The Travels of Marco Polo 7 – Yule · Verses Across
Literature · Adventure
The Travels of Marco Polo 7Preface (part 7)
18
Literature · Adventure
The Travels of Marco Polo 7
Preface (part 7)
YuleEnglish
The startling news was received at Venice with wrath and grief, for the flower of their navy had perished, and all energies were bent at once to raise an overwhelming force. The Pope (Boniface VIII.) interfered as arbiter, calling for plenipotentiaries from both sides. But spirits were too much inflamed, and this mediation came to nought.
Further outrages on both sides occurred in 1296. The Genoese residences at Pera were fired, their great alum works on the coast of Anatolia were devastated, and Caffa was stormed and sacked; whilst on the other hand a number of the Venetians at Constantinople were massacred by the Genoese, and Marco Bembo, their Bailo, was flung from a house-top. Amid such events the fire of enmity between the cities waxed hotter and hotter.
Lamba Doria’s Expedition to the Adriatic.
33. In 1298 the Genoese made elaborate preparations for a great blow at the enemy, and fitted out a powerful fleet which they placed under the command of LAMBA DORIA, a younger brother of Uberto of that illustrious house, under whom he had served fourteen years before in the great rout of the Pisans at Meloria.
The rendezvous of the fleet was in the Gulf of Spezia, as we learn from the same pithy Genoese poet who celebrated Ayas. This time the Genoese were bent on bearding St. Mark’s Lion in his own den; and after touching at Messina they steered straight for the Adriatic:—
“Now, as astern Otranto bears,
Pull with a will! and, please the Lord,
Let them who bragged, with fire and sword,
To waste our homesteads, look to theirs!”
On their entering the gulf a great storm dispersed the fleet. The admiral with twenty of his galleys got into port at Antivari on the Albanian coast, and next day was rejoined by fifty-eight more, with which he scoured the Dalmatian shore, plundering all Venetian property. Some sixteen of his galleys were still missing when he reached the island of Curzola, or Scurzola as the more popular name seems to have been, the Black Corcyra of the Ancients—the chief town of which, a rich and flourishing place, the Genoese took and burned. Thus they were engaged when word came that the Venetian fleet was in sight.
Venice, on first hearing of the Genoese armament, sent Andrea Dandolo with a large force to join and supersede Maffeo Quirini, who was already cruising with a squadron in the Ionian sea; and, on receiving further information of the strength of the hostile expedition, the Signory hastily equipped thirty-two more galleys in Chioggia and the ports of Dalmatia, and despatched them to join Dandolo, making the whole number under his command up to something like ninety-five. Recent drafts had apparently told heavily upon the Venetian sources of enlistment, and it is stated that many of the complements were made up of rustics swept in haste from the Euganean hills. To this the Genoese poet seems to allude, alleging that the Venetians, in spite of their haughty language, had to go begging for men and money up and down Lombardy. “Did we do like that, think you?” he adds:—
“Beat up for aliens? We indeed?
When lacked we homeborn Genoese?
Search all the seas, no salts like these,
For Courage, Seacraft, Wit at need.”
Of one of the Venetian galleys, probably in the fleet which sailed under Dandolo’s immediate command, went Marco Polo as Sopracomito or Gentleman-Commander.
The Fleets come in sight of each other at Curzola.
34. It was on the afternoon of Saturday the 6th September that the Genoese saw the Venetian fleet approaching, but, as sunset was not far off, both sides tacitly agreed to defer the engagement.
The Genoese would appear to have occupied a position near the eastern end of the Island of Curzola, with the Peninsula of Sabbioncello behind them, and Meleda on their left, whilst the Venetians advanced along the south side of Curzola. (See map on p. 50).
According to Venetian accounts the Genoese were staggered at the sight of the Venetian armaments, and sent more than once to seek terms, offering finally to surrender galleys and munitions of war, if the crews were allowed to depart. This is an improbable story, and that of the Genoese ballad seems more like truth. Doria, it says, held a council of his captains in the evening at which they all voted for attack, whilst the Venetians, with that overweening sense of superiority which at this time is reflected in their own annals as distinctly as in those of their enemies, kept scout-vessels out to watch that the Genoese fleet, which they looked on as already their own, did not steal away in the darkness. A vain imagination, says the poet:—
“Blind error of vainglorious men
To dream that we should seek to flee
After those weary leagues of sea
Crossed, but to hunt them in their den!”
The Venetians defeated, and Marco Polo a prisoner.
35. The battle began early on Sunday and lasted till the afternoon. The Venetians had the wind in their favour, but the morning sun in their eyes. They made the attack, and with great impetuosity, capturing ten Genoese galleys; but they pressed on too wildly, and some of their vessels ran aground. One of their galleys too, being taken, was cleared of her crew and turned against the Venetians. These incidents caused confusion among the assailants; the Genoese, who had begun to give way, took fresh heart, formed a close column, and advanced boldly through the Venetian line, already in disorder. The sun had begun to decline when there appeared on the Venetian flank the fifteen or sixteen missing galleys of Doria’s fleet, and fell upon it with fresh force. This decided the action. The Genoese gained a complete victory, capturing all but a few of the Venetian galleys, and including the flagship with Dandolo. The Genoese themselves lost heavily, especially in the early part of the action, and Lamba Doria’s eldest son Octavian is said to have fallen on board his father’s vessel. The number of prisoners taken was over 7000, and among these was Marco Polo.
Marco Polo’s Galley going into action at Curzola.
... “=il sembloit que la galie volast, par les nageurs qui la contreingnoient aux avirons, et sembloit que foudre cheist des ciex, au bruit que les pennonciaus menoient; et que les nacaires les tabours et les cors sarrazinnois menoient, qui estoient en sa galie.=”
(Joinville, vide ante, p. 40.)]
The prisoners, even of the highest rank, appear to have been chained. Dandolo, in despair at his defeat, and at the prospect of being carried captive into Genoa, refused food, and ended by dashing his head against a bench. A Genoese account asserts that a noble funeral was given him after the arrival of the fleet at Genoa, which took place on the evening of the 16th October. It was received with great rejoicing, and the City voted the annual presentation of a pallium of gold brocade to the altar of the Virgin in the Church of St. Matthew, on every 8th of September, the Madonna’s day, on the eve of which the Battle had been won. To the admiral himself a Palace was decreed. It still stands, opposite the Church of St. Matthew, though it has passed from the possession of the Family. On the striped marble façades, both of the Church and of the Palace, inscriptions of that age, in excellent preservation, still commemorate Lamba’s achievement. Malik al Mansúr, the Mameluke Sultan of Egypt, as an enemy of Venice, sent a complimentary letter to Doria accompanied by costly presents.
The latter died at Savona 17th October, 1323, a few months before the most illustrious of his prisoners, and his bones were laid in a sarcophagus which may still be seen forming the sill of one of the windows of S. Matteo (on the right as you enter). Over this sarcophagus stood the Bust of Lamba till 1797, when the mob of Genoa, in idiotic imitation of the French proceedings of that age, threw it down. All of Lamba’s six sons had fought with him at Meloria. In 1291 one of them, Tedisio, went forth into the Atlantic in company with Ugolino Vivaldi on a voyage of discovery, and never returned. Through Cæsar, the youngest, this branch of the Family still survives, bearing the distinctive surname of Lamba-Doria.
As to the treatment of the prisoners, accounts differ; a thing usual in such cases. The Genoese Poet asserts that the hearts of his countrymen were touched, and that the captives were treated with compassionate courtesy. Navagiero the Venetian, on the other hand, declares that most of them died of hunger.
Marco Polo in prison dictates his book to Rusticiano of Pisa. Release of Venetian prisoners.
36. Howsoever they may have been treated, here was Marco Polo one of those many thousand prisoners in Genoa; and here, before long, he appears to have made acquaintance with a man of literary propensities, whose destiny had brought him into the like plight, by name RUSTICIANO or RUSTICHELLO of Pisa. It was this person perhaps who persuaded the Traveller to defer no longer the reduction to writing of his notable experiences; but in any case it was he who wrote down those experiences at Marco’s dictation; it is he therefore to whom we owe the preservation of this record, and possibly even that of the Traveller’s very memory. This makes the Genoese imprisonment so important an episode in Polo’s biography.
To Rusticiano we shall presently recur. But let us first bring to a conclusion what may be gathered as to the duration of Polo’s imprisonment.
It does not appear whether Pope Boniface made any new effort for accommodation between the Republics; but other Italian princes did interpose, and Matteo Visconti, Captain-General of Milan, styling himself Vicar-General of the Holy Roman Empire in Lombardy, was accepted as Mediator, along with the community of Milan. Ambassadors from both States presented themselves at that city, and on the 25th May, 1299, they signed the terms of a Peace.
These terms were perfectly honourable to Venice, being absolutely equal and reciprocal; from which one is apt to conclude that the damage to the City of the Sea was rather to her pride than to her power; the success of Genoa, in fact, having been followed up by no systematic attack upon Venetian commerce. Among the terms was the mutual release of prisoners on a day to be fixed by Visconti after the completion of all formalities. This day is not recorded, but as the Treaty was ratified by the Doge of Venice on the 1st July, and the latest extant document connected with the formalities appears to be dated 18th July, we may believe that before the end of August Marco Polo was restored to the family mansion in S. Giovanni Grisostomo.
Grounds on which the story of Marco Polo’s capture at Curzola rests.
37. Something further requires to be said before quitting this event in our Traveller’s life. For we confess that a critical reader may have some justification in asking what evidence there is that Marco Polo ever fought at Curzola, and ever was carried a prisoner to Genoa from that unfortunate action?
A learned Frenchman, whom we shall have to quote freely in the immediately ensuing pages, does not venture to be more precise in reference to the meeting of Polo and Rusticiano than to say of the latter: “In 1298, being in durance in the Prison of Genoa, he there became acquainted with Marco Polo, whom the Genoese had deprived of his liberty from motives equally unknown.”
To those who have no relish for biographies that round the meagre skeleton of authentic facts with a plump padding of what might have been, this sentence of Paulin Paris is quite refreshing in its stern limitation to positive knowledge. And certainly no contemporary authority has yet been found for the capture of our Traveller at Curzola. Still I think that the fact is beyond reasonable doubt.
Ramusio’s biographical notices certainly contain many errors of detail; and some, such as the many years’ interval which he sets between the Battle of Curzola and Marco’s return, are errors which a very little trouble would have enabled him to eschew. But still it does seem reasonable to believe that the main fact of Marco’s command of a galley at Curzola, and capture there, was derived from a genuine tradition, if not from documents.
Let us then turn to the words which close Rusticiano’s preamble (see post, p. 2):—“Lequel (Messire Marc) puis demorant en le charthre de Jene, fist retraire toutes cestes chouses a Messire Rustacians de Pise que en celle meissme charthre estoit, au tens qu’il avoit 1298 anz que Jezu eut vesqui.” These words are at least thoroughly consistent with Marco’s capture at Curzola, as regards both the position in which they present him, and the year in which he is thus presented.
There is however another piece of evidence, though it is curiously indirect.
The Dominican Friar Jacopo of Acqui was a contemporary of Polo’s, and was the author of a somewhat obscure Chronicle called Imago Mundi. Now this Chronicle does contain mention of Marco’s capture in action by the Genoese, but attributes it to a different action from Curzola, and one fought at a time when Polo could not have been present. The passage runs as follows in a manuscript of the Ambrosian Library, according to an extract given by Baldelli Boni:—
“In the year of Christ MCCLXXXXVI, in the time of Pope Boniface VI., of whom we have spoken above, a battle was fought in Arminia, at the place called Layaz, between xv. galleys of Genoese merchants and xxv. of Venetian merchants; and after a great fight the galleys of the Venetians were beaten, and (the crews) all slain or taken; and among them was taken Messer Marco the Venetian, who was in company with those merchants, and who was called Milono, which is as much as to say ‘a thousand thousand pounds,’ for so goes the phrase in Venice. So this Messer Marco Milono the Venetian, with the other Venetian prisoners, is carried off to the prison of Genoa, and there kept for a long time. This Messer Marco was a long time with his father and uncle in Tartary, and he there saw many things, and made much wealth, and also learned many things, for he was a man of ability. And so, being in prison at Genoa, he made a Book concerning the great wonders of the World, i.e., concerning such of them as he had seen. And what he told in the Book was not as much as he had really seen, because of the tongues of detractors, who, being ready to impose their own lies on others, are over hasty to set down as lies what they in their perversity disbelieve, or do not understand. And because there are many great and strange things in that Book, which are reckoned past all credence, he was asked by his friends on his death-bed to correct the Book by removing everything that went beyond the facts. To which his reply was that he had not told one-half of what he had really seen!”
This statement regarding the capture of Marco at the Battle of Ayas is one which cannot be true, for we know that he did not reach Venice till 1295, travelling from Persia by way of Trebizond and the Bosphorus, whilst the Battle of Ayas of which we have purposely given some detail, was fought in May, 1294. The date MCCLXXXXVI assigned to it in the preceding extract has given rise to some unprofitable discussion. Could that date be accepted, no doubt it would enable us also to accept this, the sole statement from the Traveller’s own age of the circumstances which brought him into a Genoese prison; it would enable us to place that imprisonment within a few months of his return from the East, and to extend its duration to three years, points which would thus accord better with the general tenor of Ramusio’s tradition than the capture of Curzola. But the matter is not open to such a solution. The date of the Battle of Ayas is not more doubtful than that of the Battle of the Nile. It is clearly stated by several independent chroniclers, and is carefully established in the Ballad that we have quoted above. We shall see repeatedly in the course of this Book how uncertain are the transcriptions of dates in Roman numerals, and in the present case the LXXXXVI is as certainly a mistake for LXXXXIV as is Boniface VI. in the same quotation a mistake for Boniface VIII.
But though we cannot accept the statement that Polo was taken prisoner at Ayas, in the spring of 1294, we may accept the passage as evidence from a contemporary source that he was taken prisoner in some sea-fight with the Genoese, and thus admit it in corroboration of the Ramusian Tradition of his capture in a sea-fight at Curzola in 1298, which is perfectly consistent with all other facts in our possession.
---------------------------------------------------------------------- In this part of these notices I am repeatedly indebted to Heyd. (See supra, p. 9.)
On or close to the Hill called Monjoie; see the plan from Marino Sanudo at p. 18.
“Throughout that year there were not less than 40 machines all at work upon the city of Acre, battering its houses and its towers, and smashing and overthrowing everything within their range. There were at least ten of those engines that shot stones so big and heavy that they weighed a good 1500 lbs. by the weight of Champagne; insomuch that nearly all the towers and forts of Acre were destroyed, and only the religious houses were left. And there were slain in this same war good 20,000 men on the two sides, but chiefly of Genoese and Spaniards.” (Lettre de Jean Pierre Sarrasin, in Michel’s Joinville, p. 308.)
The origin of these columns is, however, somewhat uncertain. [See Cicogna, I. p. 379.]
In 1262, when a Venetian squadron was taken by the Greek fleet in alliance with the Genoese, the whole of the survivors of the captive crews were blinded by order of Palaeologus. (Roman. ii. 272.)
See pp. 16, 41, and Plan of Ayas at beginning of Bk. I.
See Archivio Storico Italiano, Appendice, tom. iv.
_Niente ne resta a prender
Se no li corpi de li legni:
Preixi som senza difender;
De bruxar som tute degni!_
* * * *
_Como li fom aproximai
Queli si levan lantor
Como leon descaenai
Tuti criando_ “Alor! Alor!”
This Alor! Alor! (“Up, Boys, and at ’em”), or something similar, appears to have been the usual war-cry of both parties. So a trumpet-like poem of the Troubadour warrior Bertram de Born, whom Dante found in such evil plight below (xxviii. 118 seqq.), in which he sings with extraordinary spirit the joys of war:—
“=Ie us dic que tan no m’a sabor
Manjars, ni beure, ni dormir,
Cum a quant aug cridar,= ALOR!
=D’ambas la partz; et aug agnir
Cavals voits per l’ombratge=....”
“I tell you a zest far before
Aught of slumber, or drink, or of food,
I snatch when the shouts of ALOR
Ring from both sides: and out of the wood
Comes the neighing of steeds dimly seen....”
In a galley fight at Tyre in 1258, according to a Latin narrative, the Genoese shout “Ad arma, ad arma! ad ipsos, ad ipsos!” The cry of the Venetians before engaging the Greeks is represented by Martino da Canale, in his old French, as “or à yaus! or à yaus!” that of the Genoese on another occasion as Aur! Aur! and this last is the shout of the Catalans also in Ramon de Muntaner. (Villemain, Litt. du Moyen Age, i. 99; Archiv. Stor. Ital. viii. 364, 506; Pertz, Script. xviii. 239; Muntaner, 269, 287.) Recently in a Sicilian newspaper, narrating an act of gallant and successful reprisal (only too rare) by country folk on a body of the brigands who are such a scourge to parts of the island, I read that the honest men in charging the villains raised a shout of “Ad iddi! Ad iddi!”
A phrase curiously identical, with a similar sequence, is attributed to an Austrian General at the battle of Skalitz in 1866. (Stoffel’s Letters.)
_E no me posso aregordar
Dalcuno romanzo vertadê
Donde oyse uncha cointar
Alcun triumfo si sobré!_
Stella in Muratori, xvii. 984.
Dandulo, Ibid. xii. 404–405.
_Or entram con gran vigor,
En De sperando aver triumpho,
Queli zerchando inter lo Gorfo
Chi menazeram zercha lor!_
And in the next verse note the pure Scotch use of the word bra:—
_Sichè da Otranto se partim
Quella bra compagnia,
Per assar in Ihavonia,
D’Avosto a vinte nove dì._
The island of Curzola now counts about 4000 inhabitants; the town half the number. It was probably reckoned a dependency of Venice at this time. The King of Hungary had renounced his claims on the Dalmatian coasts by treaty in 1244. (Romanin, ii. 235.) The gallant defence of the place against the Algerines in 1571 won for Curzola from the Venetian Senate the honourable title in all documents of fedelissima. (Paton’s Adriatic, I. 47.)
_Ma sé si gran colmo avea
Perchè andava mendigando_
_Per terra de Lombardia
Peccunia, gente a sodi?
Pone mente tu che l’odi
Se noi tegnamo questa via?_
_No, ma’ più! ajamo omi nostrar
Destri, valenti, e avisti,
Che mai par de lor n’o visti
In tuti officj de mar._
In July 1294, a Council of Thirty decreed that galleys should be equipped by the richest families in proportion to their wealth. Among the families held to equip one galley each, or one galley among two or more, in this list, is the CA’ POLO. But this was before the return of the travellers from the East, and just after the battle of Ayas. (Romanin, ii. 332; this author misdates Ayas, however.) When a levy was required in Venice for any expedition the heads of each contrada divided the male inhabitants, between the ages of twenty and sixty, into groups of twelve each, called duodene. The dice were thrown to decide who should go first on service. He who went received five lire a month from the State, and one lira from each of his colleagues in the duodena. Hence his pay was sixteen lire a month, about 2s. a day in silver value, if these were lire ai grossi, or 1s. 4d. if lire dei piccoli. (See Romanin, ii. 393–394.)
Money on such occasions was frequently raised by what was called an Estimo or Facion, which was a force loan levied on the citizens in proportion to their estimated wealth; and for which they were entitled to interest from the State.
Several of the Italian chroniclers, as Ferreto of Vicenza and Navagiero, whom Muratori has followed in his “Annals,” say the battle was fought on the 8th September, the so-called Birthday of the Madonna. But the inscription on the Church of St. Matthew at Genoa, cited further on, says the 7th, and with this agree both Stella and the Genoese poet. For the latter, though not specifying the day of the month, says it was on a Sunday:—
“Lo di de Domenga era
Passa prima en l’ora bona
Stormezam fin provo nona
Con bataio forte e fera.”
Now the 7th September, 1298, fell on a Sunday.
_Ma li pensavam grande error
Che in fuga se fussem tuti metui
Che de si lonzi eram vegnui
Per cerchali a casa lor._
“Note here that the Genoese generally, commonly, and by nature, are the most covetous of Men, and the Love of Gain spurs them to every Crime. Yet are they deemed also the most valiant Men in the World. Such an one was Lampa, of that very Doria family, a man of an high Courage truly. For when he was engaged in a Sea-Fight against the Venetians, and was standing on the Poop of his Galley, his Son, fighting valiantly at the Forecastle, was shot by an Arrow in the Breast, and fell wounded to the Death; a Mishap whereat his Comrades were sorely shaken, and Fear came upon the whole Ship’s Company. But Lampa, hot with the Spirit of Battle, and more mindful of his Country’s Service and his own Glory than of his Son, ran forward to the spot, loftily rebuked the agitated Crowd, and ordered his Son’s Body to be cast into the Deep, telling them for their Comfort that the Land could never have afforded his Boy a nobler Tomb. And then, renewing the Fight more fiercely than ever, he achieved the Victory.” (Benvenuto of Imola, in Comment. on Dante, in Muratori, Antiq. i. 1146.)
(“Yet like an English General will I die,
And all the Ocean make my spacious Grave;
Women and Cowards on the Land may lie,
The Sea’s the Tomb that’s proper for the Brave!”
—Annus Mirabilis.)
The particulars of the battle are gathered from Ferretus Vicentinus, in Murat. ix. 985 seqq.; And. Dandulo, in xii. 407–408; Navagiero, in xxiii. 1009–1010; and the Genoese Poem as before.
Navagiero, u.s. Dandulo says, “after a few days he died of grief”; Ferretus, that he was killed in the action and buried at Curzola.
For the funeral, a MS. of Cibo Recco quoted by Jacopo Doria in La Chiesa di San Matteo descritta, etc., Genova, 1860, p. 26. For the date of arrival the poem so often quoted:—
“De Oitover, a zoia, a seze di
Lo nostro ostel, con gran festa
En nostro porto, a or di sesta
Domine De restitui.”
S. Matteo was built by Martin Doria in 1125, but pulled down and rebuilt by the family in a slightly different position in 1278. On this occasion is recorded a remarkable anticipation of the feats of American engineering: “As there was an ancient and very fine picture of Christ upon the apse of the Church, it was thought a great pity that so fine a work should be destroyed. And so they contrived an ingenious method by which the apse bodily was transported without injury, picture and all, for a distance of 25 ells, and firmly set upon the foundations where it now exists.” (Jacopo de Varagine in Muratori, vol. ix. 36.)
The inscription on S. Matteo regarding the battle is as follows:—“_Ad Honorem Dei et Beate Virginis Marie Anno MCCLXXXXVIII Die Dominico VII Septembris iste Angelus captus fuit in Gulfo Venetiarum in Civitate Scursole et ibidem fuit prelium Galearum LXXVI Januensium cum Galeis LXXXXVI Veneciarum. Capte fuerunt LXXXIIII per Nobilem Virum Dominum Lambam Aurie Capitaneum et Armiratum tunc Comunis et Populi Janue cum omnibus existentibus in eisdem, de quibus conduxit Janue homines vivos carceratos VII cccc et Galeas XVIII, reliquas LXVI fecit cumburi in dicto Gulfo Veneciarum. Qui obiit Sagone I. MCCCXXIII._” It is not clear to what the Angelus refers.
Rampoldi, Ann. Musulm. ix. 217.
Jacopo Doria, p. 280.
Murat. xxiii. 1010. I learn from a Genoese gentleman, through my friend Professor Henry Giglioli (to whose kindness I owe the transcript of the inscription just given), that a faint tradition exists as to the place of our traveller’s imprisonment. It is alleged to have been a massive building, standing between the Grazie and the Mole, and bearing the name of the Malapaga, which is now a barrack for Doganieri, but continued till comparatively recent times to be used as a civil prison. “It is certain,” says my informant, “that men of fame in arms who had fallen into the power of the Genoese were imprisoned there, and among others is recorded the name of the Corsican Giudice dalla Rocca and Lord of Cinarca, who died there in 1312;” a date so near that of Marco’s imprisonment as to give some interest to the hypothesis, slender as are its grounds. Another Genoese, however, indicates as the scene of Marco’s captivity certain old prisons near the Old Arsenal, in a site still known as the Vico degli Schiavi. (Celesia, Dante in Liguria, 1865, p. 43.) [Was not the place of Polo’s captivity the basement of the Palazzo del Capitan del Popolo, afterwards Palazzo del Comune al Mare, where the Customs (Dogana) had their office, and from the 15th century the Casa or Palazzo di S. Giorgio?—H. C.]
The Treaty and some subsidiary documents are printed in the Genoese Liber Jurium, forming a part of the Monumenta Historiae Patriae, published at Turin. (See Lib. Jur. II. 344, seqq.) Muratori in his Annals has followed John Villani (Bk. VIII. ch. 27) in representing the terms as highly unfavourable to Venice. But for this there is no foundation in the documents. And the terms are stated with substantial accuracy in Navagiero. (Murat. Script. xxiii. 1011.)
Paulin Paris, Les Manuscrits François de la Bibliothèque du Roi, ii. 355.
Though there is no precise information as to the birth or death of this writer, who belonged to a noble family of Lombardy, the Bellingeri, he can be traced with tolerable certainty as in life in 1289, 1320, and 1334. (See the Introduction to his Chronicle in the Turin Monumentà, Scriptores III.)
There is another MS. of the Imago Mundi at Turin, which has been printed in the Monumenta. The passage about Polo in that copy differs widely in wording, is much shorter, and contains no date. But it relates his capture as having taken place at Là Glazà, which I think there can be no doubt is also intended for Ayas (sometimes called Giàzza), a place which in fact is called Glaza in three of the MSS. of which various readings are given in the edition of the Société de Géographie (p. 535).
“_E per meio esse aregordenti
De si grande scacho mato
Correa mille duxenti
Zonto ge novanta e quatro._”
The Armenian Prince Hayton or Héthum has put it under 1293. (See Langlois, Mém. sur les Relations de Gênes avec la Petite-Arménie.)
VII. RUSTICIANO OR RUSTICHELLO OF PISA, MARCO POLO’S FELLOW-PRISONER AT GENOA, THE SCRIBE WHO WROTE DOWN THE TRAVELS.
38. We have now to say something of that Rusticiano to whom all who value Polo’s book are so much indebted.
Rusticiano, perhaps a prisoner from Meloria.
The relations between Genoa and Pisa had long been so hostile that it was only too natural in 1298 to find a Pisan in the gaol of Genoa. An unhappy multitude of such prisoners had been carried thither fourteen years before, and the survivors still lingered there in vastly dwindled numbers. In the summer of 1284 was fought the battle from which Pisa had to date the commencement of her long decay. In July of that year the Pisans, at a time when the Genoese had no fleet in their own immediate waters, had advanced to the very port of Genoa and shot their defiance into the proud city in the form of silver-headed arrows, and stones belted with scarlet. They had to pay dearly for this insult. The Genoese, recalling their cruisers, speedily mustered a fleet of eighty-eight galleys, which were placed under the command of another of that illustrious House of Doria, the Scipios of Genoa as they have been called, Uberto, the elder brother of Lamba. Lamba himself with his six sons, and another brother, was in the fleet, whilst the whole number of Dorias who fought in the ensuing action amounted to 250, most of them on board one great galley bearing the name of the family patron, St. Matthew.
The Pisans, more than one-fourth inferior in strength, came out boldly, and the battle was fought off the Porto Pisano, in fact close in front of Leghorn, where a lighthouse on a remarkable arched basement still marks the islet of MELORIA, whence the battle got its name. The day was the 6th of August, the feast of St. Sixtus, a day memorable in the Pisan Fasti for several great victories. But on this occasion the defeat of Pisa was overwhelming. Forty of their galleys were taken or sunk, and upwards of 9000 prisoners carried to Genoa. In fact so vast a sweep was made of the flower of Pisan manhood that it was a common saying then: “Che vuol veder Pisa, vada a Genova!” Many noble ladies of Pisa went in large companies on foot to Genoa to seek their husbands or kinsmen: “And when they made enquiry of the Keepers of the Prisons, the reply would be, ‘Yesterday there died thirty of them, to-day there have died forty; all of whom we have cast into the sea; and so it is daily.’”
A body of prisoners so numerous and important naturally exerted themselves in the cause of peace, and through their efforts, after many months of negotiation, a formal peace was signed (15th April, 1288). But through the influence, as was alleged, of Count Ugolino (Dante’s) who was then in power at Pisa, the peace became abortive; war almost immediately recommenced, and the prisoners had no release. And, when the 6000 or 7000 Venetians were thrown into the prisons of Genoa in October 1298, they would find there the scanty surviving remnant of the Pisan Prisoners of Meloria, and would gather from them dismal forebodings of the fate before them.
It is a fair conjecture that to that remnant Rusticiano of Pisa may have belonged.
We have seen Ramusio’s representation of the kindness shown to Marco during his imprisonment by a certain Genoese gentleman who also assisted him to reduce his travels to writing. We may be certain that this Genoese gentleman is only a distorted image of Rusticiano, the Pisan prisoner in the gaol of Genoa, whose name and part in the history of his hero’s book Ramusio so strangely ignores. Yet patriotic Genoese writers in our own times have striven to determine the identity of this their imaginary countryman!
Rusticiano, a person known from other sources.
39. Who, then, was Rusticiano, or, as the name actually is read in the oldest type of MS., “Messire Rustacians de Pise”?
Our knowledge of him is but scanty. Still something is known of him besides the few words concluding his preamble to our Traveller’s Book, which you may read at pp. 1–2 of the body of this volume.
In Sir Walter Scott’s “Essay on Romance,” when he speaks of the new mould in which the subjects of the old metrical stories were cast by the school of prose romancers which arose in the 13th century, we find the following words:—
“Whatever fragments or shadows of true history may yet remain hidden under the mass of accumulated fable which had been heaped upon them during successive ages, must undoubtedly be sought in the metrical romances.... But those prose authors who wrote under the imaginary names of RUSTICIEN DE PISE, Robert de Borron, and the like, usually seized upon the subject of some old minstrel; and recomposing the whole narrative after their own fashion, with additional character and adventure, totally obliterated in that operation any shades which remained of the original and probably authentic tradition,” &c.
Evidently, therefore, Sir Walter regarded Rustician of Pisa as a person belonging to the same ghostly company as his own Cleishbothams and Dryasdusts. But in this we see that he was wrong.
In the great Paris Library and elsewhere there are manuscript volumes containing the stories of the Round Table abridged and somewhat clumsily combined from the various Prose Romances of that cycle, such as Sir Tristan, Lancelot, Palamedes, Giron le Courtois, &c., which had been composed, it would seem, by various Anglo-French gentlemen at the court of Henry III., styled, or styling themselves, Gasses le Blunt, Luces du Gast, Robert de Borron, and Hélis de Borron. And these abridgments or recasts are professedly the work of Le Maistre Rusticien de Pise. Several of them were printed at Paris in the end of the 15th and beginning of the 16th centuries as the works of Rusticien de Pise; and as the preambles and the like, especially in the form presented in those printed editions, appear to be due sometimes to the original composers (as Robert and Hélis de Borron) and sometimes to Rusticien de Pise the recaster, there would seem to have been a good deal of confusion made in regard to their respective personalities.
From a preamble to one of those compilations which undoubtedly belongs to Rustician, and which we shall quote at length by and bye, we learn that Master Rustician “translated” (or perhaps transferred?) his compilation from a book belonging to King Edward of England, at the time when that prince went beyond seas to recover the Holy Sepulchre. Now Prince Edward started for the Holy Land in 1270, spent the winter of that year in Sicily, and arrived in Palestine in May 1271. He quitted it again in August, 1272, and passed again by Sicily, where in January, 1273, he heard of his father’s death and his own consequent accession. Paulin Paris supposes that Rustician was attached to the Sicilian Court of Charles of Anjou, and that Edward “may have deposited with that king the Romances of the Round Table, of which all the world was talking, but the manuscripts of which were still very rare, especially those of the work of Helye de Borron ... whether by order, or only with permission of the King of Sicily, our Rustician made haste to read, abridge, and re-arrange the whole, and when Edward returned to Sicily he recovered possession of the book from which the indefatigable Pisan had extracted the contents.”
But this I believe is, in so far as it passes the facts stated in Rustician’s own preamble, pure hypothesis, for nothing is cited that connects Rustician with the King of Sicily. And if there be not some such confusion of personality as we have alluded to, in another of the preambles, which is quoted by Dunlop as an utterance of Rustician’s, that personage would seem to claim to have been a comrade in arms of the two de Borrons. We might, therefore, conjecture that Rustician himself had accompanied Prince Edward to Syria.
Character of Rustician’s Romance compilations.
40. Rustician’s literary work appears from the extracts and remarks of Paulin Paris to be that of an industrious simple man, without method or much judgment. “The haste with which he worked is too perceptible; the adventures are told without connection; you find long stories of Tristan followed by adventures of his father Meliadus.” For the latter derangement of historical sequence we find a quaint and ingenuous apology offered in Rustician’s epilogue to Giron le Courtois:—
“Cy fine le Maistre Rusticien de Pise son conte en louant et regraciant le Père le Filz et le Saint Esperit, et ung mesme Dieu, Filz de la Benoiste Vierge Marie, de ce qu’il m’a doné grace, sens, force, et mémoire, temps et lieu, de me mener à fin de si haulte et si noble matière come ceste-cy dont j’ay traicté les faiz et proesses recitez et recordez à mon livre. Et se aucun me demandoit pour quoy j’ay parlé de Tristan avant que de son père le Roy Meliadus, je respons que ma matière n’estoist pas congneue. Car je ne puis pas scavoir tout, ne mettre toutes mes paroles par ordre. Et ainsi fine mon conte. Amen.”
In a passage of these compilations the Emperor Charlemagne is asked whether in his judgment King Meliadus or his son Tristan were the better man? The Emperor’s answer is: “I should say that the King Meliadus was the better man, and I will tell you why I say so. As far as I can see, everything that Tristan did was done for Love, and his great feats would never have been done but under the constraint of Love, which was his spur and goad. Now that never can be said of King Meliadus! For what deeds he did, he did them not by dint of Love, but by dint of his strong right arm. Purely out of his own goodness he did good, and not by constraint of Love.” “It will be seen,” remarks on this Paulin Paris, “that we are here a long way removed from the ordinary principles of Round Table Romances. And one thing besides will be manifest, viz., that Rusticien de Pise was no Frenchman!”
The same discretion is shown even more prominently in a passage of one of his compilations, which contains the romances of Arthur, Gyron, and Meliadus (No. 6975—see last note but one):—
“No doubt,” Rustician says, “other books tell the story of the Queen Ginevra and Lancelot differently from this; and there were certain passages between them of which the Master, in his concern for the honour of both those personages, will say not a word.” Alas, says the French Bibliographer, that the copy of Lancelot, which fell into the hands of poor Francesca of Rimini, was not one of those expurgated by our worthy friend Rustician!
Identity of the Romance Compiler with Polo’s fellow-prisoner.
41. A question may still occur to an attentive reader as to the identity of this Romance-compiler Rusticien de Pise with the Messire Rustacians de Pise, of a solitary MS. of Polo’s work (though the oldest and most authentic), a name which appears in other copies as Rusta Pisan, Rasta Pysan, Rustichelus Civis Pisanus, Rustico, Restazio da Pisa, Stazio da Pisa, and who is stated in the preamble to have acted as the Traveller’s scribe at Genoa.
M. Pauthier indeed asserts that the French of the MS. Romances of Rusticien de Pise is of the same barbarous character as that of the early French MS. of Polo’s Book to which we have just alluded, and which we shall show to be the nearest presentation of the work as originally dictated by the Traveller. The language of the latter MS. is so peculiar that this would be almost perfect evidence of the identity of the writers, if it were really the fact. A cursory inspection which I have made of two of those MSS. in Paris, and the extracts which I have given and am about to give, do not, however, by any means support M. Pauthier’s view. Nor would that view be consistent with the judgment of so competent an authority as Paulin Paris, implied in his calling Rustician a nom recommandable in old French literature, and his speaking of him as “versed in the secrets of the French Romance Tongue.” In fact the difference of language in the two cases would really be a difficulty in the way of identification, if there were room for doubt. This, however, Paulin Paris seems to have excluded finally, by calling attention to the peculiar formula of preamble which is common to the Book of Marco Polo and to one of the Romance compilations of Rusticien de Pise.
The former will be found in English at pp. 1, 2, of our Translation; but we give a part of the original below for comparison with the preamble to the Romances of Meliadus, Tristan, and Lancelot, as taken from MS. 6961 (Fr. 340) of the Paris Library:—
“Seigneurs Empereurs et Princes, Ducs et Contes et Barons et Chevaliers et Vavasseurs et Bourgeois, et tous les preudommes de cestui monde qui avez talent de vous deliter en rommans, si prenez cestui (livre) et le faites lire de chief en chief, si orrez toutes les grans aventure qui advindrent entre les Chevaliers errans du temps au Roy Uter Pendragon, jusques à le temps au Roy Artus son fils, et des compaignons de la Table Ronde. Et sachiez tout vraiment que cist livres fust translatez du livre Monseigneur Edouart le Roy d’Engleterre en cellui temps qu’il passa oultre la mer au service nostre Seigneur Damedieu pour conquester le Sant Sepulcre, et Maistre Rusticiens de Pise, lequel est ymaginez yci dessus, compila ce rommant, car il en translata toutes les merveilleuses nouvelles et aventures qu’il trouva en celle livre et traita tout certainement de toutes les aventures du monde, et si sachiez qu’il traitera plus de Monseigneur Lancelot du Lac, et Monsʳ Tristan le fils au Roy Meliadus de Leonnoie que d’autres, porcequ’ilz furent sans faille les meilleurs chevaliers qui à ce temps furent en terre; et li Maistres en dira de ces deux pluseurs choses et pluseurs nouvelles que l’en treuvera escript en tous les autres livres; et porce que le Maistres les trouva escript au Livre d’Engleterre.”
“Certainly,” Paulin Paris observes, “there is a singular analogy between these two prefaces. And it must be remarked that the formula is not an ordinary one with translators, compilers, or authors of the 13th and 14th centuries. Perhaps you would not find a single other example of it.”
This seems to place beyond question the identity of the Romance-compiler of Prince Edward’s suite in 1270, and the Prisoner of Genoa in 1298.
Further particulars concerning Rustician.
42. In Dunlop’s History of Fiction a passage is quoted from the preamble of Meliadus, as set forth in the Paris printed edition of 1528, which gives us to understand that Rusticien de Pise had received as a reward for some of his compositions from King Henry III. the prodigal gift of two chateaux. I gather, however, from passages in the work of Paulin Paris that this must certainly be one of those confusions of persons to which I have referred before, and that the recipient of the chateaux was in reality Helye de Borron, the author of some of the originals which Rustician manipulated. This supposed incident in Rustician’s scanty history must therefore be given up.
We call this worthy Rustician or Rusticiano, as the nearest probable representation in Italian form of the Rusticien of the Round-Table MSS. and the Rustacians of the old text of Polo. But it is highly probable that his real name was Rustichello, as is suggested by the form Rustichelus in the early Latin version published by the Société de Géographie. The change of one liquid for another never goes for much in Italy, and Rustichello might easily Gallicize himself as Rusticien. In a very long list of Pisan officials during the Middle Ages I find several bearing the name of Rustichello or Rustichelli, but no Rusticiano or Rustigiano.
Respecting him we have only to add that the peace between Genoa and Venice was speedily followed by a treaty between Genoa and Pisa. On the 31st July, 1299, a truce for twenty-five years was signed between those two Republics. It was a very different matter from that between Genoa and Venice, and contained much that was humiliating and detrimental to Pisa. But it embraced the release of prisoners; and those of Meloria, reduced it is said to less than one tithe of their original number, had their liberty at last. Among the prisoners then released no doubt Rustician was one. But we hear of him no more.
---------------------------------------------------------------------- B. Marangone, Croniche della C. di Pisa, in Rerum Ital. Script. of Tartini, Florence, 1748, i. 563; Dal Borgo, Dissert. sopra l’Istoria Pisana, ii. 287.
The list of the whole number is preserved in the Doria archives, and has been published by Sign. Jacopo D’Oria. Many of the Baptismal names are curious, and show how far sponsors wandered from the Church Calendar. Assan, Alton, Turco, Soldan seem to come of the constant interest in the East. Alaone, a name which remained in the family for several generations, I had thought certainly borrowed from the fierce conqueror of the Khalif (infra, p. 63). But as one Alaone, present at this battle, had a son also there, he must surely have been christened before the fame of Hulaku could have reached Genoa. (See La Chiesa di S. Matteo, pp. 250, seqq.)
In documents of the kingdom of Jerusalem there are names still more anomalous, e.g., Gualterius Baffumeth, Joannes Mahomet. (See Cod. Dipl. del Sac. Milit. Ord. Gerosol. I. 2–3, 62.)
Memorial. Potestat. Regiens. in Muratori, viii. 1162.
See Fragm. Hist. Pisan. in Muratori, xxiv. 651, seqq.; and Caffaro, id. vi. 588, 594–595. The cut in the text represents a striking memorial of those Pisan Prisoners, which perhaps still survives, but which at any rate existed last century in a collection at Lucca. It is the seal of the prisoners as a body corporate: SIGILLUM UNIVERSITATIS CARCERATORUM PISANORUM JANUE DETENTORUM, and was doubtless used in their negotiations for peace with the Genoese Commissioners. It represents two of the prisoners imploring the Madonna, Patron of the Duomo at Pisa. It is from Manni, Osserv. Stor. sopra Sigilli Antichi, etc., Firenze, 1739, tom. xii. The seal is also engraved in Dal Borgo, op. cit. ii. 316.
The Abate Spotorno in his Storia Letteraria della Liguria, II. 219, fixes on a Genoese philosopher called Andalo del Negro, mentioned by Boccaccio.
I quote from Galignani’s ed. of Prose Works, v. 712. This has “Rusticien de Puise.” In this view of the fictitious character of the names of Rusticien and the rest, Sir Walter seems to have been following Ritson, as I gather from a quotation in Dunlop’s H. of Fiction. (Liebrecht’s German Version, p. 63.)
Giron le Courtois, and the conclusion of Tristan.
The passage runs thus as quoted (from the preamble of the
Meliadus—I suspect in one of the old printed editions):—
“Aussi Luces du Gau (Gas) translata en langue Françoise une partie de l’Hystoire de Monseigneur Tristan, et moins assez qu’il ne deust. Moult commença bien son livre et si ny mist tout les faicts de Tristan, ains la greigneur partie. Après s’en entremist Messire Gasse le Blond, qui estoit parent au Roy Henry, et divisa l’Hystoire de Lancelot du Lac, et d’autre chose ne parla il mye grandement en son livre. Messire Robert de Borron s’en entremist et Helye de Borron, par la prière du dit Robert de Borron, et pource que compaignons feusmes d’armes longuement, je commencay mon livre,” etc. (Liebrecht’s Dunlop, p. 80.) If this passage be authentic it would set beyond doubt the age of the de Borrons and the other writers of Anglo-French Round Table Romances, who are placed by the Hist. Littéraire de la France, and apparently by Fr. Michel, under Henry II. I have no means of pursuing the matter, and have preferred to follow Paulin Paris, who places them under Henry III. I notice, moreover, that the Hist. Litt. (xv. p. 498) puts not only the de Borrons but Rustician himself under Henry II.; and, as the last view is certainly an error, the first is probably so too.
Transc. from MS. 6975 (now Fr. 355) of Paris Library.
MSS. François, iii. 60–61.
Ibid. 56–59.
Introd. pp. lxxxvi.–vii. note.
See Jour. As. sér. II. tom. xii. p. 251.
“Seignors Enperaor, & Rois, Dux & Marquois, Cuens, Chevaliers & Bargions [for Borgiois] & toutes gens qe uoles sauoir les deuerses jenerasions des homes, & les deuersités des deuerses region dou monde, si prennés cestui liure & le feites lire & chi trouerés toutes les grandismes meruoilles,” etc.
The portrait of Rustician here referred to would have been a precious illustration for our book. But unfortunately it has not been transferred to MS. 6961, nor apparently to any other noticed by Paulin Paris.
Jour. As. as above.
See Liebrecht’s Dunlop, p. 77; and MSS. François, II. 349, 353. The alleged gift to Rustician is also put forth by D’Israeli the Elder in his Amenities of Literature, 1841, I. p. 103.
E.g. Geronimo, Girolamo; and garofalo, garofano; Cristoforo, Cristovalo; gonfalone, gonfanone, etc.
See the List in Archivio Stor. Ital. VI. p. 64, seqq.
VIII. NOTICES OF MARCO POLO’S HISTORY, AFTER THE TERMINATION OF HIS IMPRISONMENT AT GENOA.
43. A few very disconnected notices are all that can be collected of matter properly biographical in relation to the quarter century during which Marco Polo survived the Genoese captivity.
Death of Marco’s Father before 1300. Will of his brother Maffeo.
We have seen that he would probably reach Venice in the course of August, 1299. Whether he found his aged father alive is not known; but we know at least that a year later (31st August, 1300) Messer Nicolo was no longer in life.
This we learn from the Will of the younger Maffeo, Marco’s brother, which bears the date just named, and of which we give an abstract below. It seems to imply strong regard for the testator’s brother Marco, who is made inheritor of the bulk of the property, failing the possible birth of a son. I have already indicated some conjectural deductions from this document. I may add that the terms of the second clause, as quoted in the note, seem to me to throw considerable doubt on the genealogy which bestows a large family of sons upon this brother Maffeo. If he lived to have such a family it seems improbable that the draft which he thus left in the hands of a notary, to be converted into a Will in the event of his death (a curious example of the validity attaching to all acts of notaries in those days), should never have been superseded, but should actually have been so converted after his death, as the existence of the parchment seems to prove. But for this circumstance we might suppose the Marcolino mentioned in the ensuing paragraph to have been a son of the younger Maffeo.
Messer Maffeo, the uncle, was, we see, alive at this time. We do not know the year of his death. But it is alluded to by Friar Pipino in the Preamble to his Translation of the Book, supposed to have been executed about 1315–1320; and we learn from a document in the Venetian archives (see p. 77) that it must have been previous to 1318, and subsequent to February 1309, the date of his last Will. The Will itself is not known to be extant, but from the reference to it in this document we learn that he left 1000 lire of public debt (? imprestitorum) to a certain Marco Polo, called Marcolino. The relationship of this Marco to old Maffeo is not stated, but we may suspect him to have been an illegitimate son. [Marcolino was a son of Nicolo, son of Marco the Elder; see vol. ii., Calendar, No. 6.—H. C.]
Documentary notices of Polo at this time. The sobriquet of Milione.
44. In 1302 occurs what was at first supposed to be a glimpse of Marco as a citizen, slight and quaint enough; being a resolution on the Books of the Great Council to exempt the respectable Marco Polo from the penalty incurred by him on account of the omission to have his water-pipe duly inspected. But since our Marco’s claims to the designation of Nobilis Vir have been established, there is a doubt whether the providus vir or prud’-homme here spoken of may not have been rather his namesake Marco Polo of Cannareggio or S. Geremia, of whose existence we learn from another entry of the same year. It is, however, possible that Marco the Traveller was called to the Great Council after the date of the document in question.
We have seen that the Traveller, and after him his House and his Book, acquired from his contemporaries the surname, or nickname rather, of Il Milione. Different writers have given different explanations of the origin of this name; some, beginning with his contemporary Fra Jacopo d’Acqui, (supra, p. 54), ascribing it to the family’s having brought home a fortune of a million of lire, in fact to their being millionaires. This is the explanation followed by Sansovino, Marco Barbaro, Coronelli, and others. More far-fetched is that of Fontanini, who supposes the name to have been given to the Book as containing a great number of stories, like the Cento Novelle or the Thousand and One Nights! But there can be no doubt that Ramusio’s is the true, as it is the natural, explanation; and that the name was bestowed on Marco by the young wits of his native city, because of his frequent use of a word which appears to have been then unusual, in his attempts to convey an idea of the vast wealth and magnificence of the Kaan’s Treasury and Court. Ramusio has told us (supra, p. 6) that he had seen Marco styled by this sobriquet in the Books of the Signory; and it is pleasant to be able to confirm this by the next document which we cite. This is an extract from the Books of the Great Council under 10th April, 1305, condoning the offence of a certain Bonocio of Mestre in smuggling wine, for whose penalty one of the sureties had been the NOBILIS VIR MARCHUS PAULO MILIONI.
It is alleged that long after our Traveller’s death there was always, in the Venetian Masques, one individual who assumed the character of Marco Milioni, and told Munchausenlike stories to divert the vulgar. Such, if this be true, was the honour of our prophet among the populace of his own country.
45. A little later we hear of Marco once more, as presenting a copy of his Book to a noble Frenchman in the service of Charles of Valois.
