the hieroglyphics cost Champollion was the name Filipinas. The story goes that on the day after her wedding, when she was talking with her husband, who was then a corporal, she had said Pilipinas. The corporal thought it his duty to correct her, so he said, slapping her on the head, "Say Felipinas, woman! Don't be stupid! Don't you know that's what your damned country is called, from Felipe?"
The woman, dreaming through her honeymoon, wished to obey and said Felepinas. To the corporal it seemed that she was getting nearer to it, so he increased the slaps and reprimanded her thus: "But, woman, can't you pronounce Felipe? Don't forget it; you know the king, Don Felipe--the fifth--. Say Felipe, and add to it nas, which in Latin means 'islands of Indians,' and you have the name of your damned country!"
Consolacion, at that time a washerwoman, patted her bruises and repeated with symptoms of losing her patience, "Fe-li-pe, Felipe--nas, Fe-li-pe-nas, Felipinas, so?"
The corporal saw visions. How could it be Felipenas instead of Felipinas? One of two things: either it was Felipenas or it was necessary to say Felipi! So that day he very prudently dropped the subject. Leaving his wife, he went to consult the books. Here his astonishment reached a climax: he rubbed his eyes--let's see--slowly, now! F-i-l-i-p-i-n-a-s, Filipinas! So all the well-printed books gave it--neither he nor his wife was right!
"How's this?" he murmured. "Can history lie? Doesn't this book say that Alonso Saavedra gave the country that name in honor of the prince, Don Felipe? How was that name corrupted? Can it be that this Alonso Saavedra was an Indian?"
With these doubts he went to consult the sergeant Gomez, who, as a youth, had wanted to be a curate. Without deigning to look at the corporal the sergeant blew out a mouthful of smoke and answered with great pompousness, "In ancient times it was pronounced Filipi instead of Felipe. But since we moderns have become Frenchified we can't endure two i's in succession, so cultured people, especially in Madrid--you've never been in Madrid?--cultured people, as I say, have begun to change the first i to e in many words. This is called modernizing yourself."
The poor corporal had never been in Madrid--here was the cause of his failure to understand the riddle: what things are learned in Madrid! "So now it's proper to say--"
"In the ancient style, man! This country's not yet cultured! In the ancient style, Filipinas!" exclaimed Gomez disdainfully.
The corporal, even if he was a bad philologist, was yet a good husband. What he had just learned his spouse must also know, so he proceeded with her education: "Consola, what do you call your damned country?"
"What should I call it? Just what you taught me: Felifinas!"
"I'll throw a chair at you, you ----! Yesterday you pronounced it even better in the modern style, but now it's proper to pronounce it like an ancient: Feli, I mean, Filipinas!"
"Remember that I'm no ancient! What are you thinking about?"
"Never mind! Say Filipinas!"
"I don't want to. I'm no ancient baggage, scarcely thirty years old!" she replied, rolling up her sleeves and preparing herself for the fray.
"Say it, you ----, or I'll throw this chair at you!"
Consolacion saw the movement, reflected, then began to stammer with heavy breaths, "Feli-, Fele-, File--"
Pum! Crack! The chair finished the word. So the lesson ended in fisticuffs, scratchings, slaps. The corporal caught her by the hair; she grabbed his goatee, but was unable to bite because of her loose teeth. He let out a yell, released her and begged her pardon. Blood began to flow, one eye got redder than the other, a camisa was torn into shreds, many things came to light, but not Filipinas.
Similar incidents occurred every time the question of language came up. The corporal, watching her linguistic progress, sorrowfully calculated that in ten years his mate would have completely forgotten how to talk, and this was about what really came to pass. When they were married she still knew Tagalog and could make herself understood in Spanish, but now, at the time of our story, she no longer spoke any language. She had become so addicted to expressing herself by means of signs--and of these she chose the loudest and most impressive--that she could have given odds to the inventor of Volapuk.
Sisa, therefore, had the good fortune not to understand her, so the Medusa smoothed out her eyebrows a little, while a smile of satisfaction lighted up her face; undoubtedly she did not know Tagalog, she was an orofea!
"Boy, tell her in Tagalog to sing! She doesn't understand me, she doesn't understand Spanish!"
The madwoman understood the boy and began to sing the Song of the Night. Doña Consolacion listened at first with a sneer, which disappeared little by little from her lips. She became attentive, then serious, and even somewhat thoughtful. The voice, the sentiment in the lines, and the song itself affected her--that dry and withered heart was perhaps thirsting for rain. She understood it well: "The sadness, the cold, and the moisture that descend from the sky when wrapped in the mantle of night," so ran the kundíman, seemed to be descending also on her heart. "The withered and faded flower which during the day flaunted her finery, seeking applause and full of vanity, at eventide, repentant and disenchanted, makes an effort to raise her drooping petals to the sky, seeking a little shade to hide herself and die without the mocking of the light that saw her in her splendor, without seeing the vanity of her pride, begging also that a little dew should weep upon her. The nightbird leaves his solitary retreat, the hollow of an ancient trunk, and disturbs the sad loneliness of the open places--"
"No, don't sing!" she exclaimed in perfect Tagalog, as she rose with agitation. "Don't sing! Those verses hurt me."
The crazy woman became silent. The boy ejaculated, "Abá! She talks Tagalog!" and stood staring with admiration at his mistress, who, realizing that she had given herself away, was ashamed of it, and as her nature was not that of a woman, the shame took the aspect of rage and hate; so she showed the door to the imprudent boy and closed it behind him with a kick.
Twisting the whip in her nervous hands, she took a few turns around the room, then stopping suddenly in front of the crazy woman, said to her in Spanish, "Dance!" But Sisa did not move.
"Dance, dance!" she repeated in a sinister tone.
The madwoman looked at her with wandering, expressionless eyes, while the alfereza lifted one of her arms, then the other, and shook them, but to no purpose, for Sisa did not understand. Then she began to jump about and shake herself, encouraging Sisa to imitate her. In the distance was to be heard the music of the procession playing a grave and majestic march, but Doña Consolacion danced furiously, keeping other time to other music resounding within her. Sisa gazed at her without moving, while her eyes expressed curiosity and something like a weak smile hovered around her pallid lips: the lady's dancing amused her. The latter stopped as if ashamed, raised the whip,--that terrible whip known to thieves and soldiers, made in Ulango and perfected by the alferez with twisted wires,--and said, "Now it's your turn to dance--dance!"
She began to strike the madwoman's bare feet gently with the whip. Sisa's face drew up with pain and she was forced to protect herself with her hands.
"Aha, now you're starting!" she exclaimed with savage joy, passing from lento to allegro vivace.
The afflicted Sisa gave a cry of pain and quickly raised her foot.
"You've got to dance, you Indian--!" The whip swung and whistled.
Sisa let herself fall to the floor and placed both hands on her knees while she gazed at her tormentor with wildly-staring eyes. Two sharp cuts of the whip on her shoulder made her stand up, and it was not merely a cry but a howl that the unfortunate woman uttered. Her thin camisa was torn, her skin broken, and the blood was flowing.
The sight of blood arouses the tiger; the blood of her victim aroused Doña Consolacion. "Dance, damn you, dance! Evil to the mother who bore you!" she cried. "Dance, or I'll flog you to death!" She then caught Sisa with one hand and, whipping her with the other, began to dance about.
The crazy woman at last understood and followed the example by swinging her arms about awkwardly. A smile of satisfaction curled the lips of her teacher, the smile of a female Mephistopheles who succeeds in getting a great pupil. There were in it hate, disdain, jest, and cruelty; with a burst of demoniacal laughter she could not have expressed more.
Thus, absorbed in the joy of the sight, she was not aware of the arrival of her husband until he opened the door with a loud kick. The alferez appeared pale and gloomy, and when he saw what was going on he threw a terrible glance at his wife, who did not move from her place but stood smiling at him cynically.
The alferez put his hand as gently as he could on the shoulder of the strange dancer and made her stop. The crazy woman sighed and sank slowly to the floor covered with her own blood.
The silence continued. The alferez breathed heavily, while his wife watched him with questioning eyes. She picked up the whip and asked in a smooth, soft voice, "What's the matter with you? You haven't even wished me good evening."
The alferez did not answer, but instead called the boy and said to him, "Take this woman away and tell Marta to get her some other clothes and attend to her. You give her something to eat and a good bed. Take care that she isn't ill-treated! Tomorrow she'll be taken to Señor Ibarra's house."
Then he closed the door carefully, bolted it, and approached his wife. "You're tempting me to kill you!" he exclaimed, doubling up his fists.
"What's the matter with you?" she asked, rising and drawing away from him.
"What's the matter with me!" he yelled in a voice of thunder, letting out an oath and holding up before her a sheet of paper covered with scrawls. "Didn't you write this letter to the alcalde saying that I'm bribed to permit gambling, huh? I don't know why I don't beat you to death."
"Let's see you! Let's see you try it if you dare!" she replied with a jeering laugh. "The one who beats me to death has got to be more of a man than you are!"
He heard the insult, but saw the whip. Catching up a plate from the table, he threw it at her head, but she, accustomed to such fights, dodged quickly and the plate was shattered against the wall. A cup and saucer met with a similar fate.
"Coward!" she yelled; "you're afraid to come near me!" And to exasperate him the more, she spat upon him.
The alferez went blind from rage and with a roar attempted to throw himself upon her, but she, with astonishing quickness, hit him across the face with the whip and ran hurriedly into an inner room, shutting and bolting the door violently behind her. Bellowing with rage and pain, he followed, but was only able to run against the door, which made him vomit oaths.
"Accursed be your offspring, you sow! Open, open, or I'll break your head!" he howled, beating the door with his hands and feet.
No answer was heard, but instead the scraping of chairs and trunks as if she was building a barricade with the furniture. The house shook under the kicks and curses of the alferez.
"Don't come in, don't come in!" called the sour voice inside. "If you show yourself, I'll shoot you."
By degrees he appeared to become calm and contented himself with walking up and down the room like a wild beast in its cage.
"Go out into the street and cool off your head!" the woman continued to jeer at him, as she now seemed to have completed her preparations for defense.
"I swear that if I catch you, even God won't save you, you old sow!"
"Yes, now you can say what you like. You didn't want me to go to mass! You didn't let me attend to my religious duties!" she answered with such sarcasm as only she knew how to use.
The alferez put on his helmet, arranged his clothing a little, and went out with heavy steps, but returned after a few minutes without making the least noise, having taken off his shoes. The servants, accustomed to these brawls, were usually bored, but this novelty of the shoes attracted their attention, so they winked to one another. The alferez sat down quietly in a chair at the side of the Sublime Port and had the patience to wait for more than half an hour.
"Have you really gone out or are you still there, old goat?" asked the voice from time to time, changing the epithets and raising the tone. At last she began to take away the furniture piece by piece. He heard the noise and smiled.
"Boy, has your master gone out?" cried Doña Consolacion.
At a sign from the alferez the boy answered, "Yes, señora, he's gone out."
A gleeful laugh was heard from her as she pulled back the bolt. Slowly her husband arose, the door opened a little way--
A yell, the sound of a falling body, oaths, howls, curses, blows, hoarse voices--who can tell what took place in the darkness of that room?
As the boy went out into the kitchen he made a significant sign to the cook, who said to him, "You'll pay for that."
"I? In any case the whole town will! She asked me if he had gone out, not if he had come back!"
CHAPTER XL
Right and Might
Ten o'clock at night: the last rockets rose lazily in the dark sky where a few paper balloons recently inflated with smoke and hot air still glimmered like new stars. Some of those adorned with fireworks took fire, threatening all the houses, so there might be seen on the ridges of the roofs men armed with pails of water and long poles with pieces of cloth on the ends. Their black silhouettes stood out in the vague clearness of the air like phantoms that had descended from space to witness the rejoicings of men. Many pieces of fireworks of fantastic shapes--wheels, castles, bulls, carabaos--had been set off, surpassing in beauty and grandeur anything ever before seen by the inhabitants of San Diego.
Now the people were moving in crowds toward the plaza to attend the theater for the last time, Here and there might be seen Bengal lights fantastically illuminating the merry groups while the boys were availing themselves of torches to hunt in the grass for unexploded bombs and other remnants that could still be used. But soon the music gave the signal and all abandoned the open places.
The great stage was brilliantly illuminated. Thousands of lights surrounded the posts, hung from the roof, or sowed the floor with pyramidal clusters. An alguazil was looking after these, and when he came forward to attend to them the crowd shouted at him and whistled, "There he is! there he is!"
In front of the curtain the orchestra players were tuning their instruments and playing preludes of airs. Behind them was the space spoken of by the correspondent in his letter, where the leading citizens of the town, the Spaniards, and the rich visitors occupied rows of chairs. The general public, the nameless rabble, filled up the rest of the place, some of them bringing benches on their shoulders not so much for seats as to make, up for their lack of stature. This provoked noisy protests on the part of the benchless, so the offenders got down at once; but before long they were up again as if nothing had happened.
Goings and comings, cries, exclamations, bursts of laughter, a serpent-cracker turned loose, a firecracker set off--all contributed to swell the uproar. Here a bench had a leg broken off and the people fell to the ground amid the laughter of the crowd. They were visitors who had come from afar to observe and now found themselves the observed. Over there they quarreled and disputed over a seat, a little farther on was heard the noise of breaking glass; it was Andeng carrying refreshments and drinks, holding the wide tray carefully with both hands, but by chance she had met her sweetheart, who tried to take advantage of the situation.
The teniente-mayor, Don Filipo, presided over the show, as the gobernadorcillo was fond of monte. He was talking with old Tasio. "What can I do? The alcalde was unwilling to accept my resignation. 'Don't you feel strong enough to attend to your duties?' he asked me."
"How did you answer him?"
"'Señor Alcalde,' I answered, 'the strength of a teniente-mayor, however insignificant it may be, is like all other authority it emanates from higher spheres. The King himself receives his strength from the people and the people theirs from God. That is exactly what I lack, Señor Alcalde.' But he did not care to listen to me, telling me that we would talk about it after the fiesta."
"Then may God help you!" said the old man, starting away.
"Don't you want to see the show?"
"Thanks, no! For dreams and nonsense I am sufficient unto myself," the Sage answered with a sarcastic smile. "But now I think of it, has your attention never been drawn to the character of our people? Peaceful, yet fond of warlike shows and bloody fights; democratic, yet adoring emperors, kings, and princes; irreligious, yet impoverishing itself by costly religious pageants. Our women have gentle natures yet go wild with joy when a princess flourishes a lance. Do you know to what it is due? Well--"
The arrival of Maria Clara and her friends put an end to this conversation. Don Filipo met them and ushered them to their seats. Behind them came the curate with another Franciscan and some Spaniards. Following the priests were a number of the townsmen who make it their business to escort the friars. "May God reward them also in the next life," muttered old Tasio as he went away.
The play began with Chananay and Marianito in Crispino é la comare. All now had their eyes and ears turned to the stage, all but one: Padre Salvi, who seemed to have gone there for no other purpose than that of watching Maria Clara, whose sadness gave to her beauty an air so ideal and interesting that it was easy to understand how she might be looked upon with rapture. But the eyes of the Franciscan, deeply hidden in their sunken sockets, spoke nothing of rapture. In that gloomy gaze was to be read something desperately sad--with such eyes Cain might have gazed from afar on the Paradise whose delights his mother pictured to him!
The first scene was over when Ibarra entered. His appearance caused a murmur, and attention was fixed on him and the curate. But the young man seemed not to notice anything as he greeted Maria Clara and her friends in a natural way and took a seat beside them.
The only one who spoke to him was Sinang. "Did you see the fireworks?" she asked.
"No, little friend, I had to go with the Captain-General."
"Well, that's a shame! The curate was with us and told us stories of the damned--can you imagine it!--to fill us with fear so that we might not enjoy ourselves--can you imagine it!"
The curate arose and approached Don Filipo, with whom he began an animated conversation. The former spoke in a nervous manner, the latter in a low, measured voice.
"I'm sorry that I can't please your Reverence," said Don Filipo, "but Señor Ibarra is one of the heaviest contributors and has a right to be here as long as he doesn't disturb the peace."
"But isn't it disturbing the peace to scandalize good Christians? It's letting a wolf enter the fold. You will answer for this to God and the authorities!"
"I always answer for the actions that spring from my own will, Padre," replied Don Filipo with a slight bow. "But my little authority does not empower me to mix in religious affairs. Those who wish to avoid contact with him need not talk to him. Señor Ibarra forces himself on no one."
"But it's giving opportunity for danger, and he who loves danger perishes in it."
"I don't see any danger, Padre. The alcalde and the Captain-General, my superior officers, have been talking with him all the afternoon and it's not for me to teach them a lesson."
"If you don't put him out of here, we'll leave."
"I'm very sorry, but I can't put any one out of here." The curate repented of his threat, but it was too late to retract, so he made a sign to his companion, who arose with regret, and the two went out together. The persons attached to them followed their example, casting looks of hatred at Ibarra.
The murmurs and whispers increased. A number of people approached the young man and said to him, "We're with you, don't take any notice of them."
"Whom do you mean by them?" Ibarra asked in surprise.
"Those who've just left to avoid contact with you."
"Left to avoid contact with me?"
"Yes, they say that you're excommunicated."
"Excommunicated?" The astonished youth did not know what to say. He looked about him and saw that Maria Clara was hiding her face behind her fan. "But is it possible?" he exclaimed finally. "Are we still in the Dark Ages? So--"
He approached the young women and said with a change of tone, "Excuse me, I've forgotten an engagement. I'll be back to see you home."
"Stay!" Sinang said to him. "Yeyeng is going to dance _La
Calandria_. She dances divinely."
"I can't, little friend, but I'll be back." The uproar increased.
Yeyeng appeared fancifully dressed, with the "Da usté su permiso?" and Carvajal was answering her, "Pase usté adelante," when two soldiers of the Civil Guard went up to Don Filipo and ordered him to stop the performance.
"Why?" asked the teniente-mayor in surprise.
"Because the alferez and his wife have been fighting and can't sleep."
"Tell the alferez that we have permission from the alcalde and that against such permission no one in the town has any authority, not even the gobernadorcillo himself, and he is my only superior."
"Well, the show must stop!" repeated the soldiers. Don Filipo turned his back and they went away. In order not to disturb the merriment he told no one about the incident.
After the selection of vaudeville, which was loudly applauded, the Prince Villardo presented himself, challenging to mortal combat the Moros who held his father prisoner. The hero threatened to cut off all their heads at a single stroke and send them to the moon, but fortunately for the Moros, who were disposing themselves for the combat, a tumult arose. The orchestra suddenly ceased playing, threw their instruments away, and jumped up on the stage. The valiant Villardo, not expecting them and taking them for allies of the Moros, dropped his sword and shield, and started to run. The Moros, seeing that such a doughty Christian was fleeing, did not consider it improper to imitate him. Cries, groans, prayers, oaths were heard, while the people ran and pushed one another about. The lights were extinguished, blazing lamps were thrown into the air. "Tulisanes! Tulisanes!" cried some. "Fire, fire! Robbers!" shouted others. Women and children wept, benches and spectators were rolled together on the ground amid the general pandemonium.
The cause of all this uproar was two civil-guards, clubs in hand, chasing the musicians in order to break up the performance. The teniente-mayor, with the aid of the cuadrilleros, who were armed with old sabers, managed at length to arrest them, in spite of their resistance.
"Take them to the town hall!" cried Don Filipo. "Take care that they don't get away!"
Ibarra had returned to look for Maria Clara. The frightened girls clung to him pale and trembling while Aunt Isabel recited the Latin litany.
When the people were somewhat calmed down from their fright and had learned the cause of the disturbance, they were beside themselves with indignation. Stones rained on the squad of cuadrilleros who were conducting the two offenders from the scene, and there were even those who proposed to set fire to the barracks of the Civil Guard so as to roast Doña Consolacion along with the alferez.
"That's what they're good for!" cried a woman, doubling up her fists and stretching out her arms. "To disturb the town! They don't chase any but honest folks! Out yonder are the tulisanes and the gamblers. Let's set fire to the barracks!"
One man was beating himself on the arm and begging for confession. Plaintive sounds issued from under the overturned benches--it was a poor musician. The stage was crowded with actors and spectators, all talking at the same time. There was Chananay dressed as Leonor in Il Trovatore, talking in the language of the markets to Ratia in the costume of a schoolmaster; Yeyeng, wrapped in a silk shawl, was clinging to the Prince Villardo; while Balbino and the Moros were exerting themselves to console the more or less injured musicians. Several Spaniards went from group to group haranguing every one they met.
A large crowd was forming, whose intention Don Filipo seemed to be aware of, for he ran to stop them. "Don't disturb the peace!" he cried. "Tomorrow we'll ask for an accounting and we'll get justice. I'll answer for it that we get justice!"
"No!" was the reply of several. "They did the same thing in Kalamba, the same promise was made, but the alcalde did nothing. We'll take the law into our own hands! To the barracks!"
In vain the teniente-mayor pleaded with them. The crowd maintained its hostile attitude, so he looked about him for help and noticed Ibarra.
"Señor Ibarra, as a favor! Restrain them while I get some cuadrilleros."
"What can I do?" asked the perplexed youth, but the teniente-mayor was already at a distance. He gazed about him seeking he knew not whom, when accidentally he discerned Elias, who stood impassively watching the disturbance.
Ibarra ran to him, caught him by the arm, and said to him in Spanish: "For God's sake, do something, if you can! I can't do anything." The pilot must have understood him, for he disappeared in the crowd. Lively disputes and sharp exclamations were heard. Gradually the crowd began to break up, its members each taking a less hostile attitude. It was high time, indeed, for the soldiers were already rushing out armed and with fixed bayonets.
Meanwhile, what had the curate been doing? Padre Salvi had not gone to bed but had stood motionless, resting his forehead against the curtains and gazing toward the plaza. From time to time a suppressed sigh escaped him, and if the light of the lamp had not been so dim, perhaps it would have been possible to see his eyes fill with tears. Thus nearly an hour passed.
The tumult in the plaza awoke him from his reverie. With startled eyes he saw the confused movements of the people, while their voices came up to him faintly. A breathless servant informed him of what was happening. A thought shot across his mind: in the midst of confusion and tumult is the time when libertines take advantage of the consternation and weakness of woman. Every one seeks to save himself, no one thinks of any one else; a cry is not heard or heeded, women faint, are struck and fall, terror and fright heed not shame, under the cover of night--and when they are in love! He imagined that he saw Crisostomo snatch the fainting Maria Clara up in his arms and disappear into the darkness. So he went down the stairway by leaps and bounds, and without hat or cane made for the plaza like a madman. There he met some Spaniards who were reprimanding the soldiers, but on looking toward the seats that the girls had occupied he saw that they were vacant.
"Padre! Padre!" cried the Spaniards, but he paid no attention to them as he ran in the direction of Capitan Tiago's. There he breathed more freely, for he saw in the open hallway the adorable silhouette, full of grace and soft in outline, of Maria Clara, and that of the aunt carrying cups and glasses.
"Ah!" he murmured, "it seems that she has been taken sick only."
Aunt Isabel at that moment closed the windows and the graceful shadow was no longer to be seen. The curate moved away without heeding the crowd. He had before his eyes the beautiful form of a maiden sleeping and breathing sweetly. Her eyelids were shaded by long lashes which formed graceful curves like those of the Virgins of Raphael, the little mouth was smiling, all the features breathed forth virginity, purity, and innocence. That countenance formed a sweet vision in the midst of the white coverings of her bed like the head of a cherub among the clouds. His imagination went still further--but who can write what a burning brain can imagine?
Perhaps only the newspaper correspondent, who concluded his account of the fiesta and its accompanying incidents in the following manner:
"A thousand thanks, infinite thanks, to the opportune and active intervention of the Very Reverend Padre Fray Bernardo Salvi, who, defying every danger in the midst of the unbridled mob, without hat or cane, calmed the wrath of the crowd, using only his persuasive word with the majesty and authority that are never lacking to a minister of a Religion of Peace. With unparalleled self-abnegation this virtuous priest tore himself from sweet repose, such as every good conscience like his enjoys, and rushed to protect his flock from the least harm. The people of San Diego will hardly forget this sublime deed of their heroic Pastor, remembering to hold themselves grateful to him for all eternity!"
